Tag: AI

Quick Hits | Eric Gitter, Filip Sablik, Jamie S. Rich + Jeremy Haun form a new comic company

Plus: An AI lawsuit moves forward! ‘Blankets’ is banned! The 1982 DC Comics Style Guide is delayed! And ‘A Guest in the House’ receives another awards nomination.

The Hollywood Reporter reports that four industry pros will come together to form an as-yet-untitled comics company. Producer Eric Gitter, formerly with Oni Press and the producer of the big -screen adaptations of Atomic Blonde and Scott Pilgrim vs. the World, is teaming up with former BOOM! Studios president Filip Sablik; Jamie S. Rich, a former editor at IDW, DC and more; and Jeremy Haun, whose work includes The Realm, Red Mother, The Approach and more.

Sablik will serve as publisher of the new venture, with Rich taking on the role of editor-in-chief and Haun as creative director. Per THR, the new company “will eschew superheroes and lean toward horror, science fiction, crime and fantasy,” and hopes to start publishing comics next year.

“I can’t imagine partners that I believe in more,” Haun said in his newsletter. “Each of us bring something special to the table. Moreover— we’re lock step in our vision for what we want this company AND industry to be.”

Continue reading “Quick Hits | Eric Gitter, Filip Sablik, Jamie S. Rich + Jeremy Haun form a new comic company”

Quick Hits | Medar de la Cruz wins the Pulitzer for Illustrated Reporting and Commentary

Plus: Cartoonist sue Google over AI, Civics for All Comics Group celebrates 2 million comics, Mark Evanier on who created Wolverine and more!

Medar de la Cruz has won this year’s Pulitzer Prize in the Illustrated Reporting and Commentary category. The Brooklyn-based illustrator won for the illustrated story “The Diary of a Rikers Island Library Worker,” which appeared in the New Yorker last May. De la Cruz is an artist who also works in New York City jails as a library assistant for the Brooklyn Public Library. Phones and cameras aren’t allowed inside Rikers Island, so his drawings are based on his memories of the prison.

The other finalists in the category this year included Claire Healy, Nicole Dungca and Ren Galeno for “Searching for Maura,” which appeared in the Washington Post; “Is My Toddler A Stochastic Parrot?” by Angie Wang, which appeared in the New Yorker; and Clay Bennett of the Chattanooga Times Free Press, for a “portfolio of deceptively gentle, mostly wordless cartoons full of juxtapositions that ably communicate complex, sophisticated messages.” You can see some of them here. Bennett also recently received a National Headliner Award, which recognizes journalism in a multitude of categories, in the Editorial Cartoon category.

This is the third year now where the Pulitzers have given awards in the Illustrated Reporting and Commentary category. It replaced the Editorial Cartoons category in 2022.

Continue reading “Quick Hits | Medar de la Cruz wins the Pulitzer for Illustrated Reporting and Commentary”

Quick Hits | DC is looking into whether Andrea Sorrentino used AI to create art for a recent ‘Batman’ story

Plus: Steve Ditko is a Disney Legend, Ngozi Ukazu, Denny O’Neil, banned books and more!

DC is investigating whether artist Andrea Sorrentino used AI to create some of the artwork in a recent Batman arc. Sorrentino contributed some of the artwork to the recent “The Joker Year One” story that ran in Batman #142-144, and that work has come into question as to whether he drew it or if he used AI in some capacity.

A spokesperson for DC Comics told indy100 that”DC Comics has longstanding policies in place that all artwork must be the artist’s original work. We are looking into the specifics of this situation.”

The concern was initially raised on social media by James Leech, who expressed his concerns that Sorrentino hadn’t drawn the artwork himself. “First off, there are the usual telltale signs – strange anatomy, errors a human is unlikely to make. The weird hands, Joker being insanely ripped in one panel and wasting away in another. His wandering nipples!” Leech said. “Secondly, there’s the style, which Sorrentino doesn’t appear to have used before outside of a couple of instagram posts. His other work is very distinctive – heavily photo-referenced, high contrast lighting. This is quite a departure from that. Not enough on its own, but telling.”

Continue reading “Quick Hits | DC is looking into whether Andrea Sorrentino used AI to create art for a recent ‘Batman’ story”