Day: September 7, 2022

Guggenheim + Chaykin re-team for ‘Too Dead To Die’

The original graphic novel will return to the world of Simon Cross, a faux comic published in the 1980s.

Marc Guggenheim and Howard Chaykin, who previously worked together on Marvel’s Blade and Wolverine titles almost two decades ago, will reunite for Too Dead To Die, a new graphic novel coming from Image Comics.

Guggenheim said the story of a 1980s spy set in the world of today is an idea he’s been planning for years.

“Too Dead To Die is one of those ideas I’ve been thinking about for years before the COVID quarantine gave me the opportunity to actually write it,” Guggenheim said. “I started off writing ‘on spec’ without any particular artist in mind. But 10 pages in, I realized that all the images I was seeing in my head were illustrated by Howard, whom I had the good fortune to collaborate with on Blade and Wolverine. I was writing with Howard in mind without realizing it. Fortunately, Howard was amenable to coming aboard and I love how he’s brought Simon’s story to life. It’s very exciting to be getting Too Dead To Die out into the world after all this time.”

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Stan Sakai returns to Dark Horse to spearhead a new imprint

‘Usagi Yojimbo’ returns to the publisher as a part of Sakai’s Dogu Publishing imprint.

Stan Sakai’s legendary run on Usagi Yojimbo has walked the path with multiple publishers over the decades, including Fantagraphics and, most recently, IDW. But now the legendary ronin rabbit will return to the publisher where he stayed the longest — Dark Horse Comics.

Following a more than two-year stint at IDW, Stan Sakai will return to Dark Horse to helm his own imprint: Dogu Publishing — joining Karen Berger, Matt Kindt, Kevin Smith and Brian Michael Bendis, who also have their own imprints at Dark Horse. Prior to 2019, Dark Horse had published Usagi for more than 20 years.

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Smash Pages Q&A | Noah Van Sciver

The critically acclaimed cartoonist discusses his two latest projects, ‘Joseph Smith and the Mormons’ and ‘As a Cartoonist.’

Noah Van Sciver has always been a prolific cartoonist. This summer he released two new books, which represent the best work he’s done so far in his career.

Joseph Smith and the Mormons, which is out now from Abrams, is a project Van Sciver has been working on for more than a decade. To say that it’s Van Sciver’s best book, which I believe, is to sell it short, because the book is also the most ambitious project that Van Sciver has attempted. The book looks at the life of Smith and, without captions or word balloons, manages to convey so much information as it charts the early years of the Church of Jesus Christ of Latter-day Saints. It’s an incredible work of cartooning and of history.

His other book is As a Cartoonist, a collection of short comics published by Fantagraphics, which were made in the same period, and share a number of concerns and approaches. Both books are deeply personal in different ways. I’ve talked with Van Sciver a few times over the years, and I was thrilled to be able to talk with him about these two books.

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