Tag: end of year

Smash Pages End of Year Survey, Part 5

Comic folks answer the question, “What do you consider to be the top five important events of 2015?”

For this year’s inaugural version of the Smash Pages End of Year Survey I had people answer the question: “What do you consider to be the top five important events of 2015?” I encouraged people to not necessarily answer the question in that manner if it didn’t strike their fancy. I cannot thank everyone enough for the participation during a busy time of year. Part 1 is here, part 2 is here part 4 is here.

Continue reading “Smash Pages End of Year Survey, Part 5”

Smash Pages End of Year Survey, Part 4

Comic folks answer the question, “What do you consider to be the top five important events of 2015?”

For this year’s inaugural version of the Smash Pages End of Year Survey I had people answer the question: “What do you consider to be the top five important events of 2015?” I encouraged people to not necessarily answer the question in that manner if it didn’t strike their fancy. I cannot thank everyone enough for the participation during a busy time of year. Part 1 is here, part 2 is here part 3 is here.

Sensation Comics #39
Sensation Comics #39

Carla Speed McNeil

Sensation Comics, Finder

These things happened, and I learned things from them I didn’t expect.

I wrote and drew a WONDER WOMAN story titled BOTH ENDS OF THE LEASH for Sensation Magazine. I’d never tried to wrap my mind around any of the comic book demigods, but the more I read about this princess, the more facets she reveals. I had some odd and, frankly, rather woo experiences trying to find a story for her, which in itself probably is what made it worth doing. The story is about animal defense, so it hit a lot of nerves, and I’ve gotten a lot of good feedback from long-term fans, but none more so than the fan I didn’t know about: my older sister.

I had NO IDEA my sister was a Wonder Woman fan. She’s eight years older than I am, so I guess I missed her Underoos stage. But she’s nearly six feet tall, long black hair, green eyes… How tempted was I to make my Diana’s eyes green just for her! But the fact that I found out late in the game that my sister’s such a fan restrained me from redesigning the Princess radically. This time.

I drew an issue of a horror comic called HARROW COUNTY, written and drawn by Cullen Bunn and Tyler Crook. I’ve never done a straight-up ghost story. This one was about a not-entirely-lost soul, a sad, ferocious little ghost in two parts. The tricky part, the thing I had to keep reminding myself was that, no matter how bad I felt for him, I needed to keep him creepy. That’s what makes him work. Poor little sticky thing.

If that was true of HARROW COUNTY, it’s doubly true of NO MERCY, the book I’m drawing with writer Alex de Campi. She rarely pulls a punch unless it’s for effect, and has been a master class in how fast you can make things happen in a story. It’s all too easy, especially when you love worldbuilding, to get lost in creating the immersive experience, forgetting that stories are about and-then-what.

The storytellers who REALLY surprised me with the depth and deftness of their storytelling are the ones who are making the tv show STEVEN UNIVERSE. If you don’t like goofy, it’s not for you, but that story’s deep heart, complexity of imagined world, and up-close-magic-tricks of throwing down new Plot Cards have left me with my jaw on the floor. I am watching. Taking NOTES.

Dunno if I’m going to be able to get all of these things into the new FINDER story I started in DARK HORSE PRESENTS last November, but they’re all in my head, at the very least. They’ll end up in SOMETHING.

Eric Haven

UR, MythBusters

1. Recidivist 4, by Zack Sally
2. Intelligent Sentient? by Luke Ramsey
3. Cosplayers 3, by Dash Shaw
4. Shaolin Cowboy: Shemp Buffet, by Geoff Darrow
5. Idyl – I’m Age, by Jeffrey Jones

Vito Delsante

Stray, Actionverse, Action Lab: Dog of Wonder

Actionverse #4
Actionverse #4

5. The Flash TV show – there’s not enough of it in a week. It’s not even a guilty pleasure. I sit and watch it with a smile from ear to ear. And while I enjoy Arrow (not caught up) and what I’ve seen of Supergirl (not caught up), I never miss Flash.

