Plus: Penguin Classics to publish Marvel classics, Joe Ollmann’s ‘Fictional Father’ nominated for Governor General’s award, and more!
School administrators in Katy, Texas, have returned Jerry Craft’s New Kid to library shelves and rescheduled a video visit from the creator, according to NBC News. The district pulled the book and canceled the visit after a parent started a petition claiming that New Kid espoused critical race theory. The district told NBC that it had “determined the appropriateness” of the book, which was the first graphic novel to be awarded the Newbery Medal. In a statement last week, Craft said his intention was simply to portray children of color in a realistic setting: “Books aimed at kids like me seemed to deal only with history or misery. That’s why it has always been important to me to show kids of color as just regular kids, and to create iconic African American characters like Jordan Banks from ‘New Kid.’ I hope that readers of all ages will see the kindness and understanding that my characters exhibit and emulate those feelings in their day-to-day lives.” However, parent Bonnie Anderson, who started the petition, disagreed, saying, “The books don’t come out and say we want white children to feel like oppressors, but that is absolutely what they will do.”
Plus: Adrian Tomine named writer in residence at Substack, Justin Wong Ciu-tat apologizes to Hong Kong police, and more.
Breaking:The BBC reports that the Swedish cartoonist Lars Vilks has died in a car accident. Vilks, 75, has been under police protection since his cartoon of the Prophet Muhammed’s head on a dog’s body garnered him both international attention and death threats. He was riding in a police car that collided with a truck in southern Sweden. The two police officers in the car with Vilks were also killed, and the truck driver was injured. The local police say that while they aren’t sure yet exactly what happened, there wasn’t any immediate evidence that anyone else was involved in the accident besides the occupants of the two vehicles.
Plus: DC does NFTs, the Uffizi opens its doors to comics, and small publishers discuss distribution.
Takao Saito, the creator of Golgo 13, died on September 24 at the age of 84. The cause of death was pancreatic cancer. Saito made his manga debut in 1955 and launched Golgo 13, which follows the exploits of a taciturn hitman, in 1968. Volume 202 of the series has just come out in Japan, making Golgo 13 not only the longest continuously running manga series but also the one with the most volumes. Saito has said he would like the manga to continue after his death, and his publisher, Shogakukan, says the series will continue.
Comics at an Exhibition: The Uffizi Gallery, in Florence, Italy, is adding comics to its collection. The museum, which started out in the 1600s as the Medici family’s portrait collection, has commissioned 52 self-portraits by prominent Italian comics artists. The self-portraits will be on display in a special exhibit in Lucca from October 8 to November, 1, then moved to the Uffizio to join its permanent collection.
The COVID-19 pandemic made 2020 a bumpy year for the comics industry.
Today we kick off a series that looks back at the biggest news trends of 2020, starting with the COVID-19 pandemic and how it impacted the world of comics. Watch for more posts all this week.
COVID-19 was already on the radar when I attended C2E2 on the last weekend of February 2020, but it was still just a vague shadow in the distance. There were only a handful of cases in the U.S., but we knew more were coming. Some folks Tweeted that they wouldn’t be hugging or even shaking hands, but most people went ahead anyway, happy to see old friends after a long winter apart. The folks at McCormick Place put in extra hand sanitizer stations. And since China was already coming out the other side of their epidemic, I spoke to a couple of publishers about how the brief shutdown over there had affected their schedules. Like many of the 95,000 attendees, I roomed with friends I hadn’t seen in months, had lunch and dinner with more friends, attended panels in rooms that held 200 or more, and walked around the crowded convention floor.
Plus: Fred Perry, Michael DeAdder, Kelly Sue DeConnick and more!
This Is Awesome: We all know the horror story of Pepe the Frog, who despite creator Matt Furie’s best efforts has taken on an unsavory life of his own. At Vulture, Abraham Riesman looks at a meme story with a happier ending, talking to creator KC Green about how he kept control of his “This is fine” comic, and even made some money off it as it went viral. There’s a lot here that other creators may find useful, plus it’s just fascinating to see the backstory of such a well known meme.
Plus: Jerusalem cartoonist fired over drawing of Prime Minister Benjamin Nettanyahu, comics at Walmart, Thi Bui and more!
Passings: Eisner Hall of Fame artist Russ Heath passed away last week after battling cancer, his grandson, Lee Kosa, reported on Twitter. “His mastery of the craft of illustration encouraged me to pursue the arts and it is a joy to see my son now filling his own sketchbooks. Thank you for passing along the joys of drawing and storytelling,” Kosa wrote.
In the late 1940s, Heath began his career at Timely Comics, which eventually became Marvel Comics. While there, he drew many of their Western titles like Two-Gun Kid and Kid Colt. Later his work expanded to include their superhero titles, as well as war comics for EC Comics and DC Comics, where he co-created The Haunted Tank and worked on Sea Devils, G.I. Combat and Our Army at War, among other titles. He also worked on the “Little Annie Fanny” strip that appeared in Playboy, even moving into the Playboy Mansion in Chicago for a time while working on it. Later he’d move into animation, where he worked on G.I. Joe, Godzilla and “Pryde of the X-Men.” Heath was inducted into the Will Eisner Hall of Fame in 2009 and received the National Cartoonists Society’s Milton Caniff Award in 2014. He was 91 when he died.
