Smash Pages Q&A: Paul Maybury

The writer of ‘Last Stop in the Red Line’ discusses the Boston-based mystery/horror series and more.

Most comic fans probably know Paul Maybury from his work as an artist. Now living in Austin, Texas, the Boston native made a name for himself on books like Sovereign, Valhalla Mad, Catalyst Comix and D.O.G.S. of Mars, among other titles. While in the past he’s either worked with other writers or drew his own stories, his most recent work, Last Stop on the Red Line, has seen him move into the role of writing for another artist.

Drawn by Sam Lofti, the supernatural mystery brings Detective Migdalia Torres into contact with a very interesting and fun ensemble of characters, as she tries to solve a vicious strangling on the Boston subway.

With the final issue arriving this week from Dark Horse, I spoke to Maybury about the story’s conclusion, stepping into the writer role and what he’s working on next. If you missed the series, it’s a perfect reading for Halloween. You can find all four issues on comiXology, and a trade paperback should be out in February.

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Inktober Spotlight: Bruce McCorkindale

The artist shares daily drawings of various Muppets mashed up with arthouse films.

October is also Inktober, where artists from all over the world create a different ink drawing every day of the month — or whatever schedule works for them. While the official Inktober site provides a list of “prompts” to help inspire artists, many of them choose their own themes.

And some of those themes can get really fun and creative. Today we feature The Falling Man co-creator Bruce McCorkindale and his series of arthouse films/Muppets mash-ups. Yes, that’s right — he’s combining the Fraggles with Wes Anderson, Bert and Ernie with The Seventh Seal, and Rowlf with Ghost Dog, among many others. It’s an inspired, fun series of drawings.

To see what other artists are doing, search Twitter or Tumblr using the #inktober hashtag, or visit our own Tumblr where we’ve been posting them all month. And check out some of McCorkindale’s drawings below:

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