The do-gooder barbarian and his talking axe return next February.
Barbaric will return next year with a new miniseries, Born in Blood, written by Michael Moreci, drawn by Nathan Gooden, colored by Fabi Marques, lettered by Jim Campbell and designed by Tim Daniel.
Published by Vault Comics, Barbaric is the story of Owen, a cursed barbarian forced to do good, and his blood-hungry talking axe. This new story will show us Owen’s past — all the way back to his childhood.
“I’m so thrilled to announce the next big arc of Barbaric,” Gooden said. “This new arc is a deep dive into the history of Owen and the Barbarian clans. Readers get to see Owen as a child and how he becomes the ruthless Barbarian we all love. Friendships and alliances are splintering while Owen pushes against his curse. New characters and a brand new adventure will dramatically expand the world!”
Continue reading “‘Barbaric: Born in Blood’ will delve into Owen’s bloody childhood”
The miniseries from Flux House/Dark Horse Comics arrives next year.
Matt Kindt and Dan McDaid will go multi-dimensional next year in If You Find This, I’m Already Dead, a new miniseries about a reporter whose job takes her on a cosmic odyssey.
“If Moebius, Richard Corben and Jack Kirby had a baby…well…they actually did. And it’s us,” Kindt said. “We wanted to capture the great tradition of such great sci-fi magazines as Heavy Metal, Epic Magazine and 1984 with a big scuzzy cosmic sci-fi story and format.”
Kindt and McDaid will be joined by colorist Bill Crabtree and letterer Jim Campbell on the project, which will be released through Kindt’s Flux House imprint at Dark Horse Comics.
Continue reading “Kindt + McDaid go dimension-hopping in the ‘scuzzy cosmic sci-fi’ story ‘If You Find This, I’m Already Dead’”
The new Vault Comics title, announced today in San Diego, will arrive in October.
Son M. and Cas ‘MadCursed’ Peirano will get up close and personal with horror in a new title from Vault that will debut this fall. Something Crawled Out will introduce a woman who enlists her best friend to help find her missing sister — only for her to start to suspect her best friend is the Devil himself.
The new title is colored by Vittorio Astone, lettered by Jim Campbell and designed by Tim Daniel.
“Love is a violent thing. I’ve always been obsessed with the inherent connection between brutality and beauty, and the way we express our relationships in different ways” said Son M. “Something Crawled Out is about two desperate people trying to save someone they love, and thus committing unspeakable acts of violence onto others along the way. I’ve always wanted to write horror that was so tied to expressions of the Final Girl trope, mixed with the active presence of the Hunter. Rather than reacting to the tragedies around her, Eddie is constantly causing devastation in her desperation to find her sister.”
Continue reading “Horror gets personal in ‘Something Crawled Out’ by Son M. + MadCursed”
The miniseries from the team behind ‘The Sixth Gun’ features silver screen monsters coming to life at a film festival.
The The Sixth Gun team of Cullen Bunn, Brian Hurtt and Bill Crabtree are reuniting — not only on more The Sixth Gun, but on a new horror miniseries from Dark Horse titled The Midnite Show.
Letterer Jim Campbell will join them for the story of a cursed movie that was never finished, but when found footage pops up at a festival, so do real-life versions of the silver screen monsters.
“I’ve been calling this book ‘popcorn horror.’ It’s a book that’s full of chills and thrills. Our heroes are in terrible danger,” said Bunn. “The monsters they are facing are terrifying. But this story is also a lot of fun! A horror romp with action, humor, heart and a lot of bloodshed. These monsters mean bloody business!”
Continue reading “Bunn + Hurtt + Crabtree reunite for ‘The Midnite Show’”
John Allison and Max Sarin whip up a fancy murder mystery in April.
Now here’s a competition show I could get behind — Giant Days creators John Allison and Max Sarin will turn a British baking competition into an “Agatha Christie-style mystery” in The Great British Bump-Off. They’re joined by colorist Sammy Borras and letterer Jim Campbell.
The four-issue miniseries kicks off from Dark Horse Comics in April.
“I’ve made a lot of comics, I’ve read a lot of mysteries, and I’ve eaten a lot of cakes. You might say that I’ve been preparing for this series since I tasted my first fondant fancy,” Allison said. “And as I’m working with Max and Sammy again, readers can be assured that the confection will look as good as it tastes.”
Continue reading “Competitive baking goes horribly wrong in ‘The Great British Bump-Off’”
The digital series arrives on the platform next week.
Novelists Alex Segura and Rob Hart have come together to write Blood Oath, a new miniseries that debuts from Comixology Originals on Aug. 30. They’ll be joined by artist Joe Eisma, colorist Hilary Jenkins and letterer Jim Campbell, all under the watchful eye of editor Heather Antos.
Blood Oath is set during Prohibition in 1922 and will feature a woman who runs a “secret business” who crosses paths with the mafia and their “sinister partner.”
