Day: July 18, 2024

Marvel celebrates Hispanic Heritage Month this year with ‘Ghost Rider: Robbie Reyes Special’

Created 10 years ago by Felipe Smith and Tradd Moore, the young Ghost Rider returns to comics in a Marvel’s Voices special.

Jason Aaron left Robbie Reyes trapped inside the God Quarry at the end of his Avengers run, but if you’ve been wondering what the former Avenger has been up to, you can find out in October’s Ghost Rider: Robbie Reyes Special.

The anthology, which will include the Marvel’s Voices branding on the cover, will feature a new story by writer Carlos Hernandez and artist Moises Hidalgo that not only shows what Robbie Reyes has been up to since getting stuck, but also how his family and friends have reacted to the loss.

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SDCC | Jeff Lemire + Teddy Kristiansen present a ‘new beginning’ in ‘Black Hammer: Spiral City’

The seven-issue miniseries set in a chaotic new world begins this fall.

Rumors of the demise of the Black Hammer universe were … well, not exactly exaggerated, but sometimes endings bring new beginnings.

With that in mind, Jeff Lemire returns to a rearranged universe with Black Hammer: Spiral City, which “follows a new cast of heroes struggling to survive in a chaotic new world.” The miniseries also features artwork by Danish comics artist Teddy Kristiansen, who you probably know from drawing The Sandman, It’s a Bird and a lot of other great-looking comics.

“Teaming with one of my all-time favorite artists, Teddy Kristiansen, I knew this book needed to be special,” said Lemire. “It’s a brand-new era for the Black Hammer Universe. New stories, new characters, and a whole new direction. Black Hammer: The End was the culmination of the last eight years of storytelling, and now Black Hammer: Spiral City is truly a new beginning. It’s both a great jumping on point for curious readers, and a bold new direction for long time fans.”

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SDCC | Comixology + Dark Horse announces ‘Neptune’ by Michael Conrad + Nathan Ooten

The graphic novel will arrive on the digital platform in September, followed by a print edition from Dark Horse next year.

Comixology Originals will publish the revenge tale Neptune in September by Tremor Dose writer Michael Conrad and debuting artist Nathan Ooten.

They’re joined by letterer Kyle Arends on the project, which is described as “a bleak examination of the capitalist machine.” The story revolves around a former prison inmate investigating the mysterious death of his brother.

“Following books like Tremor Dose and Double Walker isn’t easy, I remain quite proud of both of those stories,” Conrad said. “With Neptune, I wanted to rip something from the headlines and address it in a graphic novel. The result feels far less like ‘entertainment’ and more like observing a car crash, a thing you don’t wish to see, but can’t look away from. Nathan Ooten nailed it; each page manages to be at once a beautiful display of his multimedia approach to sequential art, and a profane representation of quite vile subject matter.”

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DC reveals more details on their ‘All In’ line-ups

The publisher has shared creative teams and cover art for three Absolute Universe titles, along with plans for several DCU series in the post-‘Absolute Power’ era.

If you missed the YouTube video yesterday, DC has revealed their next publishing initiative, All In, which will see several creative team changes and the birth of a whole new universe. Headed up by Scott Snyder and Joshua Williamson, the Absolute Universe will come into being thanks to Darkseid in October’s All In one-shot.

And today DC revealed some of the creative teams you can expect to see on some of the Absolute titles and the regular DC titles.

Starting first with the DC Absolute Universe — which is what they’re calling it in the press release, so we can assume that’s the official name — the line will launch with Absolute Batman by Scott Snyder and Nick Dragotta, as revealed yesterday. The first issue will come out Oct. 9. It’ll be followed by Kelly Thompson and Hayden Sherman’s reinvention of Wonder Woman “from the ground up” in Absolute Wonder Woman #1, due out Oct. 23. Then you have Jason Aaron and Rafa Sandoval launching Absolute Superman #1 on Nov. 6.

“The creation of the AbsoluteUniverse is how I always imagined coming back to DC, and DC All In will be a great jumping-on point for new readers as well as lapsed fans to discover new stories to love and the chance to explore the new directions in store for DC’s core series lineup,” Snyder said in the press release.

Here’s more details and cover art for those titles, along with several DCU titles (which they refer to as the “Core Line” in the press release):

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Horror filmmakers David Ian + Rebekah McKendry head to ‘Barstow’ with Tyler Jenkins + Justin Birch

The horror-comedy title arrives from Dark Horse this fall.

Filmmakers David Ian McKendry and Rebekah McKendry will team with artist Tyler Jenkins and letterer Justin Birch for Barstow, a horror comedy coming from Dark Horse later this year.

The McKendrys are the husband and wife team who worked on horror films like Glorious and All the Creatures Were Stirring. Jenkins, meanwhile, is the award-winning artist of titles like Grass Kings and Hairball.

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Mark Waid + Chris Samnee show us the early days of Dick + Bruce in ‘Batman and Robin: Year One’

The 12-issue series begins in October.

The creative team behind beloved runs of Daredevil, Captain America and Black Widow will bring their magic to DC this fall, as Mark Waid and Chris Samnee present Batman and Robin: Year One.

The series will focus on the early days of the relationship between Bruce Wayne and his new ward, Dick Grayson, as they navigate their new roles both as superheroes and father/son. It’ll also introduce a new mob boss, The General, and feature Two-Face.

“While Batman and Robin are the stars of this tale and get most of the panel time, at its heart, this isn’t a Batman/Robin story, it’s a Bruce/Dick story,” Waid said. “It takes place only a month or two after Bruce adopted Dick, and it’s sinking in for Bruce that he has no idea how to be a father to a kid that age. He has no role model—his own father was long dead by the time he was Dick’s age. Nothing he’s ever done has prepared him for this, and Alfred—wise as he is—doesn’t have much experience here either.”

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