Can’t Wait for Wednesday | As ‘Absolute Power’ ends, DC’s ‘All In’ era begins

Check out comics and graphic novels arriving this week by Scott Snyder, Joshua Williamson, Wes Craig, Daniel Sampere, Geoff Johns, Ivan Reis, Mark Waid, Dan Mora, Brian Azzarello, Vanesa Del Rey and more.

Welcome to Can’t Wait for Wednesday, your guide to what comics are arriving in comic book stores, bookstores and on digital.

This week is a big one for DC, as Absolute Power signals the end of one era and the All In special begins a new one. But that’s not all — there’s also a new Storm series, the debut of Hyde Street from Geoff Johns’ Ghost Machine, the return of Shadowman and much more.

I’ve pulled out some of the other highlights for this week below, but for the complete list of everything you might find at your local comic shop and on digital this week, you’ll want to check out one or more of the following:

As a reminder, things can change and what you find on the above lists may differ from what’s actually arriving in your local shop. So always check with your comics retailer for the final word on availability.

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SDCC | Jordan Thomas + Daniel Gete enforce over-the-top thrills in ‘Skin Police’ this October

When black market clone babies go bad, the Skin Police are on the case.

Writer Jordan Thomas and artist Daniel Gete have teamed up for a new series that Oni Press calls “one of the most ecstatically over-the-top series” they’ve published.

Skin Police, which debuts this fall, is a fast-paced, science fiction action thriller set in a future where black market clone babies are the norm, but one out of every four turns into a psychopathic killing machine. That’s where The Skin Police come in.

“Skin Police set up shop in my brain as a combination of my love for Blade Runner and my fear of having children,” Thomas said. “It was an idea that wouldn’t go away, which is always a sign that it is one of the good ones. I wanted to take the base human fear of not being able to protect our offspring as well as the general existential fears most of us have about the direction the world is heading and smash it together with adrenaline-fueled, violent, unforgiving action, so the audience gets carried away with the sheer thrill of what is taking place before closing each issue and finding themselves thinking deeper about the more human and terrifying themes that underpin the thrills.”

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