It highlights a recently released research article on racial health disparities and the spread of misinformation during the coronavirus pandemic and the 1918 influenza pandemic, spotlighting the three researchers who published the article.
Plus: News on Al Jaffe, Uncivilized Books, awards and more.
With police brutality once again in the public eye, many fans on social media have called out Disney/Marvel to put their litigious muscles to work and prevent cops from using the Punisher logo — a popular emblem with some members of law enforcement, despite the fact that Frank Castle is a criminal and a killer.
First, you can find some history of both the character and its popularity with police here. That piece’s writer, Brian Cronin, is not only a contributor to CBR, but also a lawyer, and he offers his thoughts on why he doesn’t think Disney would have much success in an article titled “There’s Not Much Marvel Can Do About Cops Using Punisher’s Logo.” Cronin writes:
Susan Merrill Squier, Ian Williams, Morgan Sea, Rachel Lindsay and more presented at the second day of the Graphic Medicine Conference in Vermont.
The big news of the Graphic Medicine Conference came Friday evening, at Susan Merrill Squier’s keynote address: Graphic Medicine is going to seek 501(c)(3) status, making it officially a nonprofit organization. When co-director Ian Williams told me this the next day, I thanked him -— up until now, I haven’t ever been sure what noun to use to describe Graphic Medicine. Is it a movement? A community? Now it will be a nonprofit organization, although there are still many details to be hammered out.
The award-winning cartoonist discusses her new book, her work at ‘The Nib’ and more.
Whit Taylor has been making a number of award-winning and nominated comics and mini-comics for years including Watermelon, Boxes and Ghost. She’s written for The Comics Journal and Publishers Weekly, and has contributed to The Nib where she’s written about race, Chris Christie, pandemics, health care and hair.
Ghost Stories, which was just published by Rosarium, is her first book. It collects three stories, each made in a different style and approach, that deal with questions of memory in different, interesting ways. I read Ghost when it was first published and like a lot of people thought it was her best work to date, and while none of the stories are ghost stories in that way, each involves hauntings in interesting ways. Taylor was kind enough to answer a few questions about the book and her work.