Taboo + B. Earl + Ferreyra team for ‘Deadly Neighborhood Spider-Man’

Marvel announces a new Spider-Man series that features the return of the New Mutants’ Demon Bear.

During a virtual event earlier this week celebrating Spider-Man’s 60th anniversary, Marvel announced Deadly Neighborhood Spider-Man, a new miniseries by writers Taboo and B. Earl, and artist Juan Ferreyra.

According to Marvel Editor-in-Chief C.B. Cebulski, the story will feature the return of the Demon Bear, the malevolent entity first introduced by Chris Claremont and Bill Sienkiewicz during their stellar run on New Mutants.

“Being the first Indigenous writer to co-write this new Spider-Man comic with my brother B. Earl is a huge step in opening more doors for underrepresented talent to shape universally known comic characters,” Taboo told SYFY WIRE. “As a lifelong fan of everything Spider-Man, this is a childhood dream come true.”

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Stevan Subic will make his DC debut on ‘Riddler: Year One’

The Black Label title by Subic and first-time writer Paul Dano will kick off in October.

Renowned Serbian artist Stevan Subic, who has drawn the likes of Tarzan and Conan and worked with publishers like Soleil, Titan and Delcourt, will make his DC Comics’ debut on the Riddler: Year One, a new Black Label title coming later this year.

“DC Comics has officially unleashed the word & it is traveling around the globe already. Excited to join the flow!” Subic said on Twitter.

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Controversial ‘Red Room’ variant cover won’t be published

Fantagraphics, Ed Piskor and Jim Rugg decide not to release a cover that parodies Art Spiegelman’s cover to ‘Maus.’

A variant cover for the third issue of Ed Piskor’s “splatterpunk” comic series Red Room: Trigger Warning has been cancelled by its publisher, Fantagraphics, and the creators involved.

The cover, for Red Room: Trigger Warnings #3, was one of several covers that debuted in a post at The Beat yesterday — which they’ve since removed. It parodied Art Spiegelman’s Maus, the multiple award-winning autobiographical comic about his father’s experiences as a Polish Jew and Holocaust survivor. It’s not the kind of comic that would be a good idea to parody on a splatterpunk gore comic, given the subject matter or the recent controversy in Tennessee.

The backlash on Twitter was swift, with a tweet from artist Ramon Villalobos garnering several responses from other comics creators. His tweet also includes an image of the cover in question.

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