Matt Kindt jumps into the controversial world of NFTs with a new ‘Mind MGMT’ story

The one-of-a-kind story will go to the highest bidder of an NFT auction.

Creator Matt Kindt is exploring the world of non-fungible tokens with Mind MGMT: The Artifact, a full-length comic that’s currently up for auction on the NFT auction website OpenSea.

Non-fungible tokens, or NFTs, have been making headlines recently; they’re a type of code that acts sort of as a unique certificate of authenticity for a digital piece of art, tied to bitcoin and block chain technologies. Both the Verge and NPR have Q&A’s up on what NFTs are and how they’re being used right now in the art world.

“I wanted to create an original Mind MGMT comic book narrative that would explore the nature of belief and the value of ideas and their intangible nature as a way of exploring the idea of NFTs,” said Kindt. “The best way to explore this idea was for the actual story – the Mind MGMT narrative – to become what it is about. This story is written as a Mind MGMT espionage narrative – an agent sent on a mission to retrieve a priceless artifact. There are secret codes, monk-ninjas. LOTS of monk-ninjas and a teenage immortal intent on stealing this priceless artifact. It is both a real apple…and a drawing of an apple.”

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Victor Santos’ ‘Paranoia Killer’ launches at Panel Syndicate

Pay what you’d like for the new sci-fi thriller by the creator of ‘Polar.’

In celebration of its 8th anniversary, the digital comics site Panel Syndicate has launched a new comic by Polar creator Victor Santos. Paranoia Killer is described as “a thriller with elements of sci-fi about identity, divinity and the privatization of violence.”

“She is the reckless FBI Agent Nathalie Laertes. Her twin brother is the international hitman known as Delon Sombre. And now one must become the other. Princess Knight meets Philip K. Dick in this sci-fi crime thriller,” Santos posted on Twitter.

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Matthew Dow Smith launches ‘Doctor Secret’ on Twitter

The creator launches his fourth and final free, serialized comic on social media, keeping a promise he made when the pandemic started.

Matthew Dow Smith has spent almost a full year posting his own comics to Twitter, and he’s not stopping now — this week he launches Doctor Secret, a three-parter that will wrap up a year’s worth of comics posted to social media.

Smith started posting comics the same week that Diamond Comics Distributors announced their pandemic-related shutdown. He started with the autobiographical My Life as Riley and continuing on with the serialized Johnny Chaos, Arch Nemesis and Amelia Shadows, the latter just wrapping up last week.

“I gave myself one year to see what would happen, hoping that the weekly comics would at least keep my career alive until the industry figured out a path forward, while secretly hoping it might lead to me finally breaking through as a writer as well as an artist,” Smith wrote on Twitter.

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DC launches ‘Let Them Live!’ on DC Universe Infinite

A lost Suicide Squad story written in 2011 surfaces on DC’s digital comics system.

When DC relaunched their DC Universe Infinite service last month, they promised exclusive content for subscribers. Today brought the first DCUI-exclusive comic, titled Let Them Live!: Unpublished Tales from the DC Vault, featuring a “lost” Suicide Squad story by Jim Zub, Tradd Moore, Felipe Sobreiro and Nate Piekos.

The story will be the first of several released by DC under this title, which seems like a way for them to clean out their files and share comics that were commissioned but never published. In fact, each issue will feature a framing sequence by Elliott Kalan, Mike Norton and Marissa Louise starring Ambush Bug — who has taken a job as a night janitor at the DC offices, where he finds the unreleased comics and provides commentary.

