International ‘Death Metal’ variant covers to feature metal bands

‘Dark Nights: Death Metal – Band Edition ‘ covers will be published in eight countries later this year.

Dark Nights: Death Metal is staging a world tour this year, and they’re bringing some real metal bands along for the ride.

DC has announced Dark Nights: Death Metal – Band Edition variant covers, which will be published in eight different countries starting in March. And the covers will feature various characters from the miniseries, like the Batman Who Laughs, along with seven different metal bands. Each issue will also feature an introduction from the band and an exclusive interview. The lineup includes:

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Detective Wyrd is on the case at Dark Horse

Curt Pires and Antonio Fuso team up for a ‘James Bond meets the X-Files’ miniseries.

Curt Pires and Antonio Fuso have a new series coming from Dark Horse next year, and it’s weird — or Wyrd, actually.

Wyrd, is a four-issue comics series that’s decribed as “James Bond meets The X Files,” and features Pitor Wyrd — “an un-aging, invincible detective with a penchant for the strange who steps in to assist…for a fee. Between a botched attempt at recreating a certain U.S. supersolider, a monster roaming the countryside and a trail of bodies, there is no case too big, too small, or too weird.”

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Gillen, Fuso enlisted for James Bond one-shot

Dynamite announces ‘James Bond: Service,’ a one-shot featuring an assassin’s plot to exterminate the “special relationship” between the U.S. and Great Britain.

Joining a list of writers that already includes Warren Ells, Andy Diggle, James Robinson and Benjamin Percy, Kieron Gillen has signed on to write Dynamite’s James Bond. He’ll team with artist Antonio Fuso to write James Bond: Service, a one-shot due out in May.

“The thing with the icons is that I’m not particularly interested in doing a one-size-fit-all story for them,” Gillen said in his email newsletter today. “You need to make them live, and that means finding something that really captures you. As such, this ends up digging into some of the interest in history and geopolitics which drives work like Uber, and merging it with the contemporary era. It is very much a Bond inspired by Brexit and realpolitik. If you can’t use a country’s icon to talk about the country, what’s the point, right?”

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