de Campi + Henderson sink their fangs into ‘Dracula, Motherf**ker’

Do you bite your mother with that mouth?

Alex de Campi and Erica Henderson head to California and Austria for a “psychological horror story” called Dracula, Motherf**ker this fall.

The graphic novel with the naughty title will tell a story across two timelines — 1889 Vienna and L.A. circa 1974 — in an action-filled take on the popular Bram Stoker character.

“Most people who know my work are aware that I love pulp/exploitation cinema so me doing a book called Dracula, Motherf**ker shouldn’t really surprise anyone,” said de Campi. “Another thing I wanted to bring to this pulp fantasia was a sensibility from horror anime, with its love of transformation and of the noncorporeal, to push the element of man-as-monster in directions specifically suited to sequential art. Things like the abstract portrayal of Alucard (or Pride in FMA: Brotherhood), and the use of Superflat art in Madoka Magica were tremendously inspirational in this book, especially as that use of flatness dovetails nicely with the work of Gustav Klimt in with the book’s 1889 prologue, and with late-1960s pop art and the psychedelic liquid-light projections of the Joshua Light Show.”

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Layman returns to the world of ‘Chew’ in new series ‘Chu’

The new series, starring Tony Chu’s sister, begins in June.

John Layman will return to the world her created with artist Rob Guillory in Chu, a new series featuring the sister of Chew‘s lead Tony Chu. Dan Boultwood will draw the spinoff series.

“After more than 60 issues of Chew, it was never a matter of if I would return to the world Rob Guillory and I created, but when,” Layman said. “I needed a break after the book ended, but it wasn’t too long after that I started missing the characters and the world, and had the itch to return. It was something I approached cautiously because, while Chew was a complete story, I wanted to return to it in such a way it would be new and say something different, and it took a while to find the right angle. Outer Darkness/Chew was a step in that direction, as well a coda, a flower on the grave that was the story of Tony Chu. Chu is a different take on the Chu family and the Chew-universe, and in many ways it is a mirror, the flip side. I’m confident readers of Chew will enjoy it, but it’s also something totally new, the story of Saffron Chu, not Tony Chu. She was completely absent from Chew, and this first story arc will tell the story of why that is.”

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David Lopez’s ‘BlackHand & IronHead’ coming to print

The Panel Syndicate title arrives as a hardcover from Image Comics this fall.

BlackHand & IronHead, David Lopez’s 2017 digital comic published through Panel Syndicate, will make the jump to print later this year.

Image Comics announced via press release their intent to publish a hardcover collection of the comic in September.

“After many years working only as an artist in the big two, I’ve finally found the courage and I’ve written and drawn my own story, and I’m printing it in Image! Where the world’s best authors publish their works, this is a change of scale, suddenly my public is the whole world, can you believe it?!” said López. “BlackHand & IronHead is sincere, raw, unfiltered and personal, no obligations or compromises, exactly the story I imagined, that’s something I love as a reader and I hope people will love it from my book.”

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Mail Call | Mark Waid named publisher of Humanoids

Plus: ‘Snake Eyes: Deadgame,’ ‘Dead Body Road,’ ‘Adventureman!’ and more.

Mail Call is a roundup of the announcements we received from publishers in our mailboxes recently. Hit the links for more information.

Congratulations to Mark Waid, who has been promoted to publisher of Humanoids. Waid has served as Director of Creative Development for the publisher since 2018, and in his new role, will be responsible for “overseeing editorial, sales and marketing; expanding Humanoids’ relationships within the creative community; and deepening its ties to retailers and librarians.”

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‘Dune meets Asterix & Obelix’ in ‘Ludocrats’

Kieron Gillen, Jim Rossignol, Jeff Stokely, Tamra Bonvillain and Clayton Cowles team for a ludicrous new series from Image.

It’s been a long and winding road for co-writers Kieron Gillen and Jim Rossignol’s Ludocrats, a comic first announced at the Image Expo in 2015 (that’s the same year Paper Girls and Monstress were announced). Since that time, original artist David Lafuente has been replaced by Jeff Stokely, and the book is now on schedule for an April 1 (no foolin’) release.

“It’s a fantasy adventure,” Gillen said in his email newsletter. “The ‘Dune meets Asterix & Obelix’ is the most accurate way of describing it, which is why we lobbed it in the previews. There’s others. Imagine Pratchett if instead of being a kind and brilliant humanist, he was a complete shithead. Imagine the Neverending Story for adults, if not grown-ups.  Imagine imagining. We can and will go on.”

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Mail Call | Archaia to adapt Roxane Gay story

Plus: a new Shonen Jump series, Skybound’s ‘Fire Power’ plans and a new ‘Clone Wars’ series at IDW.

