The scholar and researcher discusses her new book, ‘Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and Graphic Narratives.’
Monalesia Earle is a British based scholar and researcher and the author of the new book Writing Queer Women of Color: Representation and Misdirection in Contemporary Fiction and Graphic Narratives. Her analyses of comics like Sexile/Sexilio and My Lesbian Experience with Loneliness are insightful and thought provoking, finding ways to consider not just representation but the depictions of power dynamics, elision and how comics can illuminate and depict liminal spaces.
It’s an incredible work of scholarship, and Earle was kind enough to answer a few questions about the book.
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Plus: Asterix, Jason Lutes, Derf Backderf, James Romberger and more!
Creator Talk: At The Beat, Matt O’Keefe interviews Chris Eliopoulos about his graphic novels (Cow Boy, Cosmic Commandos), his picture books (Ordinary People Change the World), the difference between comics and book publishing, and how he began his career as a comics letterer—his lettering firm, Virtual Calligraphy, still does a lot of lettering for Marvel.
Continue reading “Comics Lowdown: Con wars, comics in Spanish, new kids’ imprint”
Plus: Udon to publish Daigo manga, another comics shop is robbed, a comics professor quits his job
It’s official: Comic-Con International will remain in San Diego for now, resisting the blandishments of other cities such as Los Angeles and Anaheim, which have been trying to woo it away. San Diego Mayor Kevin Faulconer announced on June 30 that the city has signed a three-year deal with Comic-Con that will last through 2021; the current contract ends after next year’s show. Faulconer made a pitch for expanding the convention center, something that has been talked about for years now; the City Council recently refused his request to put a special tax on the November ballot to fund an expansion. Con-goers get a bit of a break in this new contract, though: The last contract held all hotel rooms to their 2016 prices for the duration, and the new one only allows a 4% increase over the 2018 price over the subsequent three years.
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Comics gets a wake-up call, Wonder Woman gets a long-lost brother and Ted Rall gets SLAPPed.
It’s like comics is going through its half-year review, and manga and kids’ graphic novels get high marks but Marvel and DC get a low “needs improvement.” Heidi MacDonald has a long but very readable article at The Beat summarizing what’s going on: Comics are thriving, but not monthly comics and not in comic shops:
Continue reading “Comics Lowdown: Bookscan charts, female readers and the Big Two”