“Blood Oath is a blend of some of our favorite things, in terms of story and genre – historical fiction, the early days of organized crime, and horror – all things we wanted to explore, and they blended together perfectly to ask a key question: what if there was a secret, monstrous crime family that’s been part of the underworld for decades?” Segura said.
Segura, of course, is no stranger to comics, having worked in the industry for more than two decades and having written comics like The Dusk, The Black Ghost and many more. (He also has a Spider-Verse novel coming out, which was announced today). Hart’s new to comics, but has written several novels like The Paradox Hotel and The Warehouse. He and Segura have also collaborated before, teaming their two literary characters, Ash McKenna and Pete Fernandez, together in a short story called “Bad Beat.”
Continue reading “Segura + Hart + Eisma make a ‘Blood Oath’ for Comixology Originals”
The new horror title from Vault Comics arrives in July. Read at your own risk.
Cullen Bunn and Leila Leiz have a new title coming out in July from Vault Comics, but based on the title, we’d recommend you read it at your own risk: The Last Book You’ll Ever Read.
Joining them are colorist Giada Marchisio, letterer Jim Campbell and designer Tim Daniel. It’s about a woman who writes a book that brings about the collapse of society as we know it.
“With this story, I’m exploring some concepts and themes that really trouble and frighten me,” Bunn said. “This is a story of fantasy and supernatural horror, but the themes and concepts haunt me like a ghost in the dark. The Last Book You’ll Ever Read is about the collapse of society, about the descent or de-evolution of mankind. The book referenced in the title is the Bible of this massive shift. In ourselves. In our friends and neighbors. In our culture. In the world around us. Reality itself is becoming more fierce and wild, and it is taking us with it. Is the ‘last book’ sort of a doctrine to what is coming? Is it somehow bringing about this cataclysmic reckoning? Not even the author of the book, Olivia Kade, seems to know. She knows only that the people around her want her dead because of the words she’s written. She hires a security consultant, Connor Wilson, to protect her. In order to protect him, she asks that he never reads her work. From that moment forward, the fates of Olivia and Connor are intertwined. And they are facing a horror of unbelievable proportions. This isn’t a story about the end times. It’s about a new beginning that is violent and terrifying.”
Continue reading “Bunn + Leiz team for ‘The Last Book You’ll Ever Read’”
New series from Vault Comics, by Michael Moreci, Nathan Gooden, Addison Duke, Jim Campbell and Tim Daniel, debuts in June.
Vault Comics has announced Barbaric, the story of a barbarian named Owen and his “sentient, blood-drunk” axe.
It’s written by Michael Moreci, with art by Nathan Gooden and colors by Addison Duke. Jim Campbell will letter the comic, and Tim Daniel serves as designer.
“Barbaric, to me, is a series that wraps both its arms around the comics medium–it’s big, from the get-go, in ways only comics can be,” Moreci said. “I want this to be a huge story that continues on the way Hellboy does, and I want it to feel like that kind of epic. It’s my ode to pulp adventures, and immersive world-building, and larger-than-life characters. I feel so energized writing it, and I hope, between my scripts and Nate’s insanely amazing art, that energy comes off of every page.”
Continue reading “‘Barbaric’ tells the story of Owen and his talking axe”
New miniseries follows a young man whose “forbidden quest reveals the shocking truth about his world.”
Dept. H and Black Badge writer Matt Kindt is teaming up with Barbarian Lord creator Matt Smith for a new miniseries from BOOM! Studios. Folklords is about” a young man whose forbidden quest reveals the shocking truth about his world and turns everything he ever knew upside down.”
“Ideas usually sneak up on you. But this one came in a flash. As soon as my plucky editor, Eric, said the word ‘Folklords,’ I had an image of this teenage kid in a black suit and tie…walking through a small folk tale-style village full of gnomes, witches and trolls. It looked jarring, seeing that kid there. He was completely out of place. What’s this kid wearing a suit for? Is he living in a fairy tale? Why is he there?” Kindt said in a press release. “I’m not sure why the word triggered that image in my head but I didn’t question it. The question I did have? Who the heck are the Folklords? This kid…in this suit and tie…who doesn’t seem to belong? He’s going to find out.”
Continue reading “BOOM! Studios announces ‘Folklords’ by Kindt + Smith”
New five-issue miniseries debuts from Dark Horse in September.
Giant Days and Bad Machinery creator John Allison has a new project coming from Dark Horse this fall. Titled Steeple, the five-issue miniseries is set in a “sleepy Cornish coastal town” caught in the battle between good and evil.
“At a time where we align ourselves along ever more partisan lines and refuse to believe that the other side might have anything useful to say, Steeple is my attempt to show just how wide and deep the grey area actually is. I’m uniquely placed to tell this story, as personally, my carefully held beliefs fold like a card table in the face of anyone who sounds like they know what they’re talking about,” Allison said about the project.
Continue reading “John Allison creates a ‘morally grey world’ in ‘Steeple’”