New comics arrive this week from Tom King, Mitch Gerads, Jason Aaron, Kev Walker, Kyle Higgins, Mat Groom, Davide Tinto, Garth Ennis, Russ Braun and more.
Welcome to Can’t Wait for Comics, your guide to what comics are arriving in comic book stores, bookstores and on digital. We’re a little late this week due to some technical issues, but hey, if you’re heading to the comic shop after work today, we’ve got you covered.
I’ve pulled out some of the highlights below, but for the complete list of everything you might find at your local comic shop and on digital this week, you’ll want to check out one or more of the following:
As a reminder, things can change and what you find on the above lists may differ from what’s actually arriving in your local shop. So always check with your comics retailer for the final word on availability.
Plus: Criminal’s ‘Cruel Summer,’ Green Lantern, a ‘Wynd’ trailer and more.
Mail Call is a roundup of the announcements we received from publishers in our mailboxes recently. Hit the links for more information.
Now that they’re using multiple distributors, it makes sense that DC Comics would launch a new means for communicating distribution information vs. just limiting it to Diamond’s Previews. That seems to be DC Connect, a new, downloadable catalog they announced this week. It contains information on upcoming comics and graphic novels, with plans to expand it to include “talent interviews, preview pages from upcoming stories, behind-the-scenes looks at projects in development, multimedia content and more.”
The new graphic novel is due from Image Comics next May.
Ed Brubaker and Sean Phillips have consistently turned out critically acclaimed, award-winning comics and graphic novels for what seems like decades now, from their work on Fatale and Criminal to this year’s big Eisner winner, My Heroes Have Always Been Junkies.
It looks like that trend could continue in 2020, as Image today announced Pulp, a new Western graphic novel by the duo.
“When Sean and I decided to do something completely new for our next original graphic novel, he planted the idea of a Western in my head… And I found myself drawn to the era where that genre first hit big—the pulp magazines and the Great Depression,” said Brubaker. “I thought about all these writers telling fictionalized versions of the vanishing days of the Wild West, as their own world was going through one of its darkest hours… And suddenly I realized I had the makings of a really great pulp story, but one set in the real world. A story that I really wanted to tell.”