Smash Pages Q&A: Seth on ‘Palookaville’ #23

The creator discusses the end of ‘Clyde Fans,’ the film ‘Seth’s Dominion’ and more.

In 2010 the cartoonist Seth revived his old comics series Palookaville as a series of hardcover volumes that come out once every year and a half or two years, in the smaller size and shape that Seth used in books like Wimbledon Green and The Great Northern Brotherhood of Canadian Cartoonists. Palookaville #23 has just been released by Drawn and Quarterly and like the earliest volumes, it contains a few different elements. There is a large selection of paintings that Seth created for two different exhibitions in 2014 and 2015. There’s the third chapter of Nothing Lasts, a memoir that Seth began in earlier volumes, and perhaps most notably, the fifth and final chapter of Clyde Fans.

Clyde Fans began many years ago in 1997 in the original Palookaville series, a followup to Seth’s now-classic graphic novel It’s A Good Life, If You Don’t Weaken. The story went on hiatus along with the series, and finishing the series has been one of Seth’s primary projects in the revived Palookaville series. In the interim he has been keeping busy, with a series of graphic novels, New Yorker covers, design projects like The Complete Peanuts, illustrating the Lemony Snicket series All the Wrong Questions, and making paintings and models for various exhibitions. We talked about what finishing the story means to him, what he’s working on next and some thoughts on the film Seth’s Dominion.

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Comics Lowdown: The impact of ComiXology Unlimited

David Steinberger talks digital comics, Akira Himekawa discuss Legend of Zelda and a Pakistani creator makes the world’s longest comic strip

The Digital Picture: ICv2 posts an interview with comiXology CEO David Steinberger, who talks about the platform’s gradual shift from something resembling a comic shop selling single issues to a more comprehensive service; how the company’s acquisition by Amazon three years ago has changed things; and the impact of ComiXology Unlimited, their all-you-can-read service, in terms of bringing in new readers:

One of the figures we’ve been sharing is that publishers that have been with [ComiXology Unlimited] for the year have seen overall double-digit growth this year. That’s totally opposite to what’s going on in the Direct Market.

One of the keys to their success is “personalization,” letting users tailor the experience and focus on what they are interested in—and, a la Amazon, recommend more items based on what they are reading already.

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