SDCC | Get your digital DSTLRY comics signed at Comic Con this week

DSTLRY is rolling out two new innovations for digital comics owners at their SDCC booth.

While shifting from buying print comics to digital comics has some advantages (storage space!), one of the downsides is that you no longer have something for creators to sign at conventions. DSTLRY plans to change that with DSTLRY Remarques, a new feature that, along with one called DSTLRY Proof, will debut this weekend at the San Diego Comic Con.

“DSTLRY Remarques and DSTLRY Proof exemplify our mission to merge the traditional comic experience with groundbreaking digital advancements,” said DSTLRY co-founder David Steinberger. “These features not only enhance the collector’s experience but also ensure that our creators are continuously supported through perpetual royalties via our digital marketplace.”

Per the press release, DSTLRY Remarques “allows creators to sign and sketch on digital editions of DSTLRY issues and books, creating completely individualized and re-sellable editions.” DSTLRY only offers digital single issues through their own proprietary marketplace, rather than through other platforms like Comixology. That gives them some control over additional features they can add to enhance the experience — like this one.

Here’s how it’ll work:

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Joshua Williamson + Scott Snyder are ‘All In’ on DC this fall

DC will launch the Absolute Universe this October, a new line of comics spearheaded by Snyder and Williamson.

Joshua Williamson and Scott Snyder took to YouTube today to announce DC’s next big publishing initiative, the Absolute Universe, as well as DC All In, a one-shot coming in October that will introduce a new universe of DC characters as well as spotlight upcoming storylines in the regular DCU.

If that’s confusing, think of it like this: DC is launching their own version of the Ultimate Universe, which will run parallel to the regular DC Universe. It’s creation, though, is part of the story in DC All In.

Williamson and Snyder will co-write the DC All In one-shot flipbook, which will feature art by Daniel Sampere and Wes Craig. Sampere’s story will focus on the post-Absolute Power DC Universe, while Craig’s will introduce the Absolute Universe — which has an interesting origin.

“If the main universe is sort of predicated on Superman energy right … then this universe is kind of founded on Darkseid energy,” Snyder said, which he described as chaotic, dangerous and wild.

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Random House Publishing Group is acquiring BOOM! Studios

The deal is expected to close this summer.

Penguin Random House has announced plans for its Random House Publishing Group divison to acquire BOOM! Studios, the publisher of BRZRKR, Something is Killing the Children, Power Rangers comics and many more titles over the course of its almost 20-year history.

The terms of the deal were not disclosed, but PRH expects to close the sale this summer.

BOOM! will join the Random House Worlds portfolio of imprints, which includes genre piublisher Del Rey, manga publisher Inklore and more. According to the press release, BOOM! will retain their editorial and publishing independence as they report into Scott Shannon, President of Random House Worlds.

“Over the past several years Random House Worlds has partnered with BOOM! Studios on various projects and had the benefit of seeing first-hand their best-in-class comic publishing. Ross and his team have built a dynamic, imaginative home for a diverse and talented roster of creators. We are thrilled to welcome BOOM! Studios to our house, and now work side-by-side with this imaginative team,” said Shannon. “The acquisition of BOOM! Studios is a major step in Penguin Random House’s expansion of support to the direct comics market and a key part of our commitment to being the best publisher for creators across all categories. We are excited to continue that tradition with BOOM! as part of the Random House Publishing Group.”

As to who will run things on the BOOM! side, that remains to be seen, as founder Ross Richie is leaving and Filip Sablik, their president of publishing, recently left.

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Marvel’s 2024 Pride Month plans received internal criticism

An article in the Advocate quotes a Marvel employee who thought Marvel’s ‘ally’ covers were a ‘prank.’

Marvel’s approach to Pride Month this year received not only external criticism but also concern from their own employees, as an Advocate article revealed last week. An anonymous Marvel employee spoke to the publication about their reaction to an internal email about Marvel’s “ally” variant covers, which many have said put the spotlight on non-LGBTQ+ characters during a month aimed to spotlight and celebrate the LGBTQ+ community. “I thought, ‘they’re really erasing us,’” the employee told the publication.

