Ticket holders for the March event can transfer their badges to the August show.
After postponing this weekend’s show due to the coronavirus pandemic last week, ReedPop, which hosts the Emerald City Comic Con in Seattle, has announced their new dates for later this year — Aug. 21-23, which is one day less than the original show.
If you had tickets for this weekend’s show, you can transfer your registration to August using this form. You’ll need to do this by March 27, or else you will automatically receive a refund. If you do transfer a four-day badge, you’ll receive a refund for that extra day.
Continue reading “Emerald City Comic Con rescheduled for Aug. 21-23”
Do you bite your mother with that mouth?
Alex de Campi and Erica Henderson head to California and Austria for a “psychological horror story” called Dracula, Motherf**ker this fall.
The graphic novel with the naughty title will tell a story across two timelines — 1889 Vienna and L.A. circa 1974 — in an action-filled take on the popular Bram Stoker character.
“Most people who know my work are aware that I love pulp/exploitation cinema so me doing a book called Dracula, Motherf**ker shouldn’t really surprise anyone,” said de Campi. “Another thing I wanted to bring to this pulp fantasia was a sensibility from horror anime, with its love of transformation and of the noncorporeal, to push the element of man-as-monster in directions specifically suited to sequential art. Things like the abstract portrayal of Alucard (or Pride in FMA: Brotherhood), and the use of Superflat art in Madoka Magica were tremendously inspirational in this book, especially as that use of flatness dovetails nicely with the work of Gustav Klimt in with the book’s 1889 prologue, and with late-1960s pop art and the psychedelic liquid-light projections of the Joshua Light Show.”
Continue reading “de Campi + Henderson sink their fangs into ‘Dracula, Motherf**ker’”
Kevin Sauvage returns in a new miniseries this June.
Valiant has tapped Max Bemis and Nathan Stockman to tell the next chapter in the story of Savage, a Kazar/Tarzan-esque boy who grew up on a remote island populated by dinosaurs and other terrifying things. The new miniseries will kick off in June.
“Savage is the biggest story I’ve ever told. As in it’s my aesthetic turned up to eleven and crammed into the skin of a summer blockbuster film,” Bemis said in a press release. “If you dig the more fun and up-tempo stuff I’ve done like Worst X-Man Ever, this is the book you’ve been waiting for.”
Continue reading “‘Savage’ returns at Valiant from Bemis + Stockman”