4. Conventions – I hate conventions, and that’s not a strong hate. It’s just…they’re inconvenient sometimes. But I had great experiences this year in Baltimore, NYCC and New Jersey Comic Expo. More shows are popping up (really looking forward to the 3 Rivers Comicon in May), and I hope the remain a local staple more than the overblown extravaganzas that they can become. Smaller shows are the best.

3. My comics – Stray came out this year. Line Webtoons announced that Dean Haspiel and I are working together again on the New Brooklyn Universe. Actionverse 0 just debuted and I’m writing a new all-ages comic, Action Lab: Dog of Wonder. I’m incredibly fortunate to have such opportunities and such amazing collaborators.

2. My friends’ comics – Beef With Tomato, Schmuck, Smoke, We Are Robin, Ghetto Klown, Plunder, the Bunker…working with my friends on Actionverse. As exciting as it is to see my own stuff out there, it’s just as exciting to see my friends get their work seen and recognized.

1. My kids – Unto us, a son was born this year. And while I’m still in the introduction phase with him, my daughter (who will be 3 in February) has become a huge part of my life and is dictating how I create comics in the near future…in a good way. I don’t know…it’s all new to me, but I’m enjoying the lessons.

Jim Zub

Wayward, Samurai Jack

1) Image’s Continued Creator-Owned Success
2) Diversity in Characters and Creators
3) Convention Culture Continues to Thrive
4) The Widening Embrace of Comics Content From Mainstream Media
5) Disney the Pop Culture Juggernaut: Animation, Marvel Movies, Star Wars

DJ Kirkbride

Amelia Cole, The Bigger Bang, Never Ending

Copra
Copra

5. COPRA makes me giddy. I was late to the game and missed the single issues, but Bergen Press’s trades are so snazzy. Tough characters in tough stories with tough art — I’m in as long as MICHEL FIFFE continues to create the book. Pure comics power!

4. COMIC BOOK APOCALYPSE: THE GRAPHIC WORLD OF JACK KIRBY, both the amazing CSUN exhibit and the accompanying book from IDW, gave me a jolt of energy regarding the whole medium, and art in general. From his early romance comics to of course all the superheroes to his mind boggling collages, there’s a reason JACK KIRBY is THE KING. It was a true delight seeing his pages in person, and reading amazing essays about the man and his art.

3. DAVID F. WALKER taking over comics! I’ve known Dave for a few years and have always admired his work, so it’s been a true pleasure watching him finally get the credit he deserves. From SHAFT in late 2014 to this year’s CYBORG and the upcoming (as of my typing) POWER MAN AND IRON FIST (with one of my favorites artists, SANFORD GREENE), his success this year just couldn’t have happened to a more deserving creator. Good for my pal, and good for all of us comic fans!

2. MICHAEL ALLRED drawing comics is one of my favorite things each and every year. He’s making magic with DAN SLOTT on SILVER SURFER — the Marvel character (along with, I’d say, DOCTOR STRANGE) that Allred was born to draw. He’s one of the nicest and most talented guys in comics, so it’s always a joy to see work from him.

1. HEROES FOR EVERY READER! Since I was a kid, part of my love of SUPERMAN has always been that, lack of muscles and perfectly chiseled features, I kinda look like him. Big jaw, blue eyes, dark hair… it made Halloween fun growing up (as almost every pic of me was in some Underroos-based Superman costume). Identification is important to kids, to see themselves in their heroes. This is just one of the reasons why characters like MS. MARVEL, BATGIRL, MILES MORALES: ULTIMATE SPIDER-MAN, SPIDER-GWEN, CYBORG, MOON GIRL, AMELIA COLE (I have to mention the hero created by ADAM P. KNAVE, NICK BROKENSHIRE, and myself here, right?), and many more having their own comic book titles is so important. We still have a long, looooong way to go, but it’s great to see some logical and, obviously, long overdue steps FINALLY being made. It’s a no-brainer and win-win for everyone!

Smash Pages End of Year Survey for 2015, Part 3

Comic folks answer the question, “What do you consider to be the top five important events of 2015?”

