After a decade of kicking ass, Mark Millar and John Romita Jr. hand over the reigns to their creator-owned title.
Mark Millar and John Romita Jr. returned to the world of Kick-Ass this year with a new title and a new character under the mask. And now, with issue #7 of the series, the duo will bring in a new creative team — Steve Niles and Marcelo Frusin.
“When we sold Millarworld to Netflix, the one and only downside was not being able to write more Kick-Ass with my new executive role, and so I did the next best thing—I got my favorite writer to continue Patience Lee’s adventures,” said Millar. “Steve Niles is without question my favorite writer in comics, and I rank 30 Days of Night as my favorite graphic novel of the last 20 years. I’m honored he’s taken the time to do this and slightly in awe that, like Jeff Lemire on Hit-Girl, he’s already outclassed me on this book. I finally get to enjoy Kick-Ass as a reader!”
Continue reading “Steve Niles, Marcelo Frusin take over ‘Kick-Ass’ with issue #7”
Politically charged hardcover arrives in October from Image Comics.
Pia Guerra‘s recent editorial cartoons have been spot on, and just in time for the midterm elections, they’re getting collected by Image Comics. Covering a wide array of topics, from gun control to the Trump administration, the hardcover collection Me the People will arrive in October.
Comic fans probably know Guerra best from her work on Y: The Last Man, but it’s just as likely you’ve seen her work in the New Yorker, or maybe in the Washington Post or even on The Nib.
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Churchland’s delightful creations jump from the web to print in ‘The Hchom Book’ from Image Comics.
While she’s probably better known for comics like Beast, Elephantmen and her various contributions to the 8HOUSE shared universe, my favorite Marian Churchland work has always been her blog. For years she’s posted images of her own want lists, Dragon Age fan art, and these cool little goblins and the world she envisions they live in. Like this guy:
Continue reading “Marian Churchland’s blog goblins get a print collection in September”
Brandon Dayton’s minicomic turned webcomic about a monk and his blade of grass gets a graphic novel in September.
I first read Brandon Dayton‘s Green Monk back during Indy Comic Book Week, when a Diamond Comics Distributors skip week gave a bunch of independent comics creators a opportunity to promote their books to comic retailers and fans. It’s a beautiful minicomic that landed on YALSA’s “Top Ten Great Graphic Novels for Teens” in 2011, and now it’s getting a graphic novel sequel, courtesy of Image Comics.
“So excited to be bringing the Green Monk to a wider audience through Image,” said Dayton in a press release. “This is a book that has all the things I love to see in comics. It’s a mix of quiet, contemplative moments with surreal, and sometimes explosive, action. I hope it can provide a real sense of journey and discovery.”
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The hardcover is due out Sept. 5.
Image Comics has announced plans to publish an English-language hardcover version of Perdy, by French cartoonist Kickily.
The western graphic novel stars Perdy, a woman who “loves two things: sex and robbing banks—no particular order.” After getting out of prison, she returns to her wild ways to pursue “the biggest score of gold this side of the border. And if anyone gets in her way, they’ll be pushing up petunias.” Dargaud BD will publish the French edition of the book.
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The duo discuss the collected edition of ‘The Pervert,’ which is out this week from Image Comics.
The short-lived anthology Island featured great artists producing great work, but one of the stand outs had to be the series of stories by Remy Boydell and Michelle Perez around a young trans sex worker. Beautifully painted, powerfully raw, the stories from Island have been collected along with a number of other stories that have never been published in the new book The Pervert, which is out this week from Image Comics.
The Pervert utilizes a structure and approach that might be more familiar to prose readers accustomed to short story collections following a single character. The book isn’t interested in tackling stories and themes that are common in trans narratives. It is a story about sex work that refuses to glamorize or demonize sex workers and their work. The artistic choices and the way the book is drawn, using mostly anthropomorphized animals, forces the reader to rethink their assumptions of the characters’ gender. It also lends the story, which can be dark and ugly, a certain dreamy quality.
The book can be laugh out loud funny, but also tough to read. It is beautifully drawn, and tackles ugly topics. It is in the end heartbreaking and I haven’t been able to stop thinking about it since finishing it. I spoke with Remy and Michelle about the book and how they worked.
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The artist discusses his collaboration with novelist Ace Atkins, his work for the ‘Where We Live’ anthology, his upcoming Young Adult graphic novel, and more.
Marco Finnegan was a comics novice when Last Fair Deal Gone Down was published in 2016 by 12 Gauge, though he’d been working as an artist for some time. The book was his first collaboration with the writer Ace Atkins, and the two have established a close working relationship. Their second collaboration is out now from Image Comics.
Crossroad Blues is the adaptation of Atkins’ debut novel. The two have set out to adapt all of Atkins’ Nick Travers stories to comics. The stories are about a former football player turned academic, blues researcher, and harmonica player. In this book Travers tries to find a missing researcher, and gets involved with a strange cast of characters including an Elvis-worshipping hitman, who are trying to uncover – or hide – the true story of the legendary musician Robert Johnson.
People who follow Finnegan on Twitter know that he seems to always be posting drawings and sketches, and has mentioned working on comics for younger readers. I reached out to ask about working with Atkins, and find out more about his other comics projects.
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‘Bully Wars’ and ‘Burnouts’ due out later this year.
Image Comics has announced two new titles in conjunction with C2E2 in Chicago this week: Bully Wars by Skottie Young and Aaron Conley,and Burnouts by Dennis Culver and Geoffo.
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The comics creator and playwright discusses The Red Hook, War Cry, his newest play and much more.
Dean Haspiel has always been a busy creator. Right now he’s writing and drawing War Cry, a weekly superhero comic for Line Webtoon, which wraps up next month. It’s a sequel to The Red Hook, which will be published as a print collection by Image Comics in June, part of the New Brooklyn Universe that Haspiel has overseen.
This month Haspiel has the world premiere of his new play in New York. The Last Bar at the End of the World is Haspiel’s third play and his second in two years. Haspiel has been one of those creators doing many things, from making his own comics, drawing books written by other people, working in television and film. This fall The Alcoholic, which Haspiel drew, will be reissued in a 10th anniversary edition. There will also be a collection to Haspiel’s The Fox: Fox Hunt series coming out from Archie Comics.
An Off-Broadway play, an indie superhero, a realistic graphic novel, an Archie superhero – and the fact that Haspiel is able to move from one to other with such ease is just one of the reasons his work has always stood out.
Continue reading “Smash Pages Q&A: Dean Haspiel on New Brooklyn, his new play and more”