The new horror title from Vault Comics arrives in July. Read at your own risk.
Cullen Bunn and Leila Leiz have a new title coming out in July from Vault Comics, but based on the title, we’d recommend you read it at your own risk: The Last Book You’ll Ever Read.
Joining them are colorist Giada Marchisio, letterer Jim Campbell and designer Tim Daniel. It’s about a woman who writes a book that brings about the collapse of society as we know it.
“With this story, I’m exploring some concepts and themes that really trouble and frighten me,” Bunn said. “This is a story of fantasy and supernatural horror, but the themes and concepts haunt me like a ghost in the dark. The Last Book You’ll Ever Read is about the collapse of society, about the descent or de-evolution of mankind. The book referenced in the title is the Bible of this massive shift. In ourselves. In our friends and neighbors. In our culture. In the world around us. Reality itself is becoming more fierce and wild, and it is taking us with it. Is the ‘last book’ sort of a doctrine to what is coming? Is it somehow bringing about this cataclysmic reckoning? Not even the author of the book, Olivia Kade, seems to know. She knows only that the people around her want her dead because of the words she’s written. She hires a security consultant, Connor Wilson, to protect her. In order to protect him, she asks that he never reads her work. From that moment forward, the fates of Olivia and Connor are intertwined. And they are facing a horror of unbelievable proportions. This isn’t a story about the end times. It’s about a new beginning that is violent and terrifying.”
Continue reading “Bunn + Leiz team for ‘The Last Book You’ll Ever Read’”
New series from Vault Comics, by Michael Moreci, Nathan Gooden, Addison Duke, Jim Campbell and Tim Daniel, debuts in June.
Vault Comics has announced Barbaric, the story of a barbarian named Owen and his “sentient, blood-drunk” axe.
It’s written by Michael Moreci, with art by Nathan Gooden and colors by Addison Duke. Jim Campbell will letter the comic, and Tim Daniel serves as designer.
“Barbaric, to me, is a series that wraps both its arms around the comics medium–it’s big, from the get-go, in ways only comics can be,” Moreci said. “I want this to be a huge story that continues on the way Hellboy does, and I want it to feel like that kind of epic. It’s my ode to pulp adventures, and immersive world-building, and larger-than-life characters. I feel so energized writing it, and I hope, between my scripts and Nate’s insanely amazing art, that energy comes off of every page.”
Continue reading “‘Barbaric’ tells the story of Owen and his talking axe”
New miniseries follows a young man whose “forbidden quest reveals the shocking truth about his world.”
Dept. H and Black Badge writer Matt Kindt is teaming up with Barbarian Lord creator Matt Smith for a new miniseries from BOOM! Studios. Folklords is about” a young man whose forbidden quest reveals the shocking truth about his world and turns everything he ever knew upside down.”
“Ideas usually sneak up on you. But this one came in a flash. As soon as my plucky editor, Eric, said the word ‘Folklords,’ I had an image of this teenage kid in a black suit and tie…walking through a small folk tale-style village full of gnomes, witches and trolls. It looked jarring, seeing that kid there. He was completely out of place. What’s this kid wearing a suit for? Is he living in a fairy tale? Why is he there?” Kindt said in a press release. “I’m not sure why the word triggered that image in my head but I didn’t question it. The question I did have? Who the heck are the Folklords? This kid…in this suit and tie…who doesn’t seem to belong? He’s going to find out.”
Continue reading “BOOM! Studios announces ‘Folklords’ by Kindt + Smith”
New five-issue miniseries debuts from Dark Horse in September.
Giant Days and Bad Machinery creator John Allison has a new project coming from Dark Horse this fall. Titled Steeple, the five-issue miniseries is set in a “sleepy Cornish coastal town” caught in the battle between good and evil.
“At a time where we align ourselves along ever more partisan lines and refuse to believe that the other side might have anything useful to say, Steeple is my attempt to show just how wide and deep the grey area actually is. I’m uniquely placed to tell this story, as personally, my carefully held beliefs fold like a card table in the face of anyone who sounds like they know what they’re talking about,” Allison said about the project.
Continue reading “John Allison creates a ‘morally grey world’ in ‘Steeple’”