Future issues will include:

  • Let Them Live! #2 — a Nightwing story by Collin Kelly, Jackson Lanzing, Jorge Corona, Mat Lopes and Carlos M. Mangual — debuting Feb. 16 with a frame story by Elliott Kalan, Mike Norton and Marissa Louise. Let them Live! #3 — a Batman story by Scott Bryan Wilson, John Paul Leon, Dave Stewart and Deron Bennet — debuting 3/2 with a frame story by Elliott Kalan, Mike Norton and Marissa Louise.
  • Let them Live! #3 — a Batman story by Scott Bryan Wilson, John Paul Leon, Dave Stewart and Deron Bennet — debuting March 2 with a frame story by Elliott Kalan, Mike Norton and Marissa Louise.
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Comics Lowdown | Alan Moore script on eBay

Plus: New graphic novels by the Mayor of Montreal and rapper Rico Nasty

Auction Watch: An unpublished Alan Moore script is being auctioned off on eBay. The 35-page script was written circa 1997 for a Wildstorm one-shot, Gen13 Annual: The Coming of the Collector!, which was never completed or published.

Scott Dunbier, who is auctioning off the script, acquired it when he was an editor at Wildstorm. Proceeds from the auction, which has Moore’s blessing, will benefit inker Bob Wiacek, who is suffering from vision problems that prevent him from working.

You can also donate directly to Wiacek via this GoFundMe project.

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‘The One You Feed’ by Cates + Burnett debuts at Panel Syndicate

Pay what you want for the first digital issue of the new fantasy horror title.

The One You Feed, a new title by Donny Cates (Thor) and Dylan Burnett (Ant-Man) has debuted on Panel Syndicate.

The “fantasy terror tale” will be a five-issue miniseries, released digitally on the site in their standard “pay what you want format,” like they’ve done with previous titles like Friday, Barrier and The Private Eye.

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DC announces changes for its ‘DC Universe’ app

As video content moves to HBO Max, ‘DC Universe Infinite’ will focus on comics.

As expected, DC announced changes this week to its DC Universe app, as it shifts from an “all-in-one” video/comic delivery system into one that focuses mainly on comics. The service was launched in 2018.

Original TV shows like Titans, Young Justice, Doom Patrol and Stargirl were once the big selling point of the platform, but all of those properties are finding new homes now, mostly on HBO Max, but also on The CW, in Stargirl‘s case. The release states that original shows and “classics” — as the app included many older DC movies and shows as well — will migrate to places like HBO Max, but the price point will stay the same. The service costs $7.99 a month, or $74.99 for one year (even with the loss of content).

“Our fans love the platform’s robust library of comic books and, with the transformation, we will not disappoint,” said DC Publisher and Chief Creative Officer Jim Lee. “I’m excited to share that not only will DC Universe Infinite members still be able to read all of the great comics that they’ve enjoyed but new issues are debuting on the platform quicker than before, digital first exclusives are being created, and the members-only events will begin as soon as possible. There has never been a better time to be a DC fan!”

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comiXology Originals, Kodansha to release ‘Shaman King’ digitally

The entire saga — including three volumes never released in English — will hit comiXology on July 28.

Kodansha and comiXology originals announced this week that Hiroyuki Takei’s shonen manga Shaman Kings will arrive on the platform in its entirety on July 28.

“It’s been over 10 years since I’ve completed Shaman King. But finally –– at last –– I can deliver the true ending to the story to the fans in America,” said Shaman King creator Hiroyuki Takei in the press release. “It’s a message from my heart, and I think it’s a particularly important one in this day and age. I hope that it’ll reach the hearts of many comrades.”

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Coffee, ghosts + romance: Christmas + Luiz team for ‘Crema’

The graphic novel by Johnnie Christmas, Dante Luiz and Ryan Ferrier arrives from comiXology Originals next week.

ComiXology Originals will drop another new graphic next week titled Crema. The digital release is by the creative team of Johnnie Christmas (Tartarus), Hugo-Award finalist Dante Luiz and letterer Ryan Ferrier.

“I wrote most of it in coffee shops around Vancouver, pounding copious amounts of caffeine and listening to hours of cafe talk,” Christmas said. “Dante’s art is beautiful. We were going for magical realism and fabulism in the modern context, utilizing color shifts in places to further heighten romance and ghostly terror.”

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