A round-up of recent news on ‘Aliens,’ DC Future State, IDW’s Canto and more.
Mail Call is a roundup of the announcements we’ve received from comics publishers in our mailboxes recently that we haven’t already covered. Hit the links for more information.
When Green Lantern returns later this year after the events of Future State, Geoffrey Thorne and Dexter Soy will chart a new path for John Stewart, Sojourner “Jo” Mullein from Far Sector and Teen Lantern, the hacker Green Lantern who appeared in Young Justice.
Here’s how DC describes the first issue:With the majority of Green Lanterns called back to Oa, John Stewart arrives alongside Teen Lantern Keli Quintela, whose homemade gauntlet could be one of the most powerful and unstable weapons in the universe. With the entire landscape of the universe in flux, is this the end of the Green Lantern Corps…or a new beginning?
New comics arrive this week from W. Maxwell Prince, Terry Moore, Chris Claremont, Darick Robertson and more.
Welcome to Can’t Wait for Comics, your guide each week to what comics are arriving in comic book stores, bookstores and on digital.
This week brings another wave of both DC’s Future State and King in Black tie-in titles, as well as debuts from Terry Moore and W. Maxwell Prince, as well as tribute comic to Uncanny X-Men scribe Chris Claremont.
Check out a few of our recommendations below, or visit ComicList for this week’s full list of new comics arriving in stores, and the comiXology new releases page for what’s available digitally.
New comics arrive in the last week of the year by Ron Marz, Andy Lanning, Christopher Cantwell, Salvador Larroca, Magdalene Visaggio, Matt Furie, James Stokoe, Howard Mackie, Javier Saltares, Colleen AF Venable, Stephanie Yu and more.
The last week of the year is traditionally a light week, volume wise, for comics, and this week is no exception. Not that there aren’t plenty of reasons to head to your local comic shop this Wednesday, as you’ll see below. And if you’re lucky, maybe they’ll be having an end-of-year sale.
Here’s a look at what’s arriving in comic shops, bookstores and on digital this week. Check out a few recommendations below, or visit ComicList for this week’s list of new comics arriving in stores, and the comiXology new releases page for what’s available digitally.
New creative teams and directions arrive in March, along with a one-shot to kick it all off.
After a reality-altering crossover in Dark Nights: Death Metal over the last few months and a look into the future with DC Future State in January and February of next year, DC will chart a new path in its regular ongoing titles in March, starting with a one-shot called Infinite Frontier that’ll kick everything off.
“Infinite Frontier #0 really feels like the beginning of a new era of DC Comics, a time when anything is possible,” said writer Joshua Williamson. “We’re taking the aftermath of Dark Nights: Death Metal and combining it with the best things we love as storytellers about the DC Universe, resulting in bold, fun, and exciting new directions. There are a lot of teases to new story lines, surprises, and mysteries for the year set up in Infinite Frontier #0 that you won’t want to miss.”
Dc has already revealed new titles and creative teams for March over the last few weeks, and the release of their solicitations for that month lay it all out. Here’s a rundown of what to expect:
DC will kick off 2021 by exploring the future of their universe for two months, with regular titles resuming in March.
Following the events of Dark Nights: Death Metal, which wraps up Jan. 5, DC will hit pause on their regular monthly titles for two months. In January and February, they’ll release a bunch of titles under the “DC Future State” banner, giving readers a glimpse at the future of the DC Universe.
“In DC Future State, the Multiverse has been saved from the brink of destruction, but the triumph of DC’s heroes has shaken loose the very fabric of time and space,” reads their press release. “The final chapter of Dark Nights: Death Metal brings new life to DC’s Multiverse, kicking off this glimpse into the unwritten worlds of DC’s future.”
They plan to resume with their regular titles in March.
The New 52 lasted four years and nine months, from August 31, 2011 to May 25, 2016. On each of those Wednesdays, DC Comics released one universe-changing big-event issue and one issue of Justice League. In 2011 it was Flashpoint #5 and Justice League #1; and in 2016 it was Justice League #50 and the DC Universe Rebirth special. All were written by Geoff Johns, still one of DC’s main guiding forces even as his attention shifted away from comics. The DCU Rebirth issue kicked off a months-long apology-in-print marked by “Rebirth” banners on all of the superhero books’ covers. This publishing strategy aimed to reintroduce elements of the DC Universe which the New 52 had stripped away, including the pre-New 52 Superman – who, as a distinct character, had been living in a sort of multiversal fishbowl – and the classic version of Wally “Flash” West. Among other things, this meant that Superman was now the newest member of the Justice League, since he replaced his late New 52 predecessor.
Although those cover banners were gone by February 2018, in terms of continuity we may still be in the “Rebirth” era today. Among other things, DCU Rebirth set up Doomsday Clock, the 12-issue miniseries from Johns and Gary Frank. Going on sale November 22, 2017 (cover date January 2018), it would explain how Watchmen‘s Doctor Manhattan had changed the DC timeline into the New 52, and how he would change it back.
When the comprehensive history of DC Comics is written, I hope it goes into exhaustive detail on the conception, execution and ultimate retraction of the New 52. Let’s be clear right from the beginning: I did not love the New 52, but I didn’t hate it either. It represented DC’s willingness – although maybe not its best efforts – to try new approaches with key characters and to revive non-superhero genres.
As the spring of 2011 wound down, DC was wrapping up a couple of year-long biweekly series, Brightest Day (co-written by Geoff Johns) and Justice League: Generation Lost. The former followed a handful of superheroes who had been revived in Blackest Night – including Justice League stalwarts Aquaman, Hawkman, Firestorm and Martian Manhunter – while the latter was a Justice League International reunion that saw them trying to stop their old buddy-turned-baddie Maxwell Lord. Meanwhile, the Bat-books, Superman and Wonder Woman were each in the middle of altered-status-quo storylines.
In this edition, Tom Bondurant dives into the “Crisis Cycle” era that defined the Justice League before the New 52 kicked in.
For a series which only lasted five years, there’s a lot to talk about with regard to Justice League of America volume 2. Much of this involves events outside the series, both in DC’s other comics and with the people producing them. Meanwhile, the “comics blogosphere” came into its own, intensifying fan scrutiny and offering real-time commentary on controversies. This post won’t go too deeply into all that extratextual drama; but rest assured it was there, and it crept inevitably into the work.
With that said, let’s get started.
The Legends miniseries begat Justice League International and the Justice League: A Midsummer’s Nightmare miniseries begat JLA. The 2006-2011 Justice League of America similarly traced its roots to 2004’s Identity Crisis, written by novelist Brad Meltzer, pencilled by Rags Morales and inked by Michael Bair. Featuring the murder of a superhero’s spouse and reaching back into the League’s hidden history, Identity Crisis kicked off a “Crisis cycle” that churned through DC books for the next several years.