The small press publishers discuss Laneha House, ‘The BAYlies’ anthology and more.
For 12 days, we’re looking back at the 2021 that was in the world of comics, with interviews, commentary and more. Check back often!
Lawrence Lindell and Breena Nuñez have separately been making comics for years, but recently the married couple teamed up to launch the small press Laneha House.
They’re publishing and republishing their work, including One, To Black Girl with Love and many other projects. They also have a quarterly anthology, also titled Laneha House, the fourth issue of which came out this month. They also publish The BAYlies anthology, which is a great collection of work from cartoonists form the San Francisco Bay Area.
I spoke with the two recently about their many projects and looking ahead to the future.
Continue reading “Smash Pages Q&A | Lawrence Lindell + Breena Nuñez”
The small press publisher based in Sweden will publish a few more titles in 2021 before closing down and keep their webstore open through 2022.
Swedish-based Peow Studios has announced plans to shut down operations, the small press publisher said in a statement.
Olle Forsslöf and Patrick Crotty, two of the co-founders of Peow, said they plan to release “a few final books” in 2021, and they’ll leave their webstore open through 2022.
“It’s something that we have been thinking about for a long time, and while at first, saying those words ‘ending Peow’ feels really hard and sad (Peow has been our life the past 10 years, so it’s so strange to ‘break up’), but the more we start thinking about it, the more we have realized it’s the right decision,” they said in the statement. “It’s bittersweet, but we look ahead of us and things are going to be OK.”
Continue reading “Peow Studios will close down this year”
The creator of ‘RIPMOM’ and ‘Secure Connect’ discusses her process, the micropress Diskette Press, her upcoming graphic novel and more.
Carta Monir has been making a series of comics for years. Many people likely know her work in Polygon and Zeal, where she’s made comics about Hitman and Lara Croft. But it’s her more personal stories that have really solidified her place as a major talent.
In work like RIPMOM and Secure Connect, she explores questions of identity and the technology in thoughtful and nuanced ways that are rarely acknowledged in public conversations about the internet.
I first noticed her work when RIPMOM was published in Critical Chips 2 in 2017. The short comic is presented as taking place through a computer interface, in a way that seemed interesting in the way it broke apart our behaviors and feelings in complicated and emotional moments, but becomes this deeply person and emotional journey by the end.
Monir is also one of the people behind Diskette Press, and I reached out to ask her a few questions about her work and what’s she working on right now. You can find her on Twitter and on Patreon.
Continue reading “Smash Pages Q&A: Carta Monir”
DC announces their Writers Workshop participants, First Second unveils their Spring 2018 books, Viz licenses some new media, and Mimi Pond talks about her new book—and getting dropped from ‘The Simpsons’ because she was a woman
The Big Reveal: DC announced the names of the six writers who will take part in this year’s DC Writers Workshop: Magdalene Visaggio (Kim & Kim, Quantum Teens Are Go), Sanya Anwar (1001), Joey Esposito (Pawn Shop, Captain Ultimate), Phillip Kennedy Johnson (Last Sons of America, Warlords of Appalachia), Robert Jeffrey (Route 3, Radio Free Amerika) and Ryan Cady (Big Moose). Batman writer Scott Snyder will lead the workshop.
“It’s 13 weeks, and we meet for two, two-and-a-half hours online in a Brady Bunch-style box of windows. I teach it in such a way that it’s all superhero writing for DC. I try and make each week a lesson about a particular technique,” Snyder told Heat Vision. “My job is not to teach you how to write by formula for DC. It’s for you to come in and write the stuff you’re passionate about in your own way. I don’t care if that’s funny political, light-hearted, dark, whatever. Your job is to come in and have something to say. My job is to help you fit it into the rubric of superhero calculus and to help you maximize that story: look at where you should beef things up, slow it down, be aware of pacing. You need to come here and have something to say.”
At the end of the workshop, DC works with the writers to place them in writing slots for DC comics.
Continue reading “Comics Lowdown: All is revealed!”