Cliff Bleszinski, Alex De Campi and Sandy Jarrell tell the story of a stray dog who fights for justice in a post-apocalyptic domed city.
Video game designer Cliff Bleszinski, who helped bring games like Gears of War and Fortnite to life, is teaming up with Alex De Campi and Sandy Jarrell on a new comic series called Scrapper.
Image Comics will publish the science fiction series, which is about a stray dog living in a post-apocalyptic domed city
“As a lifelong fan of comics it’s an honor to actually create one with Alex,” said Bleszinski. “Scrapper comes from the heart; first, the loss of my Aussie Teddy and then finding puppy love again with our Pomsky Lady. I truly hope everyone enjoys this deeply personal work.”
Image Comics has announced a new graphic novel from the creative team of Dracula, Motherf**ker. Alex de Campi and Erica Henderson will team up again for Parasocial, a thriller about fandom, celebrity and the pandemic.
“Parasocial is a twisted exploitation thriller that will leave you never feeling safe at a convention again. It’s a deep dive into all the things we’ve agreed not to talk about in modern fandom and celebrity… with an ending you’ll never see coming,” said De Campi. “Most importantly, it’s Erica’s most beautiful and strikingly innovative book yet. I’m just here to cover up some of her art with words.”
First come two new one-shots, starring the sons of Superman and Batman:
The Supersons are going on separate missions to stop Pariah’s attacks on the Multiverse! In October’s Dark Crisis: The Deadly Green #1, Jon Kent joins forces with Swamp Thing, John Constantine and more to explore the spread of the Great Darkness’s influence on the Multiverse and beyond. While in November’s Dark Crisis: The Dark Army #1, Damian Wayne, Doctor Light and a ragtag team of heroes cross enemy lines to steal control of the Dark Army from Pariah. But in the process uncover a secret about Doctor Light’s place in Crisis on Infinite Earths that rocks the future of the DCU! Creative talent teams for both issues will be announced at a later date.
They also announced that The Flash crossover issues will expand by an issue:
Check out recent comics by Jay Hosler, Alex de Campi, Christine Larsen, MariNaomi, B.J. Mendelson and more.
Here’s a round up of some of the best comics we’ve seen online recently. If we missed something, let us know in the comments below or on social media.
As the United States ends its occupation of Afghanistan, political cartoonist and The Nib founder Matt Bors looks back at the comics he created as a result of a trip he took to the country in 2010:
In August of 2010 I embarked on a month long trip through Afghanistan with fellow cartoonists Ted Rall and Steven Cloud. We traveled unembedded throughout the North of the country and in the capital of Kabul. It was the ninth year of the war and, at the time, the height of the Taliban insurgency and US troop presence.
The goal of the trip was to hear from Afghans directly, see the occupation for ourselves, and share those experience—through writing, comics, and photography. I captured a lot in sketchbooks and filed a series of comics through my syndicate where papers normally ran my political cartoons. The following comics are a series of vignettes on Afghanistan and represent some my earliest attempts at more realistic nonfiction comics. These originally ran online at Cartoon Movement, but appear to be lost to web decay, so I wanted to publish them again here—for posterity and for any insight they still hold.
Check out recent comics from Alex de Campi, Dan Piraro, Kevin C. Pyle and more.
Here’s a round up of some of the best comics we’ve seen online recently. If we missed something, let us know in the comments below.
Comics writer/editor Alex de Campi declared Aug. 28 to be “Nice Day Wanda,” a day when only good things happen to Marvel’s Scarlet Witch. If you’re familiar with the Scarlet Witch’s comic book history, you know that things don’t always go well for her — she’s accidentally destroying the Avengers one day, eliminating mutants the next, finding out her kids aren’t real, watching her husband lose his feelings … #NiceDayWanda was long overdue. To celebrate, de Campi worked with several artist on short comics where “nothing bad happens to the Scarlet Witch.”
Plus: News from DC, Image, Humble Bundle and more.
Mail Call is a roundup of the announcements we’ve received from publishers in our mailboxes recently. Hit the links for more information.
DC Comics has announced a change in the variant covers for the upcoming The Dreaming: Waking Hours #1. The cover shown below, by Yanick Paquette and Nathan Fairbairn, will replace one from Bill Sienkiewicz that they first showed us in May.
Support creators by crowdfunding efforts by The Nib, Alex de Campi, Duncan Jones, Giannis Milonogiannis and more.
