Awards, best of the year, comics journalism comics, and how the shift in retail channels is changing the industry.
The Best of the Year lists are starting to roll out. Katie Green’s Lighter Than My Shadow tops Amazon’s list, which also includes Jeff Lemire and Dean Ormston’s Black Hammer and Emil Ferris’s My Favorite Thing Is Monsters. That book shows up on Publisher’s Weekly’s list as well, but the similarities end there.
Continue reading “Comics Lowdown: My Favorite Thing Is Comics”
The creator of ‘Blindspot’ and artist of Harvey Pekar’s ‘Cleveland’ discusses his first solo graphic novel from Fantagraphics, balancing his work as a storyboarding artist with his own projects, and more.
Like most comics fans I first got to know Joseph Remnant’s work from The Pekar Project. The web project featured the late great Pekar working with a number of artists and Remnant went on to draw Cleveland, a very personal graphic novel written by Pekar that was published after his death.
Remnant was making short work in his comic series Blindspot, in addition to recording music and working on various other projects, but Fantagraphics just released his first solo graphic novel, Cartoon Clouds. The book is about a group of students who have just graduated from art school, and are trying to find their own way and understand their feelings about art. Remnant admits that working on the project over the course of many years has meant that his own feelings about the characters and some of the issues he raises in the book have changed over time, though his linework is masterful throughout.
Continue reading “Smash Pages Q&A: Joseph Remnant on ‘Cartoon Clouds’”
Gideon Kendall, Josh O’Neill and Shannon Wheeler complete a long-lost Kurtzman adaptation of ‘A Christmas Carol.’
MAD Magazine creator Harvey Kurtzman once planned to adapt Charles Dickens’s A Christmas Carol into a graphic novel, but the project never came together — until now. Using Kurtzman’s original pages, thumbnails and notes, comiXology and the Kurtzman Estate teamed up to finish the project more than 50 years after Kurtzman first started on it, with the help of artist Gideon Kendall and writers Josh O’Neill and Shannon Wheeler.
Harvey Kurtzman’s Marley’s Ghost is now available on comiXology as part of the comiXology Originals line, for the introductory price of $2.99 — or you can read it for free if you’re a comiXology Unlimited or Kindle Unlimited subscriber.
Continue reading “‘Harvey Kurtzman’s Marley’s Ghost’ debuts for $2.99 on comiXology”