Todd Klein walks us through Comic-Con. Plus: Robert Sikoryak parodies Trump, San Diego Police, beer for the thirsty con-goer.
And the winner is…: The Eisners are tonight! Our own Brigid Alverson will be live tweeting the awards show and the results on our Twitter feed @smash_pages. The Eisners are scheduled to begin at 8 p.m. Pacific.
The Walking Dead will die: Creator Robert Kirkman has confirmed that the Walking Dead will have an ending. At the Walking Dead panel in San Diego, Kirkman told fans, “I think about two or three years ago, I had a pretty good idea for a definitive ending. I have known that since then and been working towards that, so I know exactly where I’m going and what’s going to happen when I get there.” He expects the series will wrap up in the next 2-3 years.
Plus: Wonder Woman fights human trafficking, Jody Houser, Ben Hatke, and lots of SDCC news reporting
Frank Miller’s former business manager of 28 years has filed a lawsuit against the writer-director for over $1 million in damages for breach of contract. Mark Lichtman claims he is entitled to 10 percent of Miller’s entertainment earnings of over $15 million from projects like Sin City, 300 and The Spirit, and was a key part of developing Miller’s career.
“I can’t tell you what this means to me. I’m thrilled,” he said. “And if I’m half as good as everybody said I am, I’m far too good to be wasting time with ordinary people. But I seem to be spending my life with ordinary people, who are the best people in the world.”
Plus: designing variant covers, Sonny Liew, Tillie Walden, Simon Hanselman, food in San Diego.
Veteran artist Mike Ploog, known to comic fans as the co-creator of Ghost Rider, announced he will be retiring after a 47-year career. His career began with Filmation, as a clean-up artist on Batman and Superman, and eventually was promoted to layouts. He moved onto Hanna-Barbera, continuing his layout work until he became the assistant to Will Eisner.
He made his comic book debut on Werewolf by Night in 1972. Since then, he was credited as a co-creator of Ghost Rider and notable artist on Man-Thing, Planet of the Apes and The Monster of Frankenstein. Later in his career, he did minimal comic work, but teamed with J.M. DeMatteis on Abadazad in 2004.
Plus: teen romance, and Stan Lee, Jack Kirby and others become Disney Legends
Sam Glanzman (1924-2017): Navy veteran and and Eisner Award-nominated comic artist Sam Glanzman, 92, passed away July 12. Over the span of his 75-year career in comics, Glanzman worked for Marvel, DC Comics, Charlton, Harvey and Dell, among others, on titles like G.I. Combat, Sgt. Rock, Hercules, Jonah Hex, Fightin’ Army, Savage Tales, Semper Fi, Zorro and Kona, Monarch of Monster Isle. Marvel published his A Sailor’s Story graphic novel in 1987, a personal account of his time on the U.S.S. Stevens during World War II. A sequel followed. New stories about his time on the U.S.S. Stevens appeared in DC’s Joe Kubert Presents six-issue anthology limited series, and those stories, along with the two volumes of A Sailor’s Story, were collected in U.S.S. Stevens: The Collected Stories, which is nominated for the Eisner Award this year. A successful Kickstarter campaign to bring Red Range, a story drawn by Glanzman and written by Joe R. Lansdale, recently wrapped up.
The comics market is growing, but monthly comics are not. Also: A week of great comics articles from NPR!
By the Numbers: The comics market increased by 5% to a total of $1.085 billion in 2016, according to an estimate by Milton Griepp of ICv2 and John Jackson Miller of Comichron. Graphic novels sold in bookstores accounted for almost all the growth, however; they were up 16%, while sales of monthly comics in comic shops, on newsstands, and in digital format remained flat. Griepp saw the graphic novel growth as evidence that the market is expanding, as more women and children find graphic novels, while Miller credited Marvel’s Star Wars comics and DC’s Rebirth event.
Whatever Happened to comiXology? Three years after the largest digital comics service was purchased by Amazon, they still have plenty going on, says comics-biz maven Rob Salkowitz, including using Amazon’s “affinity marketing” (if you liked this, you’ll like that) tools, expanding to foreign audiences, and bringing in new readers via the ComiXology Unlimited, Kindle Unlimited, and Prime Reading programs.
A North Korean cartoonist looks at the lighter side of defection, an American cartoonist turns down an Iranian award, and Humanoids announces an all-ages horror graphic novel.
Struggles and Smiles: Former North Korean animator Choi Seong-guk was surprised at how different the comics were when he defected to South Korea: “When I first saw South Korean cartoons, I just didn’t get them,” he says. “There were no stories about patriotism or catching spies or war. They just seemed useless to me.” There were a lot of other differences too, including some idioms that he misunderstood. Now he has turned his experiences into an online comic that depicts both the funny and the serious side of the lives of North Koreans at home and in South Korea.
Plus: Udon to publish Daigo manga, another comics shop is robbed, a comics professor quits his job
It’s official: Comic-Con International will remain in San Diego for now, resisting the blandishments of other cities such as Los Angeles and Anaheim, which have been trying to woo it away. San Diego Mayor Kevin Faulconer announced on June 30 that the city has signed a three-year deal with Comic-Con that will last through 2021; the current contract ends after next year’s show. Faulconer made a pitch for expanding the convention center, something that has been talked about for years now; the City Council recently refused his request to put a special tax on the November ballot to fund an expansion. Con-goers get a bit of a break in this new contract, though: The last contract held all hotel rooms to their 2016 prices for the duration, and the new one only allows a 4% increase over the 2018 price over the subsequent three years.
Plus: ‘Check Please’ goes to First Second, ‘Infini-T’ Force goes to Udon, Jill Thompson, Red Planet and more.
A Pirate’s Life… Ain’t what it used to be. Cecilia D’Anastasio talks to several former scanlators (including NJT, who set up MangaHelpers back in the day) about their struggles to go legit, and she also talks to some legitimate translators about what they do. While scanlators defend what they do as providing a service by fans, for fans—no ugly profit involved—it’s also true that publishers may not want to license a series that is already being widely read on bootleg sites. Also, they are finding that publishers don’t want to hire them, and the pay isn’t enough to let them quit their day jobs. Because, as Kodansha Comics’ Ben Applegate observed, “Whenever there’s a large group of people giving away their labor for free, it’s going to depress pay for those who are trying to do things legitimately.”