Drawn + Quarterly announces 2019 titles

At Comic-Con International, Drawn and Quarterly announced new titles by Lynda Barry, Vanessa Davis, Eleanor Davis, Yoshiharu Tsuge and more.

Canadian publisher Drawn and Quarterly announced many of their upcoming 2019 graphic novels in San Diego earlier this month, revealing new titles from Lynda Barry, Yoshiharu Tsuge, Kevin Huizenga, Vanessa Davis and more.

Take a look at what they have planned below, and note that none of the cover art is final …

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Comics Lowdown: Looking at the big picture

Comics retailers discuss the comics market, Lion Forge profiled and more.

The Biz, Part I: It’s generally agreed that 2017 was a lackluster year (at best) for comics retailers. Publisher’s Weekly’s Shannon O’Leary went to the source, asking retailers in the direct market and bookstores with a large graphic novel section to discuss what’s going wrong—and right—in the comics market. There’s lots to chew on here, with commentary about Marvel, Image, and the structural issues in the direct market.

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Smash Pages Q&A: Vanessa Davis on ‘Spaniel Rage,’ Then and Now

When Spaniel Rage was first published in 2005, the collection of diary comics made a splash. Vanessa Davis didn’t come from a comics background, and she had a unique way of laying out and designing pages and her own sensibility. A few years later when Drawn & Quarterly collected many of her short comics in the book Make Me a Woman, it established Davis’ reputation as one of the great cartoonists of her generation.

Since then Davis has been making short comics and illustrations for many publications, including The New York Times, Tablet, Lucky Peach, and elsewhere. Her work has appeared in Fairy Tale Comics, Nursery Rhyme Comics, Kramer’s Ergot, and Best American Comics. D&Q has just reissued Spaniel Rage with a new introduction by Davis. The book remains a striking and vivid book about life in one’s 20s, about New York City, about the life of the young artist. Davis spoke about revisiting her work, what she’s working on now, and The Terry Southern, which she was just awarded for her work for The Paris Review.

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