What was different about Marvel’s approach this year? First, they opted not to call this year’s Pride special a Pride special. The Marvel’s Voices: Pride anthology, as they’ve called it in years past, was replaced with X-Men: The Wedding Special — which featured the wedding of Mystique and Destiny, the first time a wedding between two women was shown in a Marvel comic. The comic also featured additional stories that tied into the main story, by creators like Yoon Ha Lee, a trans science fiction author, and M. Louis, creator of the webcomic Agents of the Realm. While it served a similar function, showcasing stories about LGBTQ+ characters, it did so without the word “Pride” in the title (although it did sport an emblem on the cover that noted it was “A Very Special Edition of Marvel Voices: Pride.”)

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Mad Cave Studios launches their 2024 Talent Search

Entries are due by the end of August.

Mad Cave Studios has announced their 2024 Talent Search, which they’ve conducted for the past seven years. Previous winners have gone on to work with Mad Cave and other publishers, including Anthony Cleveland, Jay Sandlin, David Hazan, Shane Connery Volk and many more.

The type of talent they’re looking for changes every year; up until 2022, they were looking for writers and artists, but that year they expanded it to include colorists and letterers. This year they are doubling the number of winners in each category, as they are looking for two writers, two illustrators, two colorists and two letterers to work on upcoming projects.

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WBTN: Webtoon registers with the SEC to go public

The popular webcomics platform plans to list its stock on the NASDAQ.

Webtoon Entertainment, the parent company of the popular webcomics platform Webtoon, has filed paperwork with the U.S. Securities Exchange Commission to begin the process of becoming a publicly traded company. According to the prospectus, Webtoon would list its stock on the NASDAQ market under the WBTN symbol.

The prospectus is a great read if you’re interested in the business aspects of Webtoon, how it operates and how it views creators, who are vital to its business model. It’s also very readable, compared to a lot of legal/government filings, as it tells the story of the company and its founder/CEO, Junkoo Kim.

 “The project was born out of my own love of comics, which I’ve been passionate about since I was young,” Kim writes in his opening message. “Comics are like a window into another world, capable of transporting readers to distant, fantastic places, and creating new perspectives. I’ve long admired the talented artists who create comics and have the incredible gift of building entire universes on a page. I truly love visual stories and storytelling, which is why I am so passionate about helping a diverse new generation of creators succeed.”

Kim was a search engineer at the Naver Corporation, the South Korean internet conglomerate that currently owns Webtoon Entertainment, when he came up with the idea for it. According to the paperwork, Naver would retain a controlling interest in Webtoon after the public offering. The exact percentage of ownership they plan to offer and the opening price have not been determined and aren’t included in the document. They also don’t plan to offer a dividend for the foreseeable future (which is something my dad will ask about if he sees this).

But what is included? Stat and data on Webtoon, as displayed in this handy infographic and the document itself:

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Coca-Cola + Marvel’s new campaign brings more than 30 comics characters to Coke cans

A new ad for the campaign features Colossus, Daredevil and more delivering a Coke to a comic shop employee.

Coca-Cola and Marvel has teamed up for a new marketing program that includes Marvel Comics characters appearing on cans, along with a TV commercial, prizes and an immersive augmented reality experience.

Titled Coca-Cola x Marvel: The Heroes, the campaign will bring a line of exclusive cans and bottles of Coca-Cola and Coca-Cola Zero Sugar products that will feature more than 30 Marvel characters in red, white and black tones. Cans will feature Hulk, Iron Man, Black Panther, Deadpool, Juggernaut, Nick Fury, Super Skrull, Cable and more.

The real star here, though, has to be the fun new commercial. Not only is it set in a comic shop, but it also features the comic book versions of Colossus, Daredevil, Black Widow and more trying to deliver a bottle of Coke to an employee:

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Magma Comix + Ruptura Estudios partner on a new comics imprint

Their first title, ‘Hell’s Half Acre,’ arrives in June.

Magma Comix has announced a partnership with Ruptura Estudios, a Mexico-based comics studio, to create a line of comics “with Hispanic appeal” made by international creators.

The new imprint’s first title, Hell’s Half Acre by Magma founder Denton J. Tipton and artist Ramon Bunge, will kick off this summer.

“When Denton shared his plans for Magma Comix, I automatically thought that this was a train I wanted to travel on,” said R.G. Llarena, Ruptura Estudios’ managing partner, and a former editor for Heavy Metal Magazine, where Magma Comix got its start before spinning off as an independent entity. “Sometime later, here we are, embarking on our first journey together. To victory!”

Magma and Ruptura plan to release two other titles this year as well.

“R.G.’s commitment to creator rights has been evident throughout his long career, making Ruptura an ideal partner for Magma,” Tipton said. “Together, we will create captivating story worlds that transport our readers and lure them back time and time again.”

