Image reveals many, many new titles at Image Expo

New projects announced from Matthew Rosenberg and Tyler Boss, Rob Guillory, J.H. Williams and Haden Blackman, Sam Humphries and Jen Bartel, Annie Wu and more.

As they’ve done in previous years, Image Comics dropped a metric ton of announcements at their Image Expo event, held today in Portland, Oregon.

The line-up of announcements this year includes five new titles from Todd McFarlane’s camp, new titles from Chew creators John Layman and Rob Guillory, two comics from Christoper Sebela, the fact that they’ll publish the Netflix/Millarworld titles starting with The Magic Order and much more. No doubt there are interviews aplenty dropping around the internet on all these new projects, so I’ll start with the text of the press release, then add art and commentary as I find it.

So let’s get to it …

Blackbird by Sam Humphries & Jen Bartel
Sam Humphries and Jen Bartel team up to co-create Blackbird, a modern fantasy story best described as Harry Potter meets Riverdale. It follows a young woman named Nina who discovers a neon-lit world of magic masters in Los Angeles. Now they’ve kidnapped her sister, and Nina is the only one who can save her.

“Blackbird is a labor of love, a coming of age story and beautiful people doing insane things with magic,” said Humphries.

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New miniseries expands the world of ‘Lazarus’

Greg Rucka and Michael Lark’s Image series enlists Eric Trautmann, Steve Lieber and more to explore different corners of the ‘Lazarus’ universe.

Greg Rucka and Michael Lark have recruited several writers and artists for a new six-issue miniseries set in the world of their popular Lazarus comic from Image. Lazarus: X+66 will feature six different stories that look into “neglected” corners of the world they’ve been building.

“Part of the joy of writing Lazarus for me is exploring and defining different aspects of the world, and in particular the characters who inhabit it,” Rucka said in a press release. “Following the events of ‘Cull,’ and gearing up for the inevitable trauma that will be ‘Fracture,’ this was the ideal time and place to look into some of the corners of our universe that had been, for one reason or another, neglected, while at the same time buttressing and expanding on the overall ‘main story’ that Michael and I are telling. Every one of these stories is important in the larger narrative, and getting to provide a laser focus on them is simply something that we can’t do in the confines of the pages of the monthly.”

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