Smash Pages Q&A | ‘The Woman in the Woods’ interview

The editors of the latest ‘Cautionary Fables and Fairy Tales’ book discuss how the project came together and how the stories were chosen for the anthology.

Iron Circus has been publishing the Cautionary Fables and Fairy Tales series, which collects folk tales from around the world and retells them in comics form for younger readers, for the past few years. Under series editors Kel McDonald and Kate Ashwin, the series has managed the incredible feat of being that rare series which contains the work of so many different artists telling stories for younger readers that is visually and stylistically exciting and just fascinating to read. 

The fifth book in the series, The Woman in the Woods and Other North American Stories, takes on the continent of North America, or Turtle Island, as it’s known to many Native and Indigenous communities. To curate the book, they are joined by artist and editor Alina Pete, who drew the book’s cover and drew one of the stories. The three are incredibly busy, but they were kind enough to join me on Zoom recently to talk about the book.

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Fund Me Friday | Iron Circus kickstarts ‘Cautionary Fables and Fairy Tales: North America’

Plus: ‘The O.Z.’ and ‘The Baboon’ return, Cary Nord and more.

Crowdfunding continues to serve as a viable method for creators to fund their creative endeavors, as comic-related projects flourish on sites like Kickstarter and Patreon. The internet also allows creators to sell their creations direct to fans, through sites like Gumroad, Big Cartel and of course their own websites. If you’re looking to buy something from or support a creator directly, you’ve come to the right place. And that’s a good thing to do, now more than ever.

Iron Circus Comics launched their latest project, Cautionary Fables and Fairy Tales: North America, earlier this week, and they’ve already blown well past their $20,000 goal by almost $100,000. And they’ve still got 14 days to go! That’s all in a day’s work for the publisher, who are up to 30 successful campaigns, and, according to publisher Spike Trotman, they aren’t stopping anytime soon.

“I’ve grown an audience that’s interested in what I do and everything that I publish,” she told Forbes. “At this point my audience kind of knows my tastes and knows my inclinations and even if it doesn’t fit like a glove, it’s something they can get behind.”

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