Censorship: The Mayor of Rio de Janeiro, Marcello Crivella, sent a team of law enforcement agents to the International Book Fair in his city to confiscate any and all copies of Avengers: The Children’s Crusade, on the grounds that it shows a same-sex kiss. The mayor was concerned that it was “sexual content for minors” and would lead the children of Rio de Janeiro astray, but the joke was on him: The comic had sold out by the time his officers got there. The festival organizers took him to court and won an injunction against any further seizures or attempts to pull the festival’s permit, but the ruling was partly overturned the next day. “We will always continue to defend the family,” said the mayor, an Evangelical preacher, who apparently found a drawing of a kiss to be a more pressing matter than the fact that 40% of Brazilian children live in poverty.
Late-breaking addendum: Despite Crivello’s admonition that “Books like this need to be wrapped in black sealed plastic with a content warning displayed on the outside,” the daily newspaper Folha de Sao Paulo put the image on its front page.
Plus: Hector Gonzalez Rodriguez III on the El Paso shooting, thieves caught selling comics to their actual owner; and more!
Marvel asked legendary comic creator Art Spiegelman to remove a line from his introduction for a new Golden Age comic collection for being too political. The essay refers to current president of the Unites States Donald Trump as an “Orange Skull.”
“In today’s all too real world, Captain America’s most nefarious villain, the Red Skull, is alive on screen and an Orange Skull haunts America”
The graphic novelist decided to withdraw his entire essay meant for a Folio Society deluxe collection and published it online at the Guardian, fully intact, and added a few paragraphs at the end about his experience with Marvel, being edited, and about how CEO of Marvel Entertainment Ike Perlmutter donated $360,000, the maximum amount allowed, to the “Trump Victory Joint Fundraising Committee.”
Plus Riverdale 10 years later, UK war comics reprinted, and a Scott Adams controversy… again.
Awards: Chelsea Saunders, whose work is often published at The Nib, is the winner of the 2019 Locher Award for emerging editorial cartoonists. Hit that link for some good reading, because the runners-up have a lot of talent as well.
Plus: Fred Perry, Michael DeAdder, Kelly Sue DeConnick and more!
This Is Awesome: We all know the horror story of Pepe the Frog, who despite creator Matt Furie’s best efforts has taken on an unsavory life of his own. At Vulture, Abraham Riesman looks at a meme story with a happier ending, talking to creator KC Green about how he kept control of his “This is fine” comic, and even made some money off it as it went viral. There’s a lot here that other creators may find useful, plus it’s just fascinating to see the backstory of such a well known meme.
Plus: Steve Morrow passes away, New York Times stops editorial cartoons, and more!
The New York Times reports on a new digital comics service, Graphite, that operates on a subscription basis, like ComiXology Unlimited. Graphite will offer a free version with ads, and their premium ad-free version is priced at $4.99 a month, a buck cheaper than ComiXology Unlimited, but their real selling point is automated recommendations:
On other platforms, recommendations are typically offered by editors, said Tom Akel, Graphite’s chief content officer. “Ours takes into account your user behavior, what you’ve watched before, what the pool of people around you liked and cross references that the same way a Netflix algorithm will,” he said.
The real test of a digital comics service, of course, is content. Graphite’s lineup will include BOOM! Studios, Tokyopop, Dynamite, IDW and the children’s publisher Papercutz, but not Marvel or DC (both of whom have their own subscription services). This is a choice that seems to make sense for the smaller publishers; as BOOM!’s Filip Sablik commented, “We’ve had free content available for multiple years, and it hasn’t cut into our Comixology business. In fact, it has continued to grow.
Comics scholar Carol Tilley has unearthed new information about several Golden Age comics artists, and she presents the first fruits of her research on her blog: An account of the life and work of Jane Krom Grammer, who drew (and perhaps colored) the comic Dotty in Supersnipe Comics in the mid-1940s. Tilley has found Grammer’s pay stubs for comics that had previously been attributed to another artist, and in conversation with Grammer’s daughter, she fills out the rest of her biography.
Plus: Stolen comics, cease and desist letters, Ted Talks, Jesus and more.
Legal woes for Stan Lee’s former caretaker and manager, Keya Morgan, continue to grow. He has been arrested and appeared in court in Arizona to face the charge of being a fugitive of justice. And he is also being sued by Joan Celia Lee, Stan Lee’s daughter.
In May, Morgan was charged with felony counts of false imprisonment of an elder adult, theft, embezzlement, and forgery or fraud against an elder adult, according to the Los Angeles Superior Court. The LAPD has revealed some of the details on why they brought charges against him.
“Morgan removed Lee from his Hollywood Hills residence to a secured Beverly Hills condominium during the late night hours of June 8, 2018,” the Los Angeles Police Department said in a statement. “Morgan was using this tactic to further deceive Lee into believing he was in danger and needed to be moved from his home to a more secured condominium where Morgan had more control over Lee.”
The LAPD will eventually extradite Morgan to L.A. to face the charges.
Plus: Bob Clampett Humanitarian Award recipients, Paige Braddock, Frank Santoro, Dr. Gene Luen Yang and more!
Who exactly owns Atlas Comics? That seems to be the question raised in two articles from The Hollywood Reporter. Earlier this month Steven Paul, producer of the Ghost Rider film, announced via a press conference that he had bought the rights to the Atlas Comics and planned to work with Paramount to turn the properties into movies. Not so fast, said Dynamite Entertainment, who followed up by telling THR that they own the name “Atlas Comics.”
Many of you may be wondering “What the heck was Atlas Comics?” while others might be thinking, “Wait, wasn’t Atlas the company that eventually evolved into Marvel Comics in the 1960s?” And still others are wondering, “Didn’t he learn his lesson after Ghost Rider?”
But getting back to Atlas, yes, there was an Atlas Comics in the 1950s that grew out of Timely Comics and eventually became Marvel Comics. It was owned by publisher Martin Goodman, and it put out comics in a variety of genres like horror, crime, espionage and even a few superhero titles featuring characters like Captain America and the Human Torch, who had previously been published under the Timely banner. However, this isn’t that Atlas Comics.