What I always hope is an interview grows organically and in this case it did. I went into this interview with inker and artist Bruce McCorkindale thinking we would discuss one thing when in fact I discovered he’d been an inker for Malibu for a number of years and I launched a whole separate discussion before all is said and done. We of course got around to also discussing his upcoming graphic novel The Falling Man.
My thanks to Bruce for his time.
Tim O’Shea: How did you start inking in the first place?
Bruce McCorkindale: I pretty much knew I wanted to work in comics since age 9, so I spent a lot of time practicing. My first published work was an adaptation of H.P. Lovecraft’s “The Festival” for New Media Irjax’s FANTASY ILLUSTRATED way back in ’84. The editor told me that the company went out of business before it saw print, but it turns out that it squeaked through! However, I didn’t find this out ’til about 15 years later! Around the same time, I went to a lot of comic cons, and got a lot of good response to my inking samples. Thus, I focused on inks, and got my first steady work from Malibu Comics in late 80s. They kept me busy for a good 10 years or so!
What is the most challenging aspect of your work?
These days, the most challenging aspect of my work is finding time and energy to focus on creator-owned works. That’s really the most satisfying aspect of comics creation, but it’s not the most profitable. So, I divide my time between doing inking work, re-creations of classic comic covers, advertising/editorial work, and try to sneak in my own work whenever I can. Aside from finding time for this work, the other challenging aspect is trying to grow and improve. I never think I’m good enough, and I think I’m right!
Has there ever been one you could not successfully finish?
I’ve always been able to finish out comics work assigned to me. In terms of my own works, there are quite a few unfinished ones. However, I’m an absurdly patient guy (probably to a fault), and never give up on the ones I believe in. I’m currently working here and there on projects that have been in the works a long time…like, a decade long!
What do you find to be the most creatively satisfying aspect of the experience.
The most satisfying aspect is when I finish a piece of work that I’m really happy about (rare) and that other people enjoy as well. Those two things often happen, but not always at the same time! I also like when I tackle something I really think I can’t handle, and pull it off. That’s a great feeling.
Who are your influences?
My biggest influences, in order of appearance, are Dr. Seuss, Charles Schulz, Marvel comics from the 1960s-70s, and Bernie Wrightson. In the 80s, THE COMICS JOURNAL was a big influence in terms of exposing me to a lot of different creators trying to push the envelope in comics storytelling.
A lot of great folks worked with Malibu. Were there certain creators that stuck out from that era in terms of creators you inked?