The two collaborators discuss adapting their play about Jack Kirby as an audio drama.
Fred Van Lente is well known to comics readers for his many comics, including The Incredible Hercules and Archer and Armstrong, his novels The Con Artist and Ten Dead Comedians, and a string of great comics he’s made with Ryan Dunlavey including Action Philosophers, The Comic Book History of Comics and The Comic Book History of Animation. Crystal Skillman is a playwright and scriptwriter best known for the plays Open and Rain and Zoe Save the World and the musical Mary and Max.
The two have collaborated in the past by writing the Webtoon series Eat Fighter, and they wrote the play King Kirby, about the legendary Jack Kirby. Originally produced in 2014, the play is currently being released as a four-part audio drama from the Broadway Podcast Network. Edited and with original music by Bobby Cronin, King Kirby stars Steven Rattazzi, Amy Lee Pearsall, Nat Cassidy, Joseph Mathers and Timothy McCown Reynolds.
The fourth episode of King Kirby is out today, a day before the release of issue #4 of The Comic Book History of Animation by Van Lente and Dunlavey, and tonight is the live reading of Pulp Verite, a new play written by Skillman. We spoke recently about Jack Kirby, theatricality and working in audio drama.
Jason Mehmel shares what he learned about Jack Kirby during his time directing the play “King Kirby” in Calgary in 2016.
All this week we’re celebrating the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. Today we present a guest editorial from Jason Mehmel, a professional director and producer of theatre in Calgary, Alberta, Canada, who had a unique opportunity related to Jack Kirby.
by Jason Mehmel
I’ve known about Jack Kirby for years… his style is as unique as a fingerprint. Crazy designs, often using circles. Crackling energy balls of negative space (later called ‘Kirby Krackles’). It represented the platonic ideal of superheroes, particularly the Marvel characters he created, and the subsequent artists, composing with better anatomy, perspective or even composition, are still ultimately riffing on the energy behind Kirby’s pencil, and the choices it led him to.
Two years ago, I came across a theatre script about the life of Kirby and found myself running a theatre company. I decided to jump at it and produce King Kirby: A Play by Crystal Skillman & Fred Van Lente, which walked through the pivotal moments in Kirby’s life:
How he came from poverty, his early love of science fiction and big ideas, and of telling them visually. How he got into comics from that love, and the birth of Captain America, just before his own wartime experience. How Marvel Comics as we know it exploded from his pen, and those of his fellow pencillers, though it would be hard to compete with the sheer volume of characters and stories Kirby developed in those years.