Plus: classic Archie returns, Tom King, Black Panther and more.
Battle of the Cons: The court case between Comic-Con International (which runs the San Diego comic con) and Salt Lake Comic Con over CCI’s claim that it owns the term “comic con” moves into a crucial stage this week with two days of depositions today and tomorrow, followed by a settlement hearing before a judge on Thursday. That hearing will determine whether it all ends there or the case will go to trial in October. CCI owns the trademark to “comic-con” with a hyphen but the case is murkier for the unhyphenated version; Salt Lake Comic Con was allowed to trademark its name last year.
Plus: La Borinqueña, Gemini Comix, ‘Fu Jitsu,’ San Jose comic shops and more.
The End of Jem?Jem and the Holograms comes to an end with issue 26, but writer Kelly Thompson and artist Gisèle Lagacé still have a lot to say, and a new Jem/Misfits crossover series, Infinite, will be launching at the end of this month. At CBR, Thompson and Lagacé talk about what it’s been like working on the critically acclaimed series, and what we can expect in the future.
Plus: Dilraj Mann’s cover for ‘Island’ #15 examined, Mike Richardson, Gilbert Hernandez, ‘The Mundane Kid’ and more.
Auction Action: A piece of original art by Joe Colquhoun from the British comic Charley’s Warfetched an unexpected price of £1,320 at auction, soaring past the pre-sale estimate of £250-300. A lot of three consecutive pages, plus a cover layout, went for £2,450, triple the pre-sale estimate. Some other original art as well as vintage comics also did better than expected at the Compalcomics auction. Charley’s War, a World War I action comic written by Pat Mills, is enjoying something of a revival; Titan is publishing a collected edition, and some of the original art is currently on display at the Tank Museum in Bovington, UK.
Plus: ‘Revolutionary Girl Utena’ returns, Red Planet opens in Albuquerque, Melanie Gillman, Alex Segura, Harley Quinn and more.
The Wonder Woman movie has lots of people looking at the history of the character and how she has evolved over the years. The Fresh Toast has a great interview with Trina Robbins, the first woman to draw Wonder Woman and a pioneering underground comics artist and comics historian as well. She’s a delightful person who has had a fascinating life, and this interview is a great way to start off your week.
Plus: Jillian Tamaki on Q, Comic Nurse compiles HIV stories, Drawn to Change wins, Chris Ware, Captain Harlock returns
Today’s thoughtful read is a painful one: Maggie Umber chronicles the end of her marriage and the struggle to make 2dCloud a successful indy publisher. It’s a reminder that nothing is ever simple when viewed from the inside—she writes poignantly about the part she played in 2dCloud and the tension between that and her own career as a cartoonist, and the strain that put on her relationship with her soon-to-be-ex-husband Raighne Hogan:
That’s Derf Backderf, Peter Bagge, Kyle Baker, Darrin Bell, Howard Cruse, Lilli Carré and Alexander Stewart, Kelly Sue DeConnick, Kat Fajardo, Emil Ferris, Ann Marie Fleming, Matt Fraction, Jennifer Holm, Kevin Huizenga, Nilah Magruder, Ann Nocenti, Laura Park, Dav Pilkey, Mimi Pond, Dana Simpson, Chris Sprouse, Leslie Stein, Tillie Walden, Connor Willumsen and Judd Winick.
Plus news and updates on Jules Feiffer, MegaCon’s ‘Love is Love’ auction, Sophie Labelle and more.
Tee Franklin knows something that seems to eluded all of the Marvel honchos: How to make money on a comic by and about people of color. Franklin’s Bingo Love Comic, the story of a long-simmering romance between two black women, blasted past its Kickstarter goal of $20,000 in just five days and ended up with over $57,000 worth of pledges. This all happened just a few weeks after Marvel vice president David Gabriel told ICv2 “What we heard was that people didn’t want any more diversity …They didn’t want female characters. That’s what we heard, whether we believe that or not.” Although he backpedaled a bit, Gabriel’s comments raised a ruckus, but Franklin has some advice for him and the rest of the Marvel team: Draw inspiration from the women around you, hire people of color for your creative teams and advertise in channels that actually reach your prospective audience.
Plus news and updates on NBM, ‘Saga,” Dan Parent and more.
Robert Crumb’s original art for the cover of the 1969 Fritz the Cat collection has set a new record price for a piece of original American comics art: The drawing sold for $717,000 at an auction run by Heritage Auctions; the next highest price for a piece of American comics art is the $657,250 that someone paid for the last page of Incredible Hulk #180, which features the first appearance of Wolverine. Internationally, Tintin art is still top of the heap; one set of drawings brought in $3.5 million, and two other original Tintin drawings have sold for over $1 million apiece.