Quick Hits | Whatever happened to ‘Tales from the Quarantine’?

Plus: A ‘Doonesbury’ controversy (maybe?), Image launches a retailer award, and a Seattle comic shop’s staff unionizes.

Crowdfunding | Broken Frontier has a lengthy article up where they talk with many of the creators involved with Tales from the Quarantine, a project spearheaded by Frazer Brown of Red Cabin Comics that was funded in the early days of the pandemic and was meant to raise money for the Hero Initiative and other charities. The anthology was supposed to feature comics by a long list of creators, including Ed Brubaker, Sean Phillips, Rachael Stott, Charlie Adlard, Jim Zub and Max Dunbar, among others. Almost four years after being funded, the anthology has yet to materialize in print, with many angry backers wanting to know what happened and creators left with little answers themselves.

“It was a damaging situation for our individual reputations,” said one of the anthology’s contributors, Lucy Sullivan. “The way the project was marketed suggested we were all complicit in its concept and production rather than, the reality, that we all gave our time and expertise for free in aid of charity. The only recourse was to publicly state this. Of course that put me on the blocked list, off the contributors’ emails and potentially amongst those threatened with police investigation. It was really quite stressful.”

Visit Broken Frontier to read more.

Comic strips | A former Iowa State Representative went to social media to question why this Sunday’s Doonesbury strip didn’t appear in any Gannett papers over the weekend. The strip in question featured a Florida teacher sharing facts about the Civil War, while one student questions if it is still legal for her to do so — a very real issue in the state.

But did Gannett actually remove the strip because of the content, as Cracked.com suggests? The Daily Cartoonist says another factor may be in play here — Gannett previously announced plans to limit the comic strips offered to their papers to a set 34, and Doonesbury isn’t on the list.

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Can’t Wait for Comics | Double your fun with ‘Scarlet Witch & Quicksilver,’ ‘Sinister Sons’ + more

Check out new comics and graphic novels arriving this week by Steve Orlando, Lorenzo Tammetta, Joe Casey, Simon Gane, Matt Kindt, Dan McDaid, Lucy Sullivan, Nate Powell, Bree Wolf, James Turner, Sanford Greene, Joe Hill, Peter J. Tomasi and more.

Welcome to Can’t Wait for Comics, your guide to what comics are arriving in comic book stores, bookstores and on digital.

I’ve pulled out some of the highlights below, but for the complete list of everything you might find at your local comic shop and on digital this week, you’ll want to check out one or more of the following:

As a reminder, things can change and what you find on the above lists may differ from what’s actually arriving in your local shop. So always check with your comics retailer for the final word on availability.

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BOOM! announces ‘The Displaced’ by Brisson + Casalanguida + Cunniffe

The story of a forgotten Canadian city kicks off next year.

A project that was almost writer Ed Brisson’s first published comics project will finally see the light of day, as BOOM! Studios has announced The Displaced, which is about a city that has vanished without a trace and that no one can remember.

Brisson is joined by artist Luca Casalanguida, colorist Dee Cunniffe and letterer Hassan Otsmane-Elhaou on the project, which kicks off in February.

The Displaced was almost my very first published work. About a year before Comeback was picked up by Shadowline/Image, I had pitched The Displaced and had interest from a publisher. However, after months of back-and-forth notes, the book ended up veering away from the book that I wanted to do, so we amicably parted ways. It was a tough call to make, but ultimately, the right one. This book is too dear to me, I didn’t want to lose that,” Brisson said in his email newsletter. “The concept sat in a digital drawer for years. I’d periodically take it out, blow off the dust, and work on it. Yet it always felt like there was a piece missing. At some point during 2022, that piece finally fell into place and I set out to pitch it again — the first time since that 2011 experience.”

Brisson has worked with BOOM! in the past, on titles like Cluster and The Last Contract, and The Displaced marks his return to the publisher for the first time in about seven years.

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