Snyder + Albuquerque reunite for the post-apocalyptic ‘Duck and Cover’

The new title debuts on Comixology next week.

The American Vampire creative team of Scott Snyder and Rafael Albuquerque will sink their teeth into 1950s Cold-War era insanity in Duck and Cover, a new title debuting from Comixology Originals next week.

The title refers to the civil defense drills common in the 1950s, where kids would practice hiding under their desks in case nuclear war broke out. In the comic, schools desks end up being the only real protection from nuclear bombs that obliterate the United States, leaving the country in the hands of its children.

“Duck and Cover is a character driven thrill-ride that blends elements of manga, 1950’s Americana, and post-apocalyptic lore to create something truly unique,” Snyder said in the press release.

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comiXology Originals announces ‘Hailstone’

Rafael Scavone and Rafael de Latorre head to a winter-ravaged Montana for a new horror title.

comiXology Originals and Stout Club Entertainment are teaming up again for Hailstone, a “horror thriller set during the U.S. Civil War,” by Rafael Scavone, Rafael de Latorre, Wesllei Manoel, Bernardo Brice and Bis Stringer Horne.

This is the second comic in a five-title deal between comiXology and Stout Club, following last year’s Funny Creek.

Hailstone presents a story of mystery, mixed with historical, horror and supernatural elements, all seasoned with good old western action,” Scavone said. “If I had to pick only one genre to define it, I’d definitely go for weird-fiction. The characters range from a traumatized Sheriff, unable to help his people, to an arrogant army officer running a military factory in a remote town. Art-wise Rafael de Latorre gave it a beautiful but uneasy atmosphere, his work is a perfect match for the story. The moody ambience he created grows denser as the story goes on poking the characters’ fears with it. All of these elements allowed us to play with sequences and pacing. We hope the readers dig it as much as we did while creating this comic.”

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Rafael Albuquerque puts down his pencil, grabs the keyboard for ‘Funny Creek’

Albuquerque co-wrote the new miniseries with Rafael Scavone for comiXology Originals.

Although probably best known for his award-winning work as an artist on American Vampire, Rafael Albuquerque will take a different role on Funny Creek, a new miniseries debuting from comiXology Originals this week.

Rafael Albuquerque co-wrote the miniseries with Rafael Scavone. Eduardo Medeiros drew it, with colors by Priscilla Tramontano and letters by Bernardo Brice. Bis Stringer Horne edited the project. Funny Creek is the first of four comic books coming out of the comiXology Originals multi-book deal with Stout Club Entertainment.

“We’ve wanted to collaborate in a new project for a long time and finally decided on a book aimed for young readers, which is not our comfort zone at all,” said Albuquerque. “While brainstorming ideas, heavy subjects kept coming to our minds, and we decided that we should not avoid, but embrace them—figuring out how an 8-year old kid would deal with things like loss, guilt and grief. That was the path where we found something unique and interesting for both young and mature audiences.”

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comiXology announces ‘Adora and the Distance’ OGN

Marc Bernardin and Ariela Kristantina tell a story inspired by Bernardin’s autistic daughter.

Genius and The Highwaymen writer Marc Bernardin has been more active as a TV writer lately, working on shows like Alphas, Carnival Row and Castle Rock in recent years, but he’s making his return to comics with a new graphic novel from comiXology Originals.

Artist Ariela Kristantina, colorist Jessica Kholinne, letterer Bernardo Brice and editor Will Dennis will work with Bernardin on Adora and the Distance, a story inspired by Bernardin’s daughter, who was diagnosed with autism at four years old.

“There are millions of parents of kids on the autism spectrum and there are millions of children with siblings on the spectrum,” Bernardin said in the press release. “This isn’t a book about how hard it is to be a parent or a sibling, it’s one that imagines the unknowable: What’s going on inside the mind of a loved one who has never been able to tell us?”

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