Do you bite your mother with that mouth?
Alex de Campi and Erica Henderson head to California and Austria for a “psychological horror story” called Dracula, Motherf**ker this fall.
The graphic novel with the naughty title will tell a story across two timelines — 1889 Vienna and L.A. circa 1974 — in an action-filled take on the popular Bram Stoker character.
“Most people who know my work are aware that I love pulp/exploitation cinema so me doing a book called Dracula, Motherf**ker shouldn’t really surprise anyone,” said de Campi. “Another thing I wanted to bring to this pulp fantasia was a sensibility from horror anime, with its love of transformation and of the noncorporeal, to push the element of man-as-monster in directions specifically suited to sequential art. Things like the abstract portrayal of Alucard (or Pride in FMA: Brotherhood), and the use of Superflat art in Madoka Magica were tremendously inspirational in this book, especially as that use of flatness dovetails nicely with the work of Gustav Klimt in with the book’s 1889 prologue, and with late-1960s pop art and the psychedelic liquid-light projections of the Joshua Light Show.”
Continue reading “de Campi + Henderson sink their fangs into ‘Dracula, Motherf**ker’”
