Bunn + Piazzalunga’s over-the-top horror romp lands next year

‘Monsters Are My Business (And Business is Bloody)’ will debut from Dark Horse in April.

Dark Horse this week announced a new miniseries from horror mastermind Cullen Bunn and Happy Horror Days artist Patrick Piazzalunga. Monsters Are My Business (And Business is Bloody) is described as “an over the top, colorful, vibrant world of horrors,” and features colors by Marco Brakko and letters by Jim Campbell.

“Some time ago, Patrick and I were discussing working together on a new creator-owned title,” said Bunn. “He sent me some concept sketches of this big, burly biker type and a chainsaw-wielding, cigar-smoking koala bear. From there, we discussed building a story of elder gods, mutant cults, mercenary necromancers, and a lot of bloody good violence. Monsters Are My Business was born! I am just in awe of Patrick’s ability to fuse horror and action and comedy so seamlessly. Readers are going to dig this book!”

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Spider-Gwen swings back into the Marvel Universe next year

Stephanie Phillips and Chris Campana bring the Ghost Spider back to the 616.

After a few recent miniseries detailed what life is like for Spider-Gwen in her own universe, the Spiderverse-hopping hero will once again land in the 616 in a new title coming next year.

Writer Stephanie Phillips (Kicking Ice, Grim) and artist Chris Campana (Red Goblin, The Adventures of Parker Reef) will bring Spider-Gwen: The Ghost-Spider to New York, home of many Marvel heroes and, of course, the home of the deceased 616 Gwen Stacey. Mark Brooks will provide covers.

“Right after I started working on this new Spider-Gwen ongoing, I saw a little girl on Halloween dressed as Gwen and hitting some cool Spidey poses,” Phillips said. “It was kind of a surreal moment to realize that I get to be a part of Gwen’s next big chapter, bringing her into the 616 and giving readers stories that make us rethink who Gwen is and what her role is within this new universe. I’m also working on this story with the incredible Chris Campana, a great collaborator and friend, and I truly believe this is one of the most special books I’ve been a part of.”

Campana echoed Phillips’ comments about working together on the series.

“Stephanie’s writing allows for a ton of artistic freedom, while providing a great framework to work inside of,” Campana said. “I was onboard the moment I heard she was attached.”

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