Crowdfunding continues to serve as a viable method for creators to fund their creative endeavors, as comic-related projects flourish on sites like Kickstarter, Patreon and IndieGoGo. The internet also allows creators to sell their creations direct to fans, through sites like Gumroad, Etsy and of course their own websites. If you’re looking to buy something from or support a creator directly, you’ve come to the right place. And that is a good thing to do, now more than ever.
The prolific creator pulls no punches as she discusses her brand-new Panel Syndicate comic, ‘Bad Karma,’ and a whole lot more.
Alex de Campi made a splash writing the 2005 miniseries Smoke and ever since then, she’s been a creator who’s been hard to pin down. Some of that is simply because she’s so prolific. De Campi is a writer who’s worked on My Little Pony and Judge Dredd, Josie and the Pussycats in Space and two Archie vs Predator series. She’s created series like Grindhouse, Kat & Mouse and Agent Boo, comics like Mayday and Bad Girls, Bankshot and Semiautomagic. She created the digital comic Valentine and wrote, edited and lettered the Image Comics anthology Twisted Romance.
One theme that has run through much of her work is responsibility. De Campi does not write moralistic stories, but many of them revolve around people taking responsibility for who they are for what they’ve done, only to be forced to understand that doing the right thing is often harder than they ever considered. Omar famously said in The Wire, “a man’s gotta have a code,” and so many of de Campi’s characters live similarly. Or finally make a stand and choose to live by a code, only to find that decision often becomes their undoing. Ethan and Sully in Bad Karma did not return from war better and stronger and more successful, but when they learn that someone is on death row for an assassination they carried out, they decide to do something about it. Their road trip and what follows are dark, funny, incisive and some of the best work de Campi has ever written.
I joked with de Campi that she’s always working on a dozen different projects, and this year is an especially busy one for her. She’s editing and working on the comics anthology True War Stories, she’s collaborating with Erica Henderson on Dracula, Mother f**ker! and she’s writing Madi, a collaboration with filmmaker Duncan Jones that she can’t talk much about, all of which come out this fall. Meanwhile she’s serializing a graphic novel on Patreon, and her debut novel The Scottish Boy comes out the beginning of June from Unbound.
The graphic novel with the naughty title will tell a story across two timelines — 1889 Vienna and L.A. circa 1974 — in an action-filled take on the popular Bram Stoker character.
“Most people who know my work are aware that I love pulp/exploitation cinema so me doing a book called Dracula, Motherf**ker shouldn’t really surprise anyone,” said de Campi. “Another thing I wanted to bring to this pulp fantasia was a sensibility from horror anime, with its love of transformation and of the noncorporeal, to push the element of man-as-monster in directions specifically suited to sequential art. Things like the abstract portrayal of Alucard (or Pride in FMA: Brotherhood), and the use of Superflat art in Madoka Magica were tremendously inspirational in this book, especially as that use of flatness dovetails nicely with the work of Gustav Klimt in with the book’s 1889 prologue, and with late-1960s pop art and the psychedelic liquid-light projections of the Joshua Light Show.”
The comiXology Originals series will debut this Wednesday.
Josie and the Pussycats are going where no … pussycat has gone before — outer space. ComiXology and Archie Comics have teamed up for a new digital series by writer Alex de Campi with art by Devaki Neogi.
Josie and the Pussycats in Space debuts this Wednesday as part of the comiXology Originals line.
The comics creator and designer discusses her work with Alex de Campi on the Image Comics anthology, how she came into comics and more.
Alejandra Gutiérrez has been posting comics and illustrations online for a while now on Twitter and Instagram in addition to her published art and covers. She’s shown a sense of design and fashion, a willingness to play with layout. Some of that may come from her background in design, but she’s clearly interested in multimedia, in playing with how people read the page and finding ways to tweak that.
Gutiérrez may wear her influences on her sleeve, but she’s also moved past simply imitating them and is clearly coming into her own. She’s drawing “Twinkle and Star” in Twisted Romance #2 written by Alex de Campi and so I asked her about how she came to comics and why she signed on to draw romance.
The creator of ‘My Pretty Vampire’ and ‘Nurse Nurse’ discusses the story she drew for Alex de Campi’s romance anthology, the romance genre, what it’s like working with another comics writer and more.
2017 saw the publication of My Pretty Vampire, which may be Katie Skelly‘s most acclaimed book to date. The writer-artist best known for books like Night Nurse and Operation Margarine has always worked on her own projects, so it was a surprise to some of us when it was announced that she would be collaborating with writer Alex de Campi on Twisted Romance, the new anthology series out this month from Image Comics.
Their story “Old Flames” opens the first issue of the series, which is out this week and I asked Skelly a few questions about the project, genre and how it fits in with her body of work.