Guest Column | Meredith McClaren on ‘Meat Eaters,’ health, identity and transformation

In advance of her new graphic novel ‘Meat Eaters’ arriving in stores, the creator shares a personal essay about her health struggles and how they relate to her protagonist’s journey.

Today we welcome Hinges creator and Black Cloak artist Meredith McClaren to the blog, where she shares her deeply personal reflections on health, identity and transformation.

These themes also appear in Meat Eaters, her new graphic novel from Oni Press that arrives in stores July 7. It follows Ashley, a young woman looking to escape her stagnant small town life, but whose carefully laid plans are shattered when she wakes up one night covered in blood—and discovers she’s dead. As Ashley grapples with this shocking transformation and the changes happening within her, McClaren weaves a powerful story that resonates with her own experiences of unexpected life upheavals.

My thanks to the author for sharing this with us. It’s a wonderfully written essay with illustrations in the same style that I see on her Tumblr, which I recommend you follow if the essay resonates with you. You can also check out her travelogue on visiting Greece.

FUN TIMES
By Meredith McClaren
Author and Illustrator of MEAT EATERS

Your body will betray you.

(That’s a bummer of a starter sentence. Sorry. But stay with me, I have a point.)

Your body will betray you. It’s a universal human experience. I’m sorry. There’s no getting away from it. Some of us get there faster than others but we all eventually find ourselves in the unenviable position of feeling truly, utterly, devastatingly betrayed by our bodies.

For me it started with a tickle at the back of my throat that never went away.

I tried describing it to people. ‘You know how it feels when you suck in a big breath of cold air?’ It’s the way your throat feels tight. Constricted.

‘Sounds like asthma.’ One of my friends said.

But I wasn’t coughing. Yet. It was just a tickle. And it was always there.

The coughing came later. Over months. Over a year. Just one or two. A day. Everyday. Then it was a couple of times a day. Every time I woke up. Every time I went to bed. Sometimes an extra one somewhere in the middle.

It wasn’t until a friend’s wedding that I really reconciled that there was a problem. And I couldn’t really ignore it anymore. 

‘You cough a lot.’ My Dad said.

‘I know.’ I said.

Destination wedding in Flagstaff. A higher elevation. I was coughing. And I knew it wasn’t just the thinner air.

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Guest Q&A | Melissa Chan + Badiucao on ‘You Must Take Part in Revolution’

The graphic novel from Street Noise Books is a near-future dystopian story about technology, authoritarian governments and fighting for freedom.

Today we’re pleased to present a guest interview with Melissa Chan and Badiucao, creators of You Must Take Part in Revolution, conducted by Street Noise Books publisher Liz Frances.

If you’re not familiar with the graphic novel, it features a near-future dystopian story about technology, authoritarian government and the lengths that one will go to in the fight for freedom. The graphic novel is available now.

by Liz Frances

Melissa and Badiucao, this is your first graphic novel! What made you two decide that you should go from journalism and political cartoons to making a graphic novel — why this format?

Melissa: I’d been a journalist for almost two decades — writing articles and also as a correspondent for broadcast and video reports. It started to feel as if whatever I reported on didn’t really matter — that so much of it was reaching audiences who kind of agreed with me already about human rights and democracy. I’ve enjoyed graphic novels over the years, and it kind of dawned on me that this was the book I’d always wanted to write.

Badiucao: Yeap, graphic novels take serious topics like human rights and geopolitics and make them more accessible to groups who might not know the subjects well. I’d always want to break through the circles of my usual readers and speak to younger groups who are comics readers, gamers — basically to leverage the power of pop culture. You know that famous “tank man” from the Tiananmen Square student protests? How about making figures like that as cool and as popular as Spider-Man!

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Guest Q&A | Hanna Harms on ‘Milk Without Honey’

The new graphic novel from Street Noise Books showcases the important role bees play in our overall ecosystem.

Today we’re pleased to present a guest interview with Milk Without Honey creator Hanna Harms, conducted by her publisher, Street Noise Books publisher Liz Frances. If you’re not familiar with the graphic novel, it offers an up-close-and-personal look at the life of bees — their hives, their colonies and their interactions with the ecosystem. It explores the impact that our actions as humans are having on them and, as a result, on agriculture and the worldwide food supply. The graphic novel is available now.

by Liz Frances

Of all the many creatures on the planet, why have you chosen to write about bees?

Milk Without Honey started as my thesis in 2019. The year before, I read an article about how closely the cultural history of humanity is interwoven with the history of bees. While news about the insect extinction were becoming more and more frequent worldwide, I couldn’t get this paradox between the almost divine elevation of bees and the ruthless destruction of their habitat by humans out of my mind.