For this year’s inaugural version of the Smash Pages End of Year Survey I had people answer the question: “What do you consider to be the top five important events of 2015?” I encouraged people to not necessarily answer the question in that manner if it didn’t strike their fancy. I cannot thank everyone enough for the participation during a busy time of year. Part 1 is here, part 2 is here.

Continue reading “Smash Pages End of Year Survey for 2015, Part 3”

Smash Pages End of Year Survey, Part 2

Comic folks answer the question, “What do you consider to be the top five important events of 2015?”

For this year’s inaugural version of the Smash Pages End of Year Survey I had people answer the question: “What do you consider to be the top five important events of 2015?” I encouraged people to not necessarily answer the question in that manner if it didn’t strike their fancy. I cannot thank everyone enough for the participation during a busy time of year. Part 1 is here.

Tom Spurgeon

Screenshot 2016-01-04 at 2.48.39 AM

  1. Mowgli’s Mirror — I enjoyed this Retrofit comic book follow-up to Arsene Schrauwen quite a bit. Olivier Schrauwen is a major talent and one of those cartoonists whose every work demands attention. It’s always exciting to get to know a cartoonist’s work when they fall into that category.
  2. Money — I’m encouraged by things like Short Run in Seattle getting $20K from the NEA, and Jeff Smith/Vijaya Iyer of Cartoon Books facilitating a $7K gift to the cartoonist Katie Skelly at the show on which I work, Cartoon Crossroads Columbus. Comics-makers and comics institutions need to be supported in a rational, realistic way.
  3. Sprawl — I found it really interesting that nearly every top comics list had different comics on it, and that I’m guessing somewhere around 200 comics made best-of lists this year. My hunch is that this indicates a really interesting conversation going forward. Comics criticism used to be about hammering away at some really tightly-held but ultimately untenable ideas: that humane works, delicately crafted and strongly idiosyncratic, were more significant works of art than the latest, forgettable twists in genre work adhering to a rigidly commercial tradition. Heck, some people still argue this. Now we have to do the hard work of separating the great from the good, and everyone’s armed for bear. There are some fun discussions to have over the next 10 years.
  4. Mainstream Comics Exhaustion — I thought the listlessness of the Marvel and DC lines fascinating. I will never understand why Convergence was a good idea — that seemed an experiment in a laboratory designed to shed readers. Marvel’s shift from a powerful line-up to an average one is really telling, and it’s heartening to see a readership that’s simply baffled by things like two Howard The Duck issue #2s less than a year apart and wants no part of that particular madness. I can’t recall a more listless period creatively in those books since the late 1990s. Some of the more beloved mainstream comics of the moment seem to benefit from simply tweaking ol formulas rather than generating new ones
  5. Tim O’Shea — I’m glad to get this note from Tim O’Shea, and happy he’s working

Zander Cannon

Favorite Comics of 2015

First of all, I have a bunch of series that I always love, but so does everyone else, so I don’t really have anything new to add, just that they’re great. God Hates Astronauts, Saga, Southern Bastards, Gene Ha’s Mae (which I letter), Prez, Bitch Planet, Godzilla in Hell, Groot, Daredevil.

Nimona by Noelle Stephenson I randomly happened upon the web version of Nimona long ago when it was about half-done, and it was this incredible sensation of experiencing a cool new art style, a female anti-hero, and a completely engrossing story. I just got the hardcover recently, and it’s just such a beautiful polished story that still roots as a sort-of gag-a-day webcomic.

Unbeatable Squirrel Girl by Ryan North and Erica Henderson I’ve always loved Ryan North’s comics, and I am perpetually impressed that he always seems to manage to carve out a fun, interesting story that has just the right amount of weight and consequence within whatever continuity he’s given (Marvel, Adventure Time, etc.). More than that, reading the issues of Squirrel Girl is just such a enjoyable experience. The fact that there are little marginal notes — kind of like the mouseover text in webcomics — and the social media feed used as a recap just makes it that much more fun. Erica Henderson’s cartoony, fun art and all the subplots about Squirrel Girl’s roommate are just the best.
Screenshot 2016-01-04 at 4.00.15 AM

Deep Dark Fears by Fran Krause These are great. Again, I found these online, then just got the book for Xmas — I could barely get a chance to read it because all my family members were cracking up and saying “That’s just like you!”. I also love that since so much work is available online for free, that publishers are putting a lot of slick publication design into their print work.

