‘Kill Your Darlings’ wins the 2024 Ignyte Award

Ethan S. Parker, Griffin Sheridan and Bob Quinn win in the “Outstanding Comics Team” category.

Congratulations to Kill Your Darlings creators Ethan S. Parker, Griffin Sheridan and Bob Quinn, who have won the 2024 Ignyte Award in the “Outstanding Comics Team” category.

The annual awards program “celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.” It’s sponsored by FIYAH Magazine, the quarterly Black speculative fiction magazine.

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Nominees announced for the 2024 Ignyte Awards

‘Whisper of the Woods, ‘Brooms’ and more have been recognized this year in the comics category.

The nominees have been announced for the annual Ignyte Awards, which “celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”

While the awards cut across several genres of fiction, they also include an “Outstanding Comics Team” category. Previous winners in that category include Where Black Stars Rise by Marie Enger and Nadia Shammas, Nubia: Real One by L. L. McKinney and Robyn Smith, and These Savage Shores by Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar and Tim Daniel.

The awards are sponsored by FIYAH Literary Magazine, which focuses on Black speculative fiction, and the winners are typically announced in conjunction with FIYAHCON.

Congratulations to this year’s nominees:

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‘Nubia: Real One’ wins an Ignyte Award

The DC graphic novel by L. L. McKinney and Robyn Smith was honored during an awards ceremony this past weekend.

L. L. McKinney and Robyn Smith, who re-imagined Wonder Woman’s sister in the YA graphic novel Nubia: Real One, have won a 2022 Ignyte Award.

The awards “celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”

The creative team won in the “Best Comics Team” category. Other nominees this year included the creative teams on Abbot: 1973, Count, Shadow Life and Squad. Parable of the Sower by Octavia Butler, which was adapted into a graphic novel by Damian Duffy and John Jennings, won the award last year.

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Nominees announced for the 2022 Ignyte Awards

‘Count,’ ‘Abbott: 1973’ and more were nominated in the comics category this year.

The nominees have been announced for the third annual Ignyte Awards, which “celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre.”

The awards are given out in conjunction with FIYAHCON, a virtual convention centering the perspectives and celebrating the contributions of BIPOC in speculative fiction.

The awards include a comics category. Parable of the Sower by Octavia Butler, which was adapted into a graphic novel by Damian Duffy and John Jennings, won the award last year.

The nominees for the comics category this year include:

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Comics Lowdown | Warner Bros. shares details on DC FanDome’s reach

Plus: News on Image Comics, IDW, Si Spurrier and more.

The first day of DC Comics’ FanDome event, which was held this past Saturday, garnered 22 million global views from more than 220 countries and territories, according to The Wrap.

The publication spoke with Lisa Gregorian, Warner Bros. Television Group chief marketing officer, and Blair Rich, president of worldwide marketing at Warner Bros., who came up with the idea for the event.

“We had a couple of sort of mission things in mind as we built it that were our North Stars that we never wavered from,” said Rich. “Number one, it had to be for the fans, by the fans, about the fans, and be completely fan-centric, and anything that wavered from that was not allowed. We wanted it to be accessible. That’s why it was free. It was a global event translated into nine languages and we wanted it to feel like a major moment.”

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