Charlie Hebdo survived the 2015 attack, but at a steep cost. Also: Phoenix Comic Con changes its name, museum exhibit focuses on photo comics, and retailers reflect on a difficult 2017.
The Long Con: The convention formerly known as Phoenix Comicon has changed its name and will henceforth be known as Phoenix Comic Fest. The reason? “In recent months, the use of the word Comic-Con, and its many forms, has become litigious,” says the official press release. “We would prefer to focus on creating the best events and experiences for our attendees.” This is undoubtedly a reaction to the court decision late last month that stated that Comic-Con International, the organization that runs Comic Con in San Diego, owns the trademark for the term “comic con.”
‘Comic con’ belongs to Comic-Con! Dr. Seuss Enterprises v. ComicMix! Plus Connor Willumson, behind the scenes on comiXology’s Guided View, recent personnel changes and more!
Legal: Comic-Con International won its trademark suit against Salt Lake Comic Con on Friday, when a jury determined that “comic con” is a trademark, and that Salt Lake Comic Con’s use of it was likely to confuse the public. However, the jury did not grant CCI the $12 million in damages that was requested in the lawsuit; stating they did not believe the infringement was intentional, they awarded CCI $20,000 for advertising to clear up any confusion.
Rob Salkowitz lays out the history of the case and the possible implications at Forbes, pointing out that some conventions already pay CCI a licensing fee for the use of the term. He also noted that the organizers of SLCC, Dan Farr and Bryan Brandenburg, tried to paint themselves as the Davids to CCI’s Goliath and ran a crowdfunding campaign to pay for their legal fees—but they also gave themselves $225,000 in bonuses. At the trial, however, CCI produced a survey that showed more than 70 percent of respondents identified the term “comic con” with the San Diego event.
In a statement released later that day, CCI reiterated that the trademark was theirs and that they had worked for almost 50 years to build that brand. “From the beginning all that we asked of the defendants was to stop using our Comic-Con trademarks,” the statement said. “Today we obtained a verdict that will allow us to achieve this. For that we are grateful.”
Awards, best of the year, comics journalism comics, and how the shift in retail channels is changing the industry.
The Best of the Year lists are starting to roll out. Katie Green’s Lighter Than My Shadow tops Amazon’s list, which also includes Jeff Lemire and Dean Ormston’s Black Hammer and Emil Ferris’s My Favorite Thing Is Monsters. That book shows up on Publisher’s Weekly’s list as well, but the similarities end there.
Plus: Top graphic novels, comics retail chat and two new manga from Jiro Taniguchi!
The 9th U.S. District Court of Appeals ruled on Monday that a gag order imposed by a judge in the trademark lawsuit between Comic-Con International and Salt Lake Comic Con is unconstitutional. The case stretches back to 2014, when Comic-Con International, which produces the San Diego comic con, sued the organizers of Salt Lake Comic Con over the use of the term “comic con,” which CCI claims it owns. The Salt Lake organization countersued, claiming the term is widely used by other conventions and is a generic term. The trial is scheduled to begin on Nov. 28, and because they were concerned that Salt Lake’s postings about the issue on social media would taint the jury pool, CCI asked that they be restrained from commenting publicly about the case. U.S. District Court Judge Anthony Battaglia placed a strict limit on what Salt Lake could post about the case, and limited that even further after CCI claimed that Salt Lake violated the ban. However, the appeals court overturned that order on Monday, saying,
San Diego Comic-Con has presented no evidence as to how many, if any, of the approximately 35,200 Twitter followers are registered voters in San Diego and Imperial counties and how many, if any, of the 120,000 attendees of the 2014 Salt Lake Comic Con in Utah are even possibly members of the current San Diego-area jury pool.
Plus: Another view of Marvel’s Northrop Grumman Comic, Palmiotti and Conner say goodbye to Harley Quinn, and was New York Comic Con too big?
Top Graphic Novels: Viz takes half the slots in the September BookScan top 20 chart, which measures sales of graphic novels in the book channel: Vol. 12 of One Punch Man was the top seller, followed by the all-in-one edition of Death Note (a 12-volume omnibus—yes, it’s a brick). Perennial best-sellers Fun Home, March, and Watchmen all make the chart, as does Frank Miller’s Batman: The Dark Knight: Master Race, vol. 3 of Tom King’s Batman: Rebirth, and Avatar’s limited edition of Alan Moore and Jacen Burrows’s Providence: Act 3. Interestingly, there is not a single Image title on the list.
Plus: IDW stumbles, SyFy makes a list, and Darryl Cunningham draws another science comic.
Political Cartoonist Arrested: Government authorities in the African country of Equatorial Guinea arrested political cartoonist Ramón Nsé Esono Ebalé on September 16 and are reportedly preparing criminal defamation charges against him, according to Human Rights Watch. Equatorial Guinea’s defamation law, which dates back to its days as a Spanish colony, makes it a crime to criticize the president or other government officials. Ebalé, who no longer lives in Equatorial Guinea but was visiting to renew his passport, frequently caricatures President Teodoro Obiang Nguema Mbasogo; he visited the U.S. in 2016 to distribute his book, Obi’s Nightmare, which imagines what the president’s life would be like if he had to live as an ordinary person in his country.