Luther Strode by Tradd Moore This book is bananas. The story is progressing slowly enough that I don’t have any idea if it’s going to tie itself together, but the art and storytelling that Tradd Moore puts into it is unreal. I like that you can tell that he really gets lost in the art and that he solves visual problems in fascinating ways, some of which are really efficient and elegant, some of which clearly just involve drawing every last goddamn soldier or tree or shard of glass or whatever.

CyberRealm by Wren McDonald No Brow put out this beautiful, short little self-contained comic and it’s just the sort of thing I like. Written like a straight genre story, drawn like an indie comic, and then soaked in a heavy dose of cynicism. 

Van Jensen

1 – RUSSIAN OLIVE TO RED KING

My favorite book of the year, a small, soulful story from the Immonens. There’s nothing quite like seeing extremely talented creators telling a story unshackled by convention.

2 – HEAD LOPPER

Andrew MacLean’s fantasy epic is a visual treat, the most fun I’ve had reading comics in longer than I can remember. Each issue has at least one action sequence that’s something I’ve never seen before.

3 – WYTCHES

I was a bit slow getting to this, but the first collection is exactly the kind of horror I love. Creepy, atmospheric and intense, focused always on the characters and never on the gore. I read it on the beach, since I knew anywhere less serene and I’d end up with nightmares

4 – MULTIVERSITY

What a wild, woolly assemblage of crazy concepts, characters and locales. Not all of it worked, but the best of it was so damn good I kept going back to study it more, hoping to gain some understanding of how on Earth it was made.

5 – MARCH BOOK TWO

Another strong entry in the autobiography of Civil Rights hero Rep. John Lewis (who actually represents my district). It’s a reminder that there’s still much to learn from one of the most important movements in our history, and it’s all the more fitting that it comes out in an era when we clearly see that much more progress needs to be made.

Shawn Martinbrough

SMartinbrough-Top Five-MPHMPH-A realistic approach to the question of, “If you gained the ability of superspeed, what’s the first thing you would do?” The honest answer: Steal EVERYTHING. Fun writing by Mark Millar with gorgeous art by Duncan Fegrado. Fegrado’s attention to detail and action create really great moments here.
SMartinbrough-Top Five-Outcast
Outcast- I’ll probably get accused of shilling for the home team with this selection but the writing is trademark Kirkman slow burn creepy with exquisite storytelling and design by artist Paul Azaceta. I really love the economy of Paul’s lines, page design and SMartinbrough-Top Five-SICARIOhis amazing ability to convey character emotions. The colo
by Elizabeth Breitweiser are perfect.

SICARIO- The storytelling in this film by director Denis Villeneuve blew me away from the first shot. Cinematographer Roger Deakins is way overdue for sainthood and the score by composer Jóhann Jóhannsson is haunting in the best way. Buy the bluray NOW.

SMartinbrough-Top Five-TheWIRE

The WIRE-My choice for best television series ever created (Breaking Bad and The Sopranos are close seconds) was finally released on Bluray in 2015. I was late to the game but after so many folks whose opinions I respect heaped such praise on this show, I jumped on with Season 4 when it first aired on HBO. I was immediately hooked by the first scene with Snoop in the faux Home Depot. I’m about to start another marathon while drawing at the art table.

Between the World and Me- An honest and sincere window into the African America experience in America by author Ta-Nehisi Coates. My fiancee “borrowed” this book from me the day it arrived via Amazon. Required reading for EVERYONESMartinbrough-Top Five-BetweentheWorldandMe

Laura Martin

going to make an exception for this Top 5 list. I’m going to do a very overdue shout-out to five people who have been there through my entire career: my parents, my sister and brother-in-law, and my brother. This is for you, Nolie & Joan DePuy, Peg & Jerry Theirheimer, and Tom DePuy.

