Kalish, Ormes announced for Eisner Hall of Fame class of 2018

Comic-Con International announces the 2018 judge’s picks and other nominees for this year’s Eisner Hall of Fame.

Direct market pioneer Carol Kalish and black female newspaper cartoonist Jackie Ormes will be inducted into the Will Eisner Hall of Fame in July at Comic-Con International, as announced by CCI on their official blog this week.

Kalish, who worked as direct sales manager and vice president of new product development at Marvel Comics from 1981 to 1991, is credited with pioneering the comics direct market when it was in its adolescence, in part through a program in which Marvel helped pay for comic book stores to acquire cash registers. Kalish also spearheaded the expansion of the Marvel’s distribution into major bookstores such as B. Daltons and Waldenbooks. Kalish passed away in 1991 from a brain aneurysm, at the age 36.

Ormes was the first, and for a long time only, black female newspaper cartoonist. In the 1930s she wrote and drew Dixie in Harlem comics featuring Torchy Brown. After returning to her roots in journalism, she published Candy, a single-panel cartoon about a witty housemaid in 1945. Then she created Patty-Jo ’n’ Ginger, another single-panel cartoon about a pair of sisters, which ran for 11 years through 1956. Finally, from 1950 to 1954, Ormes revamped Torchy Brown into Torchy in Heartbeats, an 8-page color comic insert that included paper dolls. Ormes passed away in 1985.

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Comics Lowdown: The Diversity issue

Black comics festivals, indy publishers, and the history of women in comics.

Festivals: West Coast: It’s Martin Luther King Day, and this past weekend brought festivals celebrating black comics to both sides of the country. In San Francisco, Nanette Asimov writes about the Black Comix Arts Festival, which runs through today, and interviews creators Tony Medina and John Jennings as well as an attendee.

Festivals: East Coast: At the New York Times, George Gene Gustines turns his focus to the Black Comics Festival, which took place this past weekend at the Schomburg Center for Research in Black Culture in New York City, and he interviews David Heredia, the creator of the animated video series Heroes of Color and a guest at the festival.

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Comics Lowdown: Charlie Hebdo, 3 years later

Charlie Hebdo survived the 2015 attack, but at a steep cost. Also: Phoenix Comic Con changes its name, museum exhibit focuses on photo comics, and retailers reflect on a difficult 2017.

The Long Con: The convention formerly known as Phoenix Comicon has changed its name and will henceforth be known as Phoenix Comic Fest. The reason? “In recent months, the use of the word Comic-Con, and its many forms, has become litigious,” says the official press release. “We would prefer to focus on creating the best events and experiences for our attendees.” This is undoubtedly a reaction to the court decision late last month that stated that Comic-Con International, the organization that runs Comic Con in San Diego, owns the trademark for the term “comic con.”

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Smash Pages Q&A: Hilary Price and Rina Piccolo

Hilary Price launched the comic strip Rhymes with Orange in 1995 and it’s remained an award-winning staple of the comics page since then, winning multiple awards from the National Cartoonists Society. Rina Piccolo got her start in gag cartoons but in recent years has been making the daily strip Tina’s Groove, and she was one of the contributors of Six Chix. Last year Rina wrapped up both those gigs, and the two are now collaborating full time on Rhymes with Orange. I spoke with both of them to ask how this collaboration came about and how they adjusted to a new work routine.

Rina will be doing an “Ask Me Anything” (AMAfeed.com) on the topic of comics on Friday, January 12, starting at 11 am EST.

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Comics Lowdown: Off to a roaring start

Zunar sues his persecutors, Bosch Fawstin is booted (temporarily) from Twitter, and the Best of the Year lists keep rolling in.

Legal: A Malaysian High Court judge has set aside five days in April to hear the cartoonist Zunar’s lawsuit against the Inspector-General of Police and 19 other defendants. Zunar, who has been charged with sedition and is currently prohibited from leaving the country, is suing for damages and wrongful arrest. In December 2016, police stormed the venue where a “Tea with Zunar” event was about to take place and arrested the cartoonist and several other people; they also confiscated books and T-shirts. In the lawsuit, Zunar is asking for monetary damages for wrongful arrest, the return of his merchandise, and a declaration that the defendants had violated his rights.

Twitter: Cartoonist Bosch Fawstin was suspended from Twitter for “hate speech” after one of his Tweets was reported by another user. At first Twitter refused to tell him why, but then they told him his account would be unlocked if he deleted a Tweet reply that read “@NyaDnart1 There are degrees. Muslims who follow in Mohammad’s footsteps mass murder. Christians who follow in Jesus’s footsteps?” They subsequently reinstated his account with a statement that it had accidentally been caught in a spam filter.

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Comics Lowdown: Don’t quit the day job

Jim Zub has advice for an aspiring creator. Also: Best comics of 2017, trends to watch in 2018.

Sitcomics, a comics publisher based in Santa Monica, is rolling out Binge Books, a line of 64-page comics priced at $3.99, with a new strategy that they call “Sell-Through Distribution”: Bypassing the usual distribution system, they will go directly through retailers. They will start distributing a free catalog to retailers on January 3; customers can order the comics until January 25, and they will be delivered on January 31, a much faster turnaround than standard distribution. The comics will also be returnable by retailers.

