Smash Pages Q&A: Matthew Southworth

The artist of ‘The Cloven’ discusses his latest project, working with Garth Stein, the intersection of his art with his music, and more.

Matthew Southworth has been working in comics for years, pencilling and inking a long list of projects, but the odds are that most readers know him for Stumptown. He and writer Greg Rucka made two miniseries about the Portland private eye Dex Parios, and while never a bestseller, the book is beloved by its fans and the basis for the current television show on ABC.

Southworth’s new book is The Cloven, a collaboration with writer Garth Stein that was released by Fantagraphics this summer. The comic is about James “Tuck” Tucker, a genetically modified human who escapes from a research lab to live in the Pacific Northwest. And while the story sounds familiar, what Southworth and Stein do with the story is much less so. Southworth has always been an artist interested in mood and atmosphere, using pacing and color to play with the tone in different ways, and The Cloven is his most masterful work yet.

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Comics Lowdown | Warner Bros. shares details on DC FanDome’s reach

Plus: News on Image Comics, IDW, Si Spurrier and more.

The first day of DC Comics’ FanDome event, which was held this past Saturday, garnered 22 million global views from more than 220 countries and territories, according to The Wrap.

The publication spoke with Lisa Gregorian, Warner Bros. Television Group chief marketing officer, and Blair Rich, president of worldwide marketing at Warner Bros., who came up with the idea for the event.

“We had a couple of sort of mission things in mind as we built it that were our North Stars that we never wavered from,” said Rich. “Number one, it had to be for the fans, by the fans, about the fans, and be completely fan-centric, and anything that wavered from that was not allowed. We wanted it to be accessible. That’s why it was free. It was a global event translated into nine languages and we wanted it to feel like a major moment.”

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New York Times pulls Ronald Wimberly comic

Wimberly’s ‘Diary Project’ submission proved too controversial because it depicted a burning police car.

The New York Times has been running a series of comic strips over the last few months from some top-notch comic creators, including Jillian Tamaki, Ben Passmore and more. Titled “The Diary Project,” the “weekly visual assignment series” features a recent “diary” entry by the artist. Many have focused on COVID-19, Black Lives Matter and other recent newsworthy events.

Artist Ronald Wimberly of Prince of Cats and LAAB fame created the final piece for the series, but says that the New York Times has decided not to run it.

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