1995 was a banner year for the DePuys. My parents celebrated their 40th anniversary, Peg and Jerry celebrated their tenth anniversary, and I graduated college and started working in comics.

When I first broke the news to my parents that I’d accepted a colorist position at WildStorm, they didn’t take the news well. I was their youngest child, and the one living closest to them; I was fresh out of college, and I could have easily pursued a design job at any of the Orlando theme parks. Mom’s reaction to the news was something I’ll never forget. When I said I’d be moving from Orlando to San Diego, she replied, “Hahahano you’re not.”

The conversation did improve from that point, thank goodness. Within a few weeks and some nudging from my brother, my folks came around, and with a lot of trepidation, they decided to help me get my things in order and send me off to my new life in San Diego.

The family watched closely as I went from scrappy newbie to seasoned colorist, from staffer to freelancer (and back to staffer and then back to freelancer), from renting a rat-hole studio to buying a split-level ranch, from a nobody to a multiple award winner. They celebrated my successes and worried over my low points. My parents visited my various offices and even attended MegaCon one year. They welcomed Randy into the family, and celebrated his successes and worried over his low points as well. They gamely read the comics I brought home, even when they had no interest in the subject matter (although Dad liked Ministry of Space and Mom liked The Rocketeer). Hardcovers of my books became coffee-table books, always on display in their den. Mom and Peg, both longtime tax preparers, waded through our abysmal recordkeeping every year, and kept us safely out of the jaws of the IRS.

The biggest thing that my family did, and continue to do, for me is to be my sounding boards. They always ask really good questions: How am I being treated in the industry? Are my bosses fair? Does the portrayal of female characters bother me? Why are the deadlines always so crazy for colorists? What did the DC purchase of WildStorm mean, and, much later, what did the Disney purchase of Marvel mean? What did it mean when I went exclusive for Marvel? How are my studiomates? Am I hitting my deadlines and taking care of myself? Have I met Stan Lee? Is Jim Lee related to Stan Lee? (I cleared that one up really early.)

The one question they never asked me, however, was the question that too many comics artists get from their families: “When are you going to get a real job?” Whenever I hear of a fellow professional whose family isn’t supportive, I’m so very thankful for my own family. They might not always understand the crazy industry I work in, but they’re all glad that I found my niche early on, and that this niche has been very, very good to me over the years.

Now we’re all getting older; they’re all either retired or semi-retired, and we compare MRIs and worry over our octogenarian parents’ health more often than we exchange career advice. But I know if I were to suddenly decide to quit my job and become a cat whisperer and live off the grid, they might ask me a bunch of questions, but ultimately they know that I don’t make decisions lightly, and they’d support whatever I choose to do.

So thank you, Mom, Dad, Peg, Jerry and Tom (don’t say Tom and Jerry, they hate that). Thank you for being supportive when I chose this path, thank you for embracing Randy and his similar path, and thank you for walking the path with Randy and me — slightly behind us so we could forge our own way, but close enough to catch us when we stumble.

Smash Pages End of Year Survey, Part 1

Comic folks answer the question, “What do you consider to be the top five important events of 2015?”

For this year’s inaugural version of the Smash Pages End of Year Survey I had people answer the question: “What do you consider to be the top five important events of 2015?” I encouraged people to not necessarily answer the question in that manner if it didn’t strike their fancy. I cannot thank everyone enough for the participation during a busy time of year.

Jimmie Robinson

Image creator

Star Wars:

Screenshot 2016-01-01 at 3.50.18 PMA global phenomenon on all levels, even the comic spin-offs have done well in comic & book stores. This film/event has bridged generations together.

Noelle Stevenson:
My pick for comic industry person of the year.  Stevenson is in the right time and place and with the right talent to spur a new era of comic readers.  We love superheroes, but Stevenson has jumped into the arena of a cross audience with Nimona and Lumberjanes.  We need more creators like her, and Kelly Sue, for the next generation of readers.

