Stephen Wacker returns to Marvel as editor-in-chief as C.B. Cebulski moves to a new role in Asia

The change follows Marvel’s recent executive restructuring that saw Brad Winderbaum take oversight of comics alongside television, animation and franchise.

Marvel has named Stephen Wacker its new editor-in-chief, bringing the longtime editor back to the company as C.B. Cebulski steps into a newly created role overseeing Marvel’s publishing efforts in Asia.

The announcement marks another major leadership change for Marvel’s publishing division following the leadership change announced in May. At that time, Marvel announced that longtime executive Dan Buckley would depart after nearly 30 years with the company, while Brad Winderbaum expanded his responsibilities from television and animation to oversee comics and franchise. Disney executive David Abdo also joined Marvel as general manager of comics and franchise.

Now, Wacker will take over as editor-in-chief, reporting to Winderbaum, while Cebulski relocates to Japan as editor of Asia Originals, where he will oversee Marvel’s original graphic fiction and manga initiatives in the region. Which is an interesting choice, to say the least, given that Cebulski once cosplayed as a Japanese man.

“Few editors have had as long and accomplished a career as C.B. I’m grateful for his partnership over the past decade and thrilled that he’ll be on the ground in Japan, connecting with local artists and overseeing Marvel’s original graphic fiction and manga in the region,” said Brad Winderbaum, Head of Marvel Television, Animation, Comics & Franchise. “At the same time, I’m excited to welcome Stephen Wacker back to Marvel. He is a tremendous editor, a passionate advocate for creators, and someone who deeply understands that Marvel Comics is the source code of our entire enterprise, with a publishing resume that includes some of our most beloved modern runs.”

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Hasta la vista, Betty: ‘Archie vs. The Terminator’ arrives this October

Skynet comes to Riverdale in a five-issue crossover from writer Rory McConville and artists Steven and Lily Butler.

The latest Archie Comics crossover will bring a new threat to Riverdale, as Dynamite Entertainment, Archie Comics and STUDIOCANAL announce Archie vs. The Terminator, a five-issue miniseries launching in October. The series brings a teenage John Connor to Riverdale High, which can only mean a relentless Terminator is not far behind.

Written by Rory McConville, who wrote Dynamite’s The Terminator: Metal, the series pairs the wholesome world of Archie Andrews with the deadly future war between humanity and Skynet from the Terminator film franchise. The father-and-daughter team of Steven Butler and Lily Butler, who combined have drawn countless Archie Comics stories, will provide art for the miniseries.

“Archie crossovers hold a very special place in comics, so I’m thrilled to be writing the gang’s first (maybe last?!) encounter with The Terminator,” McConville said. “Enrolling John Connor at Riverdale High felt like the perfect way to bring these two iconic franchises together and I can’t wait for readers to see what we have in store.”

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Smash Pages Q&A | Christian Ward on building ‘The Forever Home’

The writer discusses the premise behind his new Oni Press series, collaborating with Sami Kivelä and why every great story starts with its characters.

Christian Ward has built a career creating stunning visuals and unforgettable worlds, whether as the artist on books like Invisible Kingdom, Batman: City of Madness, Black Bolt and Spectregraph, or as a writer on Blood Stained Teeth and Machine Gun Wizards.

For his latest project, he’s building a house.

Coming from Oni Press this fall, The Forever Home reunites him with artist Sami Kivelä for a story that blends science fiction, horror and family drama. The series follows Henry D’mour, a man who built a home designed to survive a climate-ravaged future that exists almost outside of time itself. As years, and eventually centuries, pass beyond its walls, the family inside must confront not only the changing world, but the consequences of Henry’s choices and the secrets hidden within the house itself.

I spoke with Ward about the origins of The Forever Home, why he wanted to tell a story inspired by climate change and “billionaire bunker” culture, reuniting with Kivelä and more. My thanks for his time.

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