‘Crisis’ at 30, Part 12

“Someday this war’s going to end,” laments Robert Duvall’s Col. Kilgore to conclude his memorable joyride through 1979’s Apocalypse Now. Similarly, as we come to the final issue of Crisis On Infinite Earths, I find myself longing (just a little) for more panels overstuffed with characters, more conversationally-expository dialogue, and even more stakes-raising plot twists.

Still, Crisis had to end sometime. Last issue introduced the singular timeline and its history. It was the first step into an era that continues to inform DC’s superhero comics. As such, issue #12 — which appeared in comics shops some thirty years ago, during the first week of November 1985 — is about cleaning up the miniseries’ last bits of clutter and getting the merged timeline ready for all its prospective readers. It’s 42 pages of wall-to-wall action, executed skillfully by the creative team.

Dogpile
Dogpile

“Someday this war’s going to end,” laments Robert Duvall’s Col. Kilgore to conclude his memorable joyride through 1979’s Apocalypse Now. Similarly, as we come to the final issue of Crisis On Infinite Earths, I find myself longing (just a little) for more panels overstuffed with characters, more conversationally-expository dialogue, and even more stakes-raising plot twists.

Still, Crisis had to end sometime. Last issue introduced the singular timeline and its history. It was the first step into an era that continues to inform DC’s superhero comics. As such, issue #12 — which appeared in comics shops some thirty years ago, during the first week of November 1985 — is about cleaning up the miniseries’ last bits of clutter and getting the merged timeline ready for all its prospective readers. It’s 42 pages of wall-to-wall action, executed skillfully by the creative team.

Speaking of which, credits: Crisis On Infinite Earths issue 12 was co-plotted, scripted, and edited by Marv Wolfman, co-plotted and pencilled by George Pérez, inked by Jerry Ordway (who also pencilled one page), colored by Tom Ziuko, and lettered by John Costanza. Robert Greenberger was the associate editor and Len Wein was the consulting editor.

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Continue reading “‘Crisis’ at 30, Part 12”

Landis & friends look back at Superman’s ‘important junctures’ in ‘American Alien’

Check out a preview of the first issue, featuring artwork by Nick Dragotta.

Hollywood screenwriter and Eisner nominee Max Landis (Chronicle, American Ultra) returns to comics in November with a murderer’s row of artists for Superman: American Alien, a seven-issue miniseries that highlights “important junctures in his development as a person.” Each issue features a different artist working with Landis on done-in-one stories set in Clark Kent’s past.

Continue reading “Landis & friends look back at Superman’s ‘important junctures’ in ‘American Alien’”

‘Crisis’ at 30, Part 11

Tom Bondurant brings his retrospective on the 30-year-old “Crisis on Infinite Earths” to Smash Pages with a look back at the series’ penultimate issue, which featured “emotional impacts just as devastating as any of its cosmic carnage.”

Buy this quilt on Etsy
Buy this quilt on Etsy

The penultimate issue of Crisis On Infinite Earths offers an interlude critical to the series’ success. It demonstrates the real impact of DC’s housecleaning not with antimatter waves or shadow demons, but through the characters who helped build the publisher’s matchless history. Accordingly, Crisis #11 features emotional impacts just as devastating as any of its cosmic carnage.
Continue reading “‘Crisis’ at 30, Part 11”