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Annie Goetzinger, RIP

A brief remembrance of French comics creator Annie Goetzinger, who died unexpectedly last week

French comics writer and artist Annie Goetzinger died unexpectedly on December 20, at the age of 66. Goetzinger had a 40-year career in French comics, but her work was relatively new to English-speaking audiences: NBM published Girl in Dior in 2015, following it up with Marie Antoinette, Phantom Queen, in 2016; her biography of the French novelist Colette, The Provocative Colette, is due out next August.

I was slightly ahead of the game: When I was at Angouleme in 2014, I asked Philippe Osterman of Dargaud to point out some French titles that would be popular with American audiences. He handed me a half-dozen graphic novels, and Girl in Dior was the one that caught my eye immediately. So when NBM brought Goetzinger to the MoCCA Fest in April 2015, I arranged to interview her.

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Smash Pages Q&A: Leslie Stein is ‘Present’

Over the course of five books, Leslie Stein has established herself as one of the great cartoonists of her generation. One reason is the way that her work defies characterization, avoids cliches and tropes, and instead forges its own idiosyncratic path. Some of her work can seem simplistic, but it’s quickly apparent that the choices Stein has made are complicated and thought out, and that the simple choices she’s made are effective and precise. She is a skilled artist, an inventive letterer and possesses an eye for color and composition that are like very few people in comics. Stein is also quite simply one of the funniest and most philosophical cartoonists working right now.

She’s an artist who is always experimenting, and her new book is no exception. Present, which came out from Drawn and Quarterly earlier this year, is her best work to date. The book collects many of the short comics that have been serialized in recent years on Vice.com, and she was kind enough to answer a few questions.

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Smash Pages Q&A: Annie Koyama looks back and ahead after 10 years

‘In some ways it does feel like 10 years when I look back on the over 100 titles published. In other ways, the years have passed quickly, perhaps due to the large learning curve I faced since I had to learn my job from scratch.’

It’s been a decade since Annie Koyama launched Koyama Press. By now her story has become something of comics legend. After a successful career, Koyama was diagnosed with a brain aneurysm, and after risky surgery and playing the stock market, Koyama made some changes in her life and began working with artists. She’s published comics and books and more, mostly with younger artists who aren’t quite as established. There’s no aesthetic that links all the work she publishes. The best known artists she’s published – and one who has established his reputation because of that work – is Michael DeForge. Koyama has also published Jessica Campbell, Eleanor Davis, Julie Delporte, Dustin Harbin, Aidan Koch, Jane Mai, Keiler Roberts, Maurice Vellekoop, Julia Wertz, Eric Kostiuk Williams and many more.

Koyama is always looking ahead, working with new talent, interested in different voices and has been key in this past decade in helping to build a comics community that encourages these individuals and build a new industry. Annie and I are friends on Facebook, have interacted online and know many people in common, but we’ve never done an interview, and I asked if she would be willing to answer a few questions about what she does. Talking with someone who’s always looking ahead seemed a good way to mark the end of the year.

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Smash Pages Q&A: Cynthia von Buhler gets magical with Harry Houdini

The comics artist, author, playwright and designer discusses ‘Minky Woodcock: The Girl who Handcuffed Houdini,’ her latest comic series from Hard Case Comics.

Over the course of her career, Cynthia von Buhler has been a comics artist, illustrator, children’s book author, playwright and designer. Von Buhler has shown an affinity for and fascination with the early 20th Century, exploring the period and many real life stories in her various projects over the years. Minky Woodcock: The Girl Who Handcuffed Houdini is a new comic series out from Hard Case Comics that she’s writing and drawing. In it, von Buhler introduces a fictional young woman who works for her detective father, still haunted by the death of her mother. She winds up working as Harry Houdini’s assistant. Houdini’s wife wants to keep an eye on him and have an assistant that she can trust. Spiritualists loathe Houdini and how he’s been debunking them. Could there be more to Houdini’s unusual death?

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‘Barrier’ jumps to print on Free Comic Book Day 2018

Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s pay-what-you-want digital comic lands at Image as a five-issue, weekly miniseries coming next May.

Diamond Comics Distributors has announced the 12 Gold Sponsor comic book titles for 2018’s Free Comic Book Day, which includes titles from DC, Marvel Comics, Dark Horse Comics, IDW and more. While many publishers use the opportunity to kick off events or new series, Image is doing something interesting this year — their FCBD title is Barrier #1, bringing to print Brian K. Vaughan, Marcos Martin and Muntsa Vicente’s pay-what-you-want digital comic.

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Smash Pages Q&A: Jack Foster on super villains and ‘Gun’

‘I loved the idea of watching a person who as they get better at what they’re doing, they’re actually getting worse.’

Gun is a superhero comic that doesn’t look or feel quite like any other comic. Jack Foster self-publishes and distributes the comic through his own Reckless Eyeballs Press. It’s a book about superheroes (“capes”) and super villains (“guns”) and told from the point of view of a villain. Or someone trying to be a super villain, at least.

The first story arc involves a group of small time criminals coming into a windfall, and like all great stories of criminals who get one big payday, it all goes very wrong very quickly. The first arc was noir, but the second story arc has a different tone. Picking up a little later, the arc is an over the top exploitation involving a game called Slaughterball. A game that Foster describes as “half Death Race 2000, half Cannonball Run, with a little touch of It’s A Mad Mad Mad Mad World with super villains.”

The book manages to be what one might expect of a book centered around villains, but it also manages to subvert them at the same time. It’s about characters and conversations. There’s violence, but for the most part the book manages to eschew that. Foster paints the book in watercolors which means that it doesn’t quite look or feel like other comics and the result is something that feels familiar but manages to be surprising, funny and at times, beautiful.

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