BOOM! Studios announced a new graphic novel, The Sacrifice of Darkness, based on Gay’s short story “The Sacrifice of Darkness.” In addition to Gay, the creative team includes writer Tracy Lynne Oliver, artist Rebecca Kirby, and colorist James Fenner, and the pub date is October 2020.

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‘Adventureman!’ by Fraction + Dodsons coming in April

New series has been in production for three years.

The long-gestating Adventureman! by Matt Fraction, Terry Dodson and Rachel Dodson will arrive in comic shops this April, according to Terry Dodson on Twitter.

Fraction announced the series at HeroesCon in 2016. “It’s about a retired policewoman with a young son that discovers the fictional adventures of a pulp hero named ‘Adventureman’ weren’t so fictional after all when she inherits his mantle in the present day,” Fraction said at the time. “But she inherits all of his old scores, grudges and enemies, too.”

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Hickman + Huddleston team for ‘Decorum’ in March

‘There are many assassins in the known universe. ‘Decorum’ is the story of the most well-mannered one.’

Hey, how would you like some Jonathan Hickman news that doesn’t involve the X-Men? The man who revitalized Marvel’s merry mutants this year will return to the world of creator-owned books in March with Decorum, a new series with artist Mike Huddleston coming from Image Comics.

“We’ve been quietly working on this book for over a year and I’m having the time of my life,” said Hickman. “Mike is one of those ridiculously talented artists who is both technically proficient and insanely stylistic—everyone is just going to love what he’s done here.”

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Brubaker + Phillips prepare for next awards season with ‘Pulp’

The new graphic novel is due from Image Comics next May.

Ed Brubaker and Sean Phillips have consistently turned out critically acclaimed, award-winning comics and graphic novels for what seems like decades now, from their work on Fatale and Criminal to this year’s big Eisner winner, My Heroes Have Always Been Junkies.

It looks like that trend could continue in 2020, as Image today announced Pulp, a new Western graphic novel by the duo.

“When Sean and I decided to do something completely new for our next original graphic novel, he planted the idea of a Western in my head… And I found myself drawn to the era where that genre first hit big—the pulp magazines and the Great Depression,” said Brubaker. “I thought about all these writers telling fictionalized versions of the vanishing days of the Wild West, as their own world was going through one of its darkest hours… And suddenly I realized I had the makings of a really great pulp story, but one set in the real world. A story that I really wanted to tell.”

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Faerber + Guglielmini return to the world of ‘Near Death’

Image will publish ‘Over My Dead Body,” an OGN set in the same world as ‘Near Death,’ in January.

Jay Faerber, Simone Guglielmini, Gigi Baldassini and Ron Riley will return to the world of Near Death in an original graphic novel set to be released by Image Comics in January. Titled Over My Dead Body, the story features Markham, a contract killer serving time who is tasked with saving the prison warden’s daughter.

“Since the moment Near Death ended, Simone and I have been planning the next step in Markham’s path to redemption,” said Faerber. “We’re thrilled to unveil this new thriller that serves as a continuation of that series, but is presented in a fresh, accessible format for new readers.”

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Smash Pages Q&A: Elsa Charretier

The artist of ‘November’ and ‘Star Wars’ discusses her Kickstarter campaign for her new artbook.

Elsa Charretier seemed to come out nowhere a few years ago when the miniseries The Infinite Loop was released. Since then, she’s drawn Superfreaks, Bitch Planet, Bombshells, Star Wars, Starfire, Harley Quinn and the Unstoppable Wasp, along with co-writing a number of comics, and drawing covers for everything from Archie to Black Panther, Nancy Drew to Domino, Ms. Marvel to Sex Criminals.

Charretier has shown that she has a versatile style and sensibility that shows her equally at home whether telling all-ages adventure tales, adult stories, comedy or action.

Next month Image is publishing November, which she drew and co-created with writer Matt Fraction, but today Charretier has launched a Kickstarter for an artbook that collects a lot of her covers and commissions, and also details her process and provides some insight into the production of November. Just a few hours after launch, the project has already reached its funding goal.

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Jamie McKelvie’s next project is ‘The Killing Horizon’

McKelvie will write and draw the series, which is due out next summer.

With The Wicked + The Divine wrapped up, artist Jamie McKelvie has revealed he’ll be writing and drawing his next project — The Killing Horizon.

“It’s such a different thing, writing for yourself. Kieron often talks about how a script is really a letter to the artist, which doesn’t really apply when you’re writing for yourself. But I suppose the biggest thing is the need to set challenges, push things, see what I can make comics do. I’m not sure if that’s his influence or if that’s why we always worked well together because we already both had that same drive,” McKelvie told io9.

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