Graduating from his own one-shot, the ever-hungry creature of the night will face off with his worst nightmare: Betty Cooper, Werewolf Hunter.
After tearing through his own well-received one-shot, Jughead’s furry alter ego gets an ongoing series, Jughead: The Hunger, by writer Frank Tieri and artists Pat and Tim Kennedy.
“We purposely left the door open with the one shot, we told you if you made Jughead the Hunger a hit we’d make more — and since you more than held up your end of the bargain, here we are,” Tieri said in the press release. “Fans can expect more of everything they loved about the one shot now as we expand our universe– more werewolf Juggie, more bad ass Betty, more conflicted Archie and more twists and turns than you can shake a severed arm at.”
Tieri worked with artist Michael Walsh on the one-shot, who is doing one of the covers for the first issue of the new series. Colorist Matt Herms and letterer Jack Morelli will round out the creative team.
The comic is the third ongoing horror title released by Archie, following Afterlife with Archie and Chilling Adventures of Sabrina. Instead of an Archie Horror logo, though, the covers for the first issue sport an “Archie’s Madhouse Presents” emblem. Archie’s Mad House was a title published by Archie from 1959 until 1982 that featured the works of Dan DeCarlo, Harry Lucey, Chic Stone, Bob White and even Wally Wood, as they told zany stories featuring the Archie characters and new ones like Captain Sprocket and Clyde Didit; it’s also where Sabrina the Teenage Witch first debuted. So it’s an appropriate reference.
Alex Segura, Matt Rosenberg and Joe Eisma send The Archies on tour, where they’ll meet more real-life bands.
After meeting Kiss and the Ramones, not to mention getting their own one-shot, The Archies will hit the road in a new ongoing series by Alex Segura, Matt Rosenberg and Joe Eisma.
The series will show what happens when Archie, Jughead, Betty & Veronica, and Reggie leave Riverdale as they begin their first tour across the country, where they’ll meet other bands along the way.
“When we jammed on The Archies One-Shot, it was always in the hopes of having the book become an ongoing, so it was great to see the positive response that made it possible,” Segura, who also serves as Senior Vice President of Publicity and Marketing for Archie Comics, said in a press release. “Adding real bands in the mix gives the series a must-read twist and opens the door for Matt, Joe and I to get our favorite bands into Riverdale.”
Creators Paul Dini, Marc Andreyko and Laura Braga team up for a crossover tale starring DC’s Harley Quinn and Poison Ivy as they meet Archie Comics’ Betty and Veronica.
The distance between Gotham City and Riverdale is about to get much, much smaller, as DC Comics and Archie Comics bring together four of their most popular female characters for a big crossover: Harley Quinn, Poison Ivy, Betty and Veronica.
Harley Quinn co-creator Paul Dini will team with Marc Andreyko to write Harley & Ivy Meet Betty & Veronica, which will feature art by Laura Braga.
Check out a preview of the first issue, due out July 26.
This past spring Archie Comics announced that their “classic-style” Archie would return in a new series by Ty Templeton and Dan Parent … with a small twist. Parent and Templeton have tweaked the artwork a bit, noting it “will be influenced from the styles and fashion of The CW’s hit new Riverdale TV series, but will remain familiar for fans of the classic style.”
The company has now released a preview of the first issue, which looks and feels more like the traditional Archie, but with the twist they noted in their release. The first five issues will feature connecting variant cover by Les McClaine, and there’s also an Incredible Hulk #181 tribute cover featuring Archie vs. Jughead that’s exclusive to Stadium Comics.
Plus: classic Archie returns, Tom King, Black Panther and more.
Battle of the Cons: The court case between Comic-Con International (which runs the San Diego comic con) and Salt Lake Comic Con over CCI’s claim that it owns the term “comic con” moves into a crucial stage this week with two days of depositions today and tomorrow, followed by a settlement hearing before a judge on Thursday. That hearing will determine whether it all ends there or the case will go to trial in October. CCI owns the trademark to “comic-con” with a hyphen but the case is murkier for the unhyphenated version; Salt Lake Comic Con was allowed to trademark its name last year.
Plus: ‘Revolutionary Girl Utena’ returns, Red Planet opens in Albuquerque, Melanie Gillman, Alex Segura, Harley Quinn and more.
The Wonder Woman movie has lots of people looking at the history of the character and how she has evolved over the years. The Fresh Toast has a great interview with Trina Robbins, the first woman to draw Wonder Woman and a pioneering underground comics artist and comics historian as well. She’s a delightful person who has had a fascinating life, and this interview is a great way to start off your week.
Plus news and updates on NBM, ‘Saga,” Dan Parent and more.
Robert Crumb’s original art for the cover of the 1969 Fritz the Cat collection has set a new record price for a piece of original American comics art: The drawing sold for $717,000 at an auction run by Heritage Auctions; the next highest price for a piece of American comics art is the $657,250 that someone paid for the last page of Incredible Hulk #180, which features the first appearance of Wolverine. Internationally, Tintin art is still top of the heap; one set of drawings brought in $3.5 million, and two other original Tintin drawings have sold for over $1 million apiece.