Plus: Lost Charles Schulz comics emerge, new graphic novel from Nnedi Okorafor and Tana Ford, and more!
The New York Times profiles cartoonist Corinne Rey, who was working in the offices of the French satirical weekly Charlie Hebdo on January 7, 2015, the day that two masked gunmen massacred the staff; Rey, who uses the pseudonym Coco, was just leaving the offices of Charlie Hebdo when two masked gunmen arrived and forced her to unlock the door. Her new graphic novel, To Draw Again, recently published in France, depicts that moment and its aftermath. Rey is now the resident cartoonist at the newspaper Libération, the first woman to hold that post.
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Plus: News on Al Jaffe, Uncivilized Books, awards and more.
With police brutality once again in the public eye, many fans on social media have called out Disney/Marvel to put their litigious muscles to work and prevent cops from using the Punisher logo — a popular emblem with some members of law enforcement, despite the fact that Frank Castle is a criminal and a killer.
First, you can find some history of both the character and its popularity with police here. That piece’s writer, Brian Cronin, is not only a contributor to CBR, but also a lawyer, and he offers his thoughts on why he doesn’t think Disney would have much success in an article titled “There’s Not Much Marvel Can Do About Cops Using Punisher’s Logo.” Cronin writes:
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The comics creator and editor discusses her own projects, including her next graphic novel, working at Lion Forge and more.
Hazel Newlevant has been making a big impression in comics in just a few years. She received a Xeric grant for Ci Vediamo and a Queer Press Grant for If This Be Sin, and last year received an Ignatz Award for her minicomic Tender-Hearted. Newlevant is also an editor at Lion Forge Comics, and has edited the anthology Chainmail Bikini and co-edited the recent Comics for Choice with Whit Taylor and O.K. Fox
Sugar Town, which was published late last year, is her longest single work to date and her best. The book is an emotional and thoughtful look at falling in love and exploring the emotional work of polyamory. It felt like a breakthrough for the creator in a number of ways. Newlevant and I have spoken before, and I reached out to talk with her about the fact that she’s had a very busy 2017, the ways she used color in Sugar Town, and her upcoming graphic novel No Ivy League.
Continue reading “Smash Pages Q&A: Hazel Newlevant on ‘Sugar Town’ and more”