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Excerpt: Gamal Hennessy on how to find clients as a freelance creator

The author of ‘The Business of Independent Comic Book Publishing’ shares advice from the book, which is currently up on Kickstarter.

Today we are pleased to present an excerpt from The Business of Freelance Comic Book Publishing by attorney, author and business consultant Gamal Hennessy. This is a follow-up to his previous book on working in the industry, The Business of Independent Comic Book Publishing.

The new book aims to “help its readers develop a business model for their services, leverage the assets they offer to the industry, and transform their skill, time, and creativity into financial gain.” It’s currently up on Kickstarter, and very close to reaching its goal.

How Do You Find Clients As A Freelance Creator?

By Gamal Hennessy

This is a modified excerpt from a book I’m working on called The Business of Freelance Comic Book Publishing. It looks at the basis of forming good business relationships with your clients. While this can’t be taken as legal or financial advice, it can help you find the right customer for your services.

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Flappers, forehands and infamy: A brief history of tennis fashion scandals

Tom Humberstone, creator of the graphic novel ‘Suzanne,’ offers a guest essay today on tennis and fashion.

Here’s something you probably didn’t expect to see on Smash Pages — a column on tennis and fashion. Today we’re pleased to present a guest column from Tom Humberstone, the creator of the recently released Suzanne from Avery Hill Publishing.

In Suzanne, Humberstone tells the story of Suzanne Lenglen, one of the unsung heroes of women’s sports. She became a championship tennis player at the age of 15, breaking records for ticket sales and match winning streaks, all while breaking societal norms with her playing outfits during the trailblazing jazz age.

In his essay, Humberstone traces the advances Lenglen made in both tennis and fashion to the present day. You can also check out a few pages from his graphic novel.

by Tom Humberstone

When Serena Williams stepped onto Arthur Ashe stadium for what could be the last time, the world watched with nervous anticipation, awaiting answers to a volley of questions. Having recently announced her “evolution” away from playing tennis, people were curious what this final US Open might look like for her. Would she make a fairy-tale run and secure that elusive, record-extending 24th major title? Or, given her recent form in Cincinnati, would she exit in the first round? Is it really the end? What will a tennis world without Serena Williams look like? And, perhaps most importantly of all, what will her final outfit be?

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Guest Column: Jarrett J. Krosoczka on his early influences

The creator of ‘Hey, Kiddo’ and the ‘Lunch Lady’ series shares his love for Batman, the X-Men, Gummi Bears and more.

Before becoming an award-winning cartoonist and the author of Hey, Kiddo, the Lunch Lady series and other books, Jarrett J. Krosoczka was a fan, wearing his love for the Smurfs, Gummi Bear, X-Men and more on the sleeve of his Batman T-shirt.

Now, with the re-release of the Lunch Lady series as two collected editions, we’re happy to present this guest essay from Krosoczka about those early influences on his work and the escape they provided for him as child.

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Living with the King: Telling the Jack Kirby story

Jason Mehmel shares what he learned about Jack Kirby during his time directing the play “King Kirby” in Calgary in 2016.

All this week we’re celebrating the life and influence of comics legend Jack Kirby, who would have turned 100 on Aug. 28. Today we present a guest editorial from Jason Mehmel, a professional director and producer of theatre in Calgary, Alberta, Canada, who had a unique opportunity related to Jack Kirby.

by Jason Mehmel

I’ve known about Jack Kirby for years… his style is as unique as a fingerprint. Crazy designs, often using circles. Crackling energy balls of negative space (later called ‘Kirby Krackles’). It represented the platonic ideal of superheroes, particularly the Marvel characters he created, and the subsequent artists, composing with better anatomy, perspective or even composition, are still ultimately riffing on the energy behind Kirby’s pencil, and the choices it led him to.

Robert Klein as Jack Kirby (Jeff McDonald/Sage Theater)

Two years ago, I came across a theatre script about the life of Kirby and found myself running a theatre company. I decided to jump at it and produce King Kirby: A Play by Crystal Skillman & Fred Van Lente, which walked through the pivotal moments in Kirby’s life:

How he came from poverty, his early love of science fiction and big ideas, and of telling them visually. How he got into comics from that love, and the birth of Captain America, just before his own wartime experience. How Marvel Comics as we know it exploded from his pen, and those of his fellow pencillers, though it would be hard to compete with the sheer volume of characters and stories Kirby developed in those years.

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