Day: March 31, 2022

Marvel will relaunch Shang-Chi in July

Writer Gene Luen Yang and artist Marcus To will continue the adventures of Shang-Chi and his family in ‘Shang-Chi and the Ten Rings.’

The current Shang-Chi series by Gene Yang and Marcus To will wrap up with issue #12 in May, but the leader of the Five Weapons Society won’t be gone for long. Marvel has announced that the previously solicited Shang-Chi #13 wll be re-titled and repackaged as Shang-Chi and the Ten Rings #1 in July.

Yang and To will remain the creative team on the series, which, as the title might have given away, will focus on the Ten Rings seen in the Shang-Chi film last year.

“It’s been such a joy to work with Marcus To over the last couple of months.  He’s a brilliant artist.  His characters are vibrant and full of energy, and he’s so good at fight choreography!” Yang said. “We’re all really excited about the new #1!  And about bringing in ten of the most powerful items ever into the Marvel Universe!”

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Smash Pages Q&A | Alisa Kwitney on ‘G.I.L.T.’

The comics writer, novelist and former Vertigo editor discusses her latest comic from Ahoy Comics, which she describes as ‘The Golden Girls’ meets ‘Sex and the City’—by way of ‘The Twilight Zone.’

Alisa Kwitney is a name familiar to many comics readers. For many years, she was an editor at Vertigo, overseeing The Dreaming and many other projects, in addition to being the Eisner-nominated writer of comics like Vertigo Visions: Phantom Stranger, Destiny: A Chronicle of Deaths Foretold and A Flight of Angels. She’s also written number of other comics, including Token for the short-lived Minx imprint and Mystik U. Kwitney is also a well known novelist of books including The Dominant Blonde, Sex As a Second Language, and Cadaver & Queen, in addition to being one-half of the people behind the Endless podcast.

In the new Ahoy Comics series that launches next week, Kwitney and artist Alain Mauricet introduce us to G.I.L.T. An acronym, we come to learn, that stands for “Guild of Independent Lady Temporalists.” The book opens in 1973 before jumping to 2017 and to say much more would spoil it, but Kwitney was kind enough to talk about the book without, we hope, saying too much.

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