Waid + Mora bring Batman + Superman (+ Seinfeld?) together for ‘World’s Finest’

DC resurrects the long-running title next March.

Mark Waid made his return to DC last year with a short Dark Nights: Death Metal story, but he’ll be back in earnest next year writing Batman/Superman: World’s Finest.

The new series will feature artwork by Dan Mora and will debut in March, but readers can get their first glimpse of what to expect in Detective Comics #1050 in January.

Here’s the cover:

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David Michelinie returns to write Venom in a new ‘Lethal Protector’ miniseries

The co-creator of Venom returns for a story set in Venom’s past.

David Michelinie, the writer of Amazing Spider-Man, Iron Man and other titles who co-created Venom, Carnage and War Machine, will return to Marvel for a new miniseries featuring Venom.

Venom: Lethal Protector — which shares a name with a 1993 miniseries also written by Michelinie — will be set in the past and feature artwork by Ivan Fiorelli.

“Getting to do a multi-issue story with the original Venom was like sitting down to dinner with an old friend—who wants to eat your brain for dessert!” Michelinie told Marvel.com. “It was both fun and exciting, and I hope people enjoy reading it as much as I enjoyed writing it.”

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Dragotta + Goellner unlock ‘Ghost Cage’ in March

The three-issue miniseries is about a super-scientist cleaning up his ‘most monstrous secrets.’

East of West co-creator Nick Dragotta will team with Teenage Mutant Ninja Turtles writer Caleb Goellner for a three-issue series from Image Comics called Ghost Cage.

The duo will work with letterer/designer Rus Wooten, cover artist Frank Martin Jr. and editor David Brothers on the project. Each issue will run 44 pages with screen-toned black and white art.

“Finishing up East of West, I felt ready to start writing and drawing my own comics,” said Dragotta. “Caleb Goellner agreed to co-write with me, and we cooked up Ghost Cage. We set out to make something that feels immediate, urgent, so it’s in screen-toned black and white, hot off the drawing board. We wanted to let the story breathe, so we went with 44-page issues. And lastly, we wanted to tell a story that will make us examine the things we sacrifice on a daily basis, the bits of us that we give up to survive.”

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