Vault Comics will publish the “new psychedelic sci-fi thriller” Mindset, written by Zack Kaplan (Eclipse, Port of Earth), drawn and colored by Eisner-winning Blue In Green artist John J. Pearson, lettered by Hassan Otsmane-Elhaou and designed by Tim Daniel.
“Mindset is a mind-bending sci-fi thriller about four wide-eyed grad students who discover mind control and put it in an app, and a dark journey that follows, twists and turns, murder and mystery, love and heartbreak through the absurd world of overnight technopreneurs and social media empires,” said Kaplan. “But the series is really about a dilemma I think we all feel today. How do we use devices, social media and apps to connect with each other and feel influential without allowing the technology to influence the very choices we make and thoughts we have? We believe the timing for the story couldn’t be more socially reverent, since we’ve increased our dependency more than ever on technology, but as Silicon Valley tightens its digital grip on our behavior, mind control exists right now.”
According to Vault, Mindset centers around four grad students who accidentally discover mind control, put it in an app, and set out to free over one billion users from technological addiction. But are they freeing the world or controlling it? It’s a cautionary tale about how idealistic dreams are corrupted, how our own minds are locked in an existential battle with technology, and perhaps, how we might win it.
“I set out to factor in a range of divergent approaches to the art to reflect the nature of the story, mixing traditional and digital approaches in a tactile way,” Pearson said. “The artwork isn’t merely an extension of the story, it’s substantial and distinct, with its own visual narrative. We’ve developed a story where we’re dealing with themes surrounding social media, misuse of power and mind control, all very much in a post-truth context. The questions that I’m pushing throughout the series with the art reflect and subvert these themes, making the viewer question what they’re seeing and the reliability of the art presented to them, alongside (and at times against) the narrative. It’s aiming to be much more than simply an illustrated thriller, I want it to be a tangible experience with the reader as an active participant, with us leading them through a story that they can revisit time and again.”
Look for the first issue in June. Check out some preview pages below, along with the variant cover for the first issue by Martin Simmonds: