Scholastic discontinues Pilkey’s ‘The Adventures of Ook and Gluk’ due to ‘passive racism’

The publisher and author announced plans to stop distributing ‘The Adventures of Ook and Gluk’ because it includes ‘harmful stereotypes and passive racist imagery.’

Scholastic will stop distributing The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future, a 2011 graphic novel by Dog Man creator Dav Pilkey, because it “perpetuates passive racism,” they said in a press statement.

The graphic novel includes a character named Master Wong and his daughter Lan, who train the cavemen mentioned in the title. Their character designs, names and personalities perpetuate racist stereotypes toward Asians.

Pilkey has also posted an apology on his YouTube channel. He also said that he and his wife will donate any proceeds from the book to “charities that provide free books, art supplies, and theater for children in underserved communities; organizations that promote diversity in children’s books and publishing; and organizations designed to stop violence and hatred against Asians. These non-profit charities include: We Need Diverse Books, The AAPI, and TheaterWorks USA, among others.”

Scholastic has removed the book from their websites, and said they have stopped fulfillment of any orders. They also have contacted their retail partners to explain why this book is no longer available and seek a return of all inventory. They also plan to contact libraries and schools.

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‘Barbaric’ tells the story of Owen and his talking axe

New series from Vault Comics, by Michael Moreci, Nathan Gooden, Addison Duke, Jim Campbell and Tim Daniel, debuts in June.

Vault Comics has announced Barbaric, the story of a barbarian named Owen and his “sentient, blood-drunk” axe.

It’s written by Michael Moreci, with art by Nathan Gooden and colors by Addison Duke. Jim Campbell will letter the comic, and Tim Daniel serves as designer.

Barbaric, to me, is a series that wraps both its arms around the comics medium–it’s big, from the get-go, in ways only comics can be,” Moreci said. “I want this to be a huge story that continues on the way Hellboy does, and I want it to feel like that kind of epic. It’s my ode to pulp adventures, and immersive world-building, and larger-than-life characters. I feel so energized writing it, and I hope, between my scripts and Nate’s insanely amazing art, that energy comes off of every page.”

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