Smash Pages Q&A: Fieldmouse Press

The four men behind the nonprofit publisher and comics criticism site discuss the initiative.

Ryan Carey, Rob Clough, Daniel Elkin and Alex Hoffman are four of the major comics critics in the U.S. right now. In Enemies of the State, Four Color Apocalypse, High-Low, Sequential State and Your Chicken Enemy, along with their writing in various other outlets, each has established a reputation as a thoughtful, insightful critic.

In comics, criticism tends to be maligned, or seen as a stepping stone to becoming a comics professional, but anyone who spends time with serious criticism – and the work of all four definitely are – can see the love for the medium, the passion for creators, the obsession with ideas and formalism. Good critics offer new ways to think about art, can introduce us to new work and inspire not just readers but creators.

It was announced recently that the four have teamed up to establish Fieldmouse Press, and in January 2020 they’re launching SOLRAD, which is just the very first aspect of the nonprofit organization. I reached out and was thrilled that they were willing to talk about criticism, their ambitions, and what people can look forward to next year.

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Comics Lowdown: The future of MAD Magazine

Plus: New superhero universe Catalyst Prime, comics to fight fake news, Jillian Tamaki, Rico Renzi’s color palette, and more!

What’s up with MAD Magazine? Mark Evanier lays out a brief history of MAD, which has been part of DC Comics for a long time (it’s complicated!), and updates us on its current status, which is… not good. Like pretty much all print magazines, MAD has been struggling for a while, although Evanier thinks editor John Ficarra has been doing a bang-up job. When the rest of DC packed up and moved to Burbank, California, a while ago, the MAD staff stayed, but they are moving out of their New York office at the end of this year, and DC has not been forthcoming with any news about what will happen next, beyond the fact that the magazine is moving to Burbank and only one staffer, a production artist, will be going with it. The February 2018 issue will be the last one produced by the Usual Gang of Idiots. DC has not made any announcements about what happens next, but Evanier suggests following the blog of artist Tom Richmond, one of the most frequent contributors to the magazine, for updates.

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