Comics Journalism:
This might be something not noticed on a lot of people’s radar, but in this information era we should take note that comics journalism has grown and changed a lot in 2015. Sites, blogs, videos, periscopes, live streams and more have brought people together with news & information ranging from blockbuster films to the latest Internet rage, changes in publishing and even in the news sites themselves.

Comic conventions:
I include this because to be honest this has been a great year for comic conventions on all levels.  Sure we’ve had a few hiccups with the growing pains.  Sexual conduct, professional ethics, and such. BUT, the good news is that none of those incidents brought about a knock-on effect on attendance or the attendees.  Tackling such problems and moving on is the sign of a healthy industry.  We should all celebrate not just another good year, but a solid year.

The rise of comic awareness:
This spins off my inclusion of comic conventions for 2015, but *awareness* takes it a step further.  I’m an old fart and I remember the days of the comic industry as something done in backrooms, secret clubs and comic stores.  At that time I advocated that fans and readers bring our hobby into the light and share it with friends and family. It used to be a hidden secret among many of us, but  now, thanks to the popularity of several blockbuster superhero films, we’ve seen a surge of awareness and acceptance in pop culture.  TV, film, books, magazines, conventions, advertising, college classes, online sales and other ancillary spin-off merchandise.  It’s a great time for comics right now.  A lot of kids today don’t realize how good they’ve got it.

Paige Braddock

EVP / Creative Director
Charles M. Schulz Creative Associates

Giant Days  by John Allison (Author), Whitney Cogar (Author), Lissa Treiman (Illustrator)

Lumberjanes by Shannon Watters, Grace Ellis, and Noelle Stevenson

Doomboy by Tony Sandoval (an import that was originally published in 2014, but I didn’t discover it in the states until this past year)

 dddrAnd a VERY funny illustrated children’s graphic novel titled “Apocalypse Bow Wow” by James Proimos III, illustrated by James Proimos Jr.

I also really liked “This One Summer” by Jillian and Mariko Tamaki (but I think that may also have come out in 2014, sometimes I’m behind in my reading!)

“Fun Home” on Broadway. Based on Alison Bechdel’s graphic novel

Stuart Moore

Editor/writer

Screenshot 2016-01-01 at 10.14.58 PMPAPER GIRLS by Brian K. Vaughan and Cliff Chiang. The perfect melding of these two amazing talents—a seamless tale of adolescent trouble, time travel, and just plain fluid storytelling. The comic of the year (creator-owned division).

THE VISION by Tom King and Gabriel Hernandez Walta. An eerie tale of a family of robots living in suburbia, with a deeply existential undercurrent. Reminiscent of an early Alan Moore super hero book, which is high praise around here. Best company-owned book of the year.

GET IN TROUBLE by Kelly Link. A collection of stunning, character-oriented short stories, each and every one of which carries an emotional punch. Several of them have comics connections; “Secret Identity” takes place at a hotel hosting conventions for dentists and super heroes; while “Two Houses” concerns a pair of spaceships called House of Secrets and House of Mystery.

MAD MEN THE FINAL SEASON, created by Matthew Weiner. The last episodes were absolutely on fire; this series stands as a writer’s model for multilayered dialogue, unexpected twists, and the delicate balance between symbolic meaning and character logic. Comics connection (and MINOR SPOILER): Lou Avery’s fuck-you to the advertising business when his monkey-themed strip “Scout’s Honor” becomes a Japanese animated series.

YOU’RE THE WORST, created by Stephen Falk. The best sitcom that no one’s watching, focusing on the frequently dysfunctional relationship between a British writer and an unstable L.A. publicist. Bonus points for Falk’s hilariously honest interviews, and for not being afraid to take things to a pretty dark place in Season Two. Hilariously weak comics connection: Chris Geere plays Jimmy like John Constantine if, instead of being driven to fight demons, JC decided to just write a book and buy a house he couldn’t afford.

Honorable Mentions:

JESSICA JONES

DOCTOR WHO – season finale and Christmas special

SHOW ME A HERO (which is not what it sounds like)

STAR WARS: THE FORCE AWAKENS

TRANSPARENT

Carmine Di Giandomenico

freelance artist

DK III  

Miller-Azzarello- Kubert

Screenshot 2016-01-03 at 5.43.50 AMHuck

Millar- Albuquerque

Catwoman

Valentine- Messina

Star Wars

Rucka – Checchetto

Tokyo Ghost

Remender- Murphy

Ethan Young

Young Illustration

1.) nnnnnnnHow incredibly entertaining the Marvel Netflix series have been. Although Daredevil is intensely drab in parts, it is 90% how I imagined a live-action Daredevil would play out. And Jessica Jones has given us a great mix of dark humor, crime intrigue, and action

2.) Steve Skroce’s return to comics storytelling with We Stand On Guard. Man, I’d buy almost anything that dude draws. Kinda sad that Burlyman never released the collection of his storyboards for the Matrix sequels. Woulda loved to have owned that.

3.) Kate Beaton’s Step Aside, Pops made me laugh out loud more than a few times. I’d be really interested to see what she’d do with a superhero sandbox (and more than just a Strange Tales short), but that’s just me projecting what I want to see.

4.) NYCC reaching over 160K attendees was both incredible and frighteningly claustrophobic. I had to take several stress shits over that weekend.

5.) On a personal note, having finally released a book through Dark Horse, I’ve discovered that people feel more forthcoming with blunt critiques of your work, as opposed to the practiced constraint when reviewing small press creators.

Tim Seeley

http://timseeleyart.blogspot.com/

Okay, I have to admit that once again this year, I didn’t really read many comics, and even fewer that I really enjoyed. That’s not to say that their weren’t a whole hell of a lot of great comics out this year…there definitely were. But it turns out that when you spend so much time writing comics, you can’t really read ‘eHey, I gott

MAD Max Fury ROAD– A great sci-fi action movie that was also just a damn great film. It’s impressive just how wide the appeal of this movie became, considering the relative “cult status” of the previous films. And, it’s got friggin’ AWARDS BUZZ. Sure, it’s not a comic book, but I think anytime a “genre” product gets this kind of acclaim, it’s good for the comic industry.

Screenshot 2016-01-03 at 6.14.44 AMBLACK MASK STUDIOS– The rise of this small publisher was heartening to me for a couple of reasons. One, it’s run by two old buddies of mine, Matt Pizzolo and Steve Niles. Two, they make quality content with a very distinct voice and vision. And three, a healthy alternative comics publisher does wonders for the industry. Though “We Can Never Go Home” seemed to get most of the hype, I actually totally preferred the excellent and provocative “Young Terrorists” and the weird retro futurism of “Space Riders.”

THE DIVERSITY CONVERSATION– Sure, much of what actually got published was lip service, and a fare percentage of those shouting loudly on the internets didn’t seem to put their money where their mouth was…BUT, many who were unaware of the problem were made aware, and some outreach was made to expand the creative voices and audience for comics. Comics (especially superhero comics from the Big 2) should do a better job of reflecting the world outside our doors, and hopefully the conversations of 2015 are the beginnings of a better industry in 2016.

DCYou– Yeah, everyone will tell you the launch of DC’s “new audience friendly” line wasn’t met with big sales, but fuck everyone. There were some great comic books in that launch (Prez, Omega Men, Black Canary, etc) and in five years we’ll look back and remember it fondly for being ahead of its time.

DIGITAL DIDN’T KILL THE PRINT STAR– Some people buy their comics in print. Some buy them digitally. And apparently a whole hell of a lot of people do both. Sure, digital comic sales leveled off somewhat in 2015, but they’re still goddamn good, and they haven’t come at the expense of print comic sales. The comics industry is primed to accept new and varied means of distribution, and that can only be a good thing in a world that’s rushing right up that Curve of Accelerating