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An X-Men era ends, and a new one begins, this summer

Gerry Duggan, Kieron Gillen, Al Ewing, Lucas Werneck, Joshua Cassara, Chris Claremont, Gail Simone and more contribute to an oversized issue celebrating 700 issues of ‘Uncanny X-Men.’

If you’re looking for the comic that will put the period — or maybe exclamation point — on the X-Men’s Krakoa era, look no further than X-Men #35, which arrives in June.

According to Marvel, the issue will also mark 700 issues of Uncanny X-Men, the flagship “X” title for the past 60 years, so it’ll also be an oversized issue featuring stories by a variety of creators. Those include some from the Krakoa-era, including Gerry Duggan, Kieron Gillen, Al Ewing, Lucas Werneck and Joshua Cassara, as well as legendary Uncanny X-Men writer Chris Claremont.

“Being a part of the Krakoan experiment has been a true thrill,” said X-Men Senior Editor Jordan D. White. “Honestly—in many ways—it echoed the experience of mutantkind itself in the era. We worked differently, we tried new things, we survived incredible new experiences. I consider myself extremely fortunate to have worked with such fantastically talented creators throughout the era, and working on the glorious ending is truly bittersweet. I will miss it with my whole heart, but I do know… Krakoa will live on within us forever.”

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EC Comics will return this summer

Oni Press has announced a publishing partnership that will bring new EC material to print for the first time since the 1950s.

EC Comics, the notorious and influential publishing house from the 1950s headed up by William Gaines that was at the forefront of Dr. Fredric Wertham’s campaign against comics, will return as an imprint of Oni Press this summer.

Oni Press has partnered with William M. Gaines Agent, Inc. to bring Entertaining Comics, or EC Comics, back from the dead. The publisher of Tales from the Crypt, Two-Fisted Tales, Weird Science and more has not published new comic books since the 1950s — with MAD Magazine, probably their most famous publication, being the exception.

“There are few things more sacred to the canon of comic book history – and global pop culture – than EC Comics. The company’s audaciously inspired sensibilities have continuously echoed through nearly all facets of entertainment – like pieces of shrapnel embedded in American imagination,” said Oni Press President and Publisher Hunter Gorinson. “It’s both a huge honor and immense responsibility to be entrusted to work alongside the Gaines family in inhabiting EC’s indomitable spirit for a new generation. At a moment when we find ourselves confronting the same reactionary forces – injustice, inequality, and of course, censorship – that EC challenged head-on, we intend to write a new and powerful chapter that honors and expands one of the most important legacies the comic book medium has ever produced.”

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Marvel + DC announce two omnibus editions collecting their crossovers, including the Amalgam titles

The forbidden door opens again.

There was a time in comics history when Marvel and DC’s characters would regularly meet on the printed page, bringing together the likes of Superman and Spider-Man, the Teen Titans and X-Men, and even Galactus and Darkseid. It’s been a minute since we’ve seen the two companies cooperate like that, but it looks like the forbidden door may be opening once again. Both companies today announced plans to release omnibus editions collecting a lot of that material from the 1970s, 1980s and 1990s.

DC Versus Marvel Omnibus and DC/Marvel: The Amalgam Age Omnibus will both arrive on Aug. 6, collecting stories by Dennis O’Neil, George Pérez, Dan Jurgens, Chris Claremont, Walter Simonson, J.M. DeMatteis, Mark Bagley, Gerry Conway, John Romita Jr. and many more.

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DSTLRY + Kodansha announce cover artist exchange partnership

DSTLRY titles will feature variant covers by Kodansha artists, starting with a Shūzō Oshimi cover for ‘Somna’ #3.

DSTLRY has announced a new cover artist exchange program with manga publisher Kodansha, starting with a variant cover for Somna #3 by Shūzō Oshimi.

DSTLRY, the new comics company formed by former Comixology execs David Steinberger and Chip Mosher, began releasing comics last August with The Devil’s Cut, which was followed by print editions of Gone by Jock and Somna by Becky Cloonan and Tula Lotay. The company has gone all in on variant covers, offering them through retail channels, their own website and on the limited-edition digital comics they started releasing late last year.

“I was drawn to the story of Somna where dreams and reality intermingle, and the way it’s expressed through different artistic styles,” Oshimi said. “Drawing the variant cover was fun!”

According to the press release, this variant cover by Oshimi will be the first